Spoiler
1. Pariah (2011) #LGBTQ
2. 7 Boxes (2012) REVISION #SouthAmerica
3. Grace of My Heart (1996) #S&S
4. Portrait of Animal Behavior (2015) #<400
5. The Spy Who Dumped Me (2018) REVISION #Bechdel
6. Lady Bird (2017) REVISION #AcademyAward
7. Women Talking (2022) #ChickLit
8. Time of Moulting (2020) #Europe
9. Alma's Rainbow (1994) #BLM
10. Alice, Darling (2022) #NorthAmerica
11. Cocaine Bear (2023) #New
12. King Car (2021) #SciFi
13. Chained (2012) #FinalGirl
14. Liyana (2017) #Africa
15. Monster (2003) REVISION #ICMForumFaves
16. Malcolm (1986) REVISION #Oceania
17. Jesus Camp (2006) REVISION #Documentary
18. Peach Skin (1929) #Silent
19. The Voices (2015) REVISION #LMAO
20. Goldbuster (2017) #Asia
21. The House (2022) #Animation
22. The Mysterious Wall (1967)
23. Harlan County U.S.A. (1976) REVISION
24. Please Baby Please (2022)
25. Spoonful of Sugar (2022)
26. The Peacemaker (1997)
27. The Producers (2005) REVISION
28. Bitch (2017)
29. Celia (1989) REVISION
2. 7 Boxes (2012) REVISION #SouthAmerica
3. Grace of My Heart (1996) #S&S
4. Portrait of Animal Behavior (2015) #<400
5. The Spy Who Dumped Me (2018) REVISION #Bechdel
6. Lady Bird (2017) REVISION #AcademyAward
7. Women Talking (2022) #ChickLit
8. Time of Moulting (2020) #Europe
9. Alma's Rainbow (1994) #BLM
10. Alice, Darling (2022) #NorthAmerica
11. Cocaine Bear (2023) #New
12. King Car (2021) #SciFi
13. Chained (2012) #FinalGirl
14. Liyana (2017) #Africa
15. Monster (2003) REVISION #ICMForumFaves
16. Malcolm (1986) REVISION #Oceania
17. Jesus Camp (2006) REVISION #Documentary
18. Peach Skin (1929) #Silent
19. The Voices (2015) REVISION #LMAO
20. Goldbuster (2017) #Asia
21. The House (2022) #Animation
22. The Mysterious Wall (1967)
23. Harlan County U.S.A. (1976) REVISION
24. Please Baby Please (2022)
25. Spoonful of Sugar (2022)
26. The Peacemaker (1997)
27. The Producers (2005) REVISION
28. Bitch (2017)
29. Celia (1989) REVISION
Directed by Sally Potter

Opening with a stressed woman pointing a gun to the camera, this Sally Potter movie makes it clear from early on that the central dinner party here will eventually spiral out of control. Indeed, as the film flash backwards, Potter keeps us wondering just when certain characters will snap. Other than being shot in black and white though, this does little to distinguish itself from other films about dinner parties gone awry, and between the single setting and endless dialogue, it often feels like a filmed stage play. The economical 70 minute runtime is a plus at least though, and a fragile Timothy Spall is superb.