1. Dolgaya schastlivaya zhizn / Long Happy Life (1966, Gennady Shpalikov) #BONUS 5.5/10
2. Club de femmes / Girls' Club (1936, Jacques Deval) 6/10
3. Jofroi / Ways of Love (1933, Marcel Pagnol) 8/10
4. Junk Head (2017, Takahide Hori) #BONUS
5. The World Beyond (1978, Noel Black) #BONUS
6. Two for the Seesaw (1962, Robert Wise) #BONUS
7. Le monte-charge / Paris Pick-Up (1962, Marcel Bluwal) #BONUS
8. Divá Bára / Wild Barbara (1949, Vladimír Cech)
9. Undir trénu / Under the Tree (2017, Hafsteinn Gunnar Sigurðsson) #BONUS
10. Une infinie tendresse / An Infinite Tenderness (1970, Pierre Jallaud)
11. Skhvisi shvilebi / Somebody Else's Children (1958, Tengiz Abuladze)
12. El silencio de otros / The Silence of Others (2018, Almudena Carracedo, Robert Bahar) #BONUS
13. Himeanôru / Himeanole (2016, Keisuke Yoshida) #BONUS
14. Cockroach (2020, Ai Weiwei) #BONUS
15. L'annonce faite à Marie / The Tidings Brought to Mary (1991, Alain Cuny)
16. Ningyo densetsu / Mermaid Legend (1984, Toshiharu Ikeda ) #BONUS
17. Tristan et Iseult (1972, Yvan Lagrange)
18. Rajio no jikan / Welcome Back, Mr. McDonald (1997, Kôki Mitani) #BONUS
19. Ne okreci se sine / My Son Don't Turn Round(1956, Branko Bauer)
20. Femina ridens / The Laughing Woman (1969, Piero Schivazappa) #BONUS
21. Mga kuwentong barbero / Barber's Tales (2013, Jun Lana) #BONUS
22. Yunhui-ege / Moonlit Winter (2019, Dae Hyung Lim) #BONUS
23. Pao dao zhong dian / The End of the Track (1970, Tun-Fei Mou)
24. La femme publique / The Public Woman (1984, Andrzej Zulawski) #BONUS
25. Tænk på et tal / Think of a Number (1969, Palle Kjærulff-Schmidt) #BONUS
26. Il bandito / The Bandit (1946, Alberto Lattuada)
27. Yoru no henrin / Shape of the Night (1964, Noboru Nakamura)
28. Le désordre et la nuit / The Night Affair (1958, Gilles Grangier)
29. Mok-gyeok-ja / The Witness (2018, Kyu-Jang Cho) #BONUS
30. Tenten / Adrift in Tokyo (2007, Satoshi Miki) #BONUS
31. Kuuma kissa? / Hot Cat? (1968, Erkko Kivikoski) #BONUS
32. Iluzija / Mirage (2004, Svetozar Ristovski) BONUS
33. La vérité sur Bébé Donge / The Truth of Our Marriage (1952, Henri Decoin) #BONUS
34. Dance Me to My Song (1998, Rolf de Heer) #BONUS
35. Étoile / Ballet (1989, Peter Del Monte) #BONUS
36. Broken (2012, Rufus Norris) #BONUS
37. The Fool Killer / Violent Journey (1965, Servando González) #BONUS
38. Shitô no densetsu / Legend of a Duel to the Death / A Legend, or Was It? (1963, Keisuke Kinoshita)
39. Los peces rojos / Red Fish (1955, José Antonio Nieves Conde)
40. Tainstvennaya stena / The Mysterious Wall (1967, Irina Povolotskaya, Mikhail Sadkovich) #BONUS
41. Suna no ue no shokubutsu-gun / Plants from the Dunes / Flora on the Sand (1964, Kô Nakahira)
42. La sapienza / La Sapienza (2014, Eugène Green)
43. Nunta de piatra / Stone Wedding (1973, Dan Pita, Mircea Veroiu)
44. J'entends plus la guitare / I Can No Longer Hear the Guitar (1991, Philippe Garrel)
45. La Baule-les-Pins / C'est la vie (1990, Diane Kurys)
46. Gavaznha / The Deer (1974, Masud Kimiai)
47. L'espoir / Days of Hope(1940, André Malraux, Boris Peskine)
48. Kaiser: The Greatest Footballer Never to Play Football (2018, Louis Myles) #BONUS
49. Litan (1982, Jean-Pierre Mocky)
50. Il grido della terra / The Land Cries Out (1949, Duilio Coletti)
51. Coeurs / Private Fears in Public Places (2006, Alain Resnais)
52. Aujourd'hui / Tey (2012, Alain Gomis)
53. Khake Sar Beh Mohr / The Sealed Soil (1977, Marva Nabili)
54. Miejsce urodzenia / Birthplace (1992, Pawel Lozinski)
55. Code Blue (2011, Urszula Antoniak) #BONUS
56. Goya en Burdeos / Goya in Bordeaux (1999, Carlos Saura)
57.
O lipotaktis / The Deserter (1970, Christos Kefalas) #BONUS
A pop-y, semi-arthouse but mostly pulpy and exploitation-leaning Greek flick, with clear inspirations from Italy, especially with the Morricone/Spaghetti Western fused with euro-trash style score. The opening won me over with its almost experimental touches, though I felt like the film started to overstay its welcome a little after 30-40 minutes when it was really clear that it would just be our male protagonist frolicking around with two women, for a while without the knowledge of the other. Possibly inspired by the Beguiled but without its intensity. It is still short, compact and fun enough, even though it ended up being far less inventive and playful than the opening teased. 5.5/10
58.
En el balcón vacío (1961, Jomí García Ascot)
Told almost exclusively through narrative, this compact 53 minute film deals with the trauma of witnessing the Spanish Civil War and Fascism, mostly seen from the perspective of a young girl. The opening is incredibly powerful, and while the limitations work against it a little, it is intriguing and emotional from start to finish. 6.5/10
59.
Terumae romae (2012, Hideki Takeuchi) #BONUS
A pretty fun time travel film that sees a Roman thermal baths engineer repeatedly swallowed by the water and end up in random locations across Japan, intersecting with a young woman working to become a coming book writer/animator. The highlights have to be the first act where our Roman marvels at various (mostly low-tech) innovations of the present and recreate them in his own time. It is a bit too silly, but effective and fairly fresh. The next two acts are a bit less so, as characters from the present are thrown back to Rome, and the comedy is tuned down and we are left with a more of an adventure film about correcting history. The characters do not quite pop for me, but it is a perfectly entertaining film. 6/10