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¶ Which first time viewings hacked at the frozen sea inside during the month of January 2023?

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matthewscott8
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¶ Which first time viewings hacked at the frozen sea inside during the month of January 2023?

#1

Post by matthewscott8 »

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Hello, peremptory_ambition here, junior pilcrow, one-off officiating in the absence of senior pilcrow. I sure did take an axe to the frozen sea inside this month, contender for my best month ever:

1. Malmkrog / Manor House (2020 - Cristi Puiu)
2. The Servant (1963 - Joseph Losey)
3. The Caretaker (1963 - Clive Donner)
4. Céline et Julie vont en bateau: Phantom Ladies Over Paris (1974 - Jacques Rivette)
5. Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975 - Chantal Akerman)
6. On Approval (1944 - Clive Brook)
7. Uncut Gems (2019 - Benny Safdie & Josh Safdie)
8. Overlord (1975 - Stuart Cooper)
9. Savage Messiah (1972 - Ken Russell)
10. I'm Thinking of Ending Things (2020 - Charlie Kaufman)
11. Viaggio in Italia / Voyage to Italy (1954 - Roberto Rossellini)
12. Mank (2020 - David Fincher)
13. Le sommet des dieux / The Summit of the Gods (2021 - Patrick Imbert)
14. 重慶森林 / Chung Hing sam lam / Chungking Express (1994 - Kar-wai Wong)
15. Light Sleeper (1992 - Paul Schrader)
16. Athena (2022 - Romain Gavras)

How about YOU?
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#2

Post by Silga »

The best of January:

9/10

Body of My Enemy (Henri Verneuil, 1976)
The Hudsucker Proxy (Ethan Coen, Joel Coen, 1994)

8

Matilda (Danny DeVito, 1996)
The Shape of Water (Guillermo del Toro, 2017)
The Legend of Bagger Vance (Robert Redford, 2000)

7

Vice Versa (Peter Ustinov, 1948)
Slipstream (Anthony Hopkins, 2007)
Light of My Life (Casey Affleck, 2019)
A Quiet Place Part II (John Krasinski, 2020)
The Generation of Evil (Emilis Velyvis, 2021)
The Hunter Will Get You (Philippe Labro, 1976)
Human Highway (Dean Stockwell, Neil Young, 1982)
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#3

Post by peeptoad »

two new, outstanding favorites from last month (both 9/10 or potentially higher... on rewatch)-

Vysoká zed /The High Wall (1964)
Animalia (2023)

(l) (l)
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#4

Post by Good_Will_Harding »

Pretty strong start to the year. Already got one 10/10 rating on IMDB for a first time viewing, which doesn't happen to me every month.

1. In Cold Blood (1967)
2. Daughter of the Nile (1987)
3. Broker (2022)
4. Fearless (1993)
5. Prince of the City (1981)
6. Armageddon Time (2022)
7. Skinamarink (2022)
8. Crossfire (2000)
9. Mother Kusters Goes to Heaven (1975)
10. The Chess Players (1977)
11. Set it Off (1996)
12. Saint Omer (2022)
13. Shin Ultraman (2022)

Notable re-watches:

All Quiet on the Western Front (1930)
The Hustler (1961)
Deja Vu (2006)
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#5

Post by viktor-vaudevillain »

1. Greed (Erich von Stroheim, 1924) theatrical 35mm w. live piano
2. Umiliati (Danièle Huillet & Jean-Marie Straub, 2003)
3. Benediction (Terence Davies, 2021)
4. Late Autumn (Yasujiro Ozu, 1960)
5. Viagem ao Princípio do Mundo (Manoel de Oliveira, 1997)
6. Rumble Fish (Francis Ford Coppola, 1983)
7. Hélas pour moi (Jean-Luc Godard, 2010)
8. Those Who Are Fine (Cyril Schäublin, 2017)
9. Nosferatu (F.W. Murnau, 1922) theatrical DCP
10. Relation (Toshio Matsumoto, 1982)

Best rewatches:
Certified Copy (Abbas Kiarostami, 2010)
The Outsiders (Francis Ford Coppola, 1983) theatrical 35mm
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#6

Post by viktor-vaudevillain »

matthewscott8 wrote: February 2nd, 2023, 2:10 pm
I understand it being one of your best months ever, you saw some of the biggest masterpieces out there! Rivette, Akerman, Wong, Rossellini!

Malmkrog - hmm, I've been postponing this since it came because of the length. Interesting to see it wind up that high on your list. Renews my interest!
Céline et Julie & Jeanne Dielman - wow, to never have seen these two long-titled masterpieces before is something. Welcome to the - by now quite extensive - club!
Uncut Gems - intense! One of my favorites from '19. Still thinking about it quite often. It's definitely one of the best films about money. It surely gets the material history of money. It writes itself into a trajectory of Madame de... and L'argent, though it's a beast all of its own. The environment and sense of places in the city is phenomenal.
Viaggio in Italia - (l)
Light Sleeper - prime Dafoe and Schrader.
Last edited by viktor-vaudevillain on February 2nd, 2023, 6:36 pm, edited 1 time in total.
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#7

Post by Traveller »

Some great new discoveries this month.

Happy Hour (2015)
The Demon (1978)
Manden der tænkte ting (1969)
The Third Lover (1962)
Legend of the Mountain (1979)
ICM
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!
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#8

Post by viktor-vaudevillain »

Good_Will_Harding wrote: February 2nd, 2023, 2:40 pm
Deja Vu (2006)
One of the best films ever. Such an ephemeral and tender action masterpiece. Late Tony Scott is the best, this being his crowning achievement.
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#9

Post by Torgo »

matthewscott8 wrote: February 2nd, 2023, 2:10 pm Hello, peremptory_ambition here, junior pilcrow, one-off officiating in the absence of senior pilcrow.
Nice one :D


I only did watch films for the first 10 days of the year and descended into the abyss after that. Still greater than my regular months because of the year list material:

The greatest:
Puss in Boots: The Last Wish (2022)

Top stuff:
Everything Everywhere All at Once (2022)
The Menu (2022)
Triangle of Sadness (2022)
Wheel of Fortune and Fantasy (2021)

Also pretty good:
Beyond the Infinite Two Minutes (2021)
Vortex (2021)

Another set of hm's, with added "but...":
Pleasure (2021)
Fire of Love (2022)
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#10

Post by pitchorneirda »

Favourites (>= 8/10)
The Banshees of Inisherin (2022, Martin McDonagh)
Great Display of Brock's Fireworks (1904) - short
Faya Dayi (2021, Jessica Beshir)


Very Good Movies (7 and 7.5)
Jim Shvante (1930, Mikhail Kalatozov)
Archipel (2021, Félix Dufour-Laperrière)
The Incident (1967, Larry Peerce)
Paterson (2016, Jim Jarmusch)
Jidu hanleng (1996, Xiaoshuai Wang)
Su Zhou he (2000, Ye Lou)


Honourable mentions: Fail Safe (Lumet), Chung Hing sam lam (Wong), L'insulte (Doueiri), La libertad (Alonso)
Last edited by pitchorneirda on February 2nd, 2023, 8:31 pm, edited 2 times in total.
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#11

Post by Carmel1379 »

Hey perfervid_gianduja, I'm glad you've had the indisputably finest month. I'm looking forward to seeing 'The Servant', 'Uncut Gems', and that one minor overlooked film with my own main city's name in the title (I missed the theatrical reruns, but tbf Belgium's main cinematheque only had a couple of showings; are the BFI screenings way more frequent?). As for the ones of yours I did see:

4. Céline et Julie vont en bateau: Phantom Ladies Over Paris (1974 - Jacques Rivette) - This supposedly French 'Sedmikrásky' was always meant to become one of my favourite films ever, but when I actually watched it I found it oddly barren, unexciting, and lacking musicality, however I am still convinced I'll be swooned over by its magic when it'll eventually be rewatched years down the line.
10. I'm Thinking of Ending Things (2020 - Charlie Kaufman) - Watched and discussed this at length with Pedeamb, but while my memory of the film is decent, I don't know what I said about it. :turned: Curious to read the book it's based on. 8/10
11. Viaggio in Italia / Voyage to Italy (1954 - Roberto Rossellini) - Rented this out from a library when I was like 14, and yeah, I believe it was a lovely motion picture.
12. Mank (2020 - David Fincher) - Was very much out of it when I saw it, but it's certainly good; Fincher's feature film work has never disappointed me thus far.
14. 重慶森林 / Chung Hing sam lam / Chungking Express (1994 - Kar-wai Wong) - 'California Dreamin'' is undoubtedly a classic, but at some point I've had enough after hearing it a million times. 7/10; at the moment it seems to be my 4th favourite Wong Kar-wai out of the 6 of his 10 seen.
15. Light Sleeper (1992 - Paul Schrader) - Willem Dafoe's the man.


Carmel:

Almost surely seen a nearly equal amount of feature films in January as throughout the entirety of 2022, with the resulting list below overall looking more bountiful and appealing than any such analogous exercise would yield from the last dozen of months' worth of viewings (although circumstances would be different if we additionally consider serial work). Certainly a good start to the year film-wise:)

Repo Man (1984, Alex Cox)
Madame de... (1953, Max Ophüls)
Limonádový Joe aneb Konská opera (1964, Oldrich Lipský)
*Corpus Callosum (2002, Michael Snow)
Matchstick Men (2003, Ridley Scott)
California Split (1974, Robert Altman)
Porco Rosso (1992, Hayao Miyazaki)
True Detective 3 (2019, created by Nic Pizzolatto)
Riget & RIget II (1994 & 1997, Lars von Trier)
My Man Godfrey (1936, Gregory La Cava)
The Counselor (2013, Ridley Scott)
Point Blank (1967, John Boorman)

HMs: The Wild Bunch (1969, Sam Peckinpah), What Ever Happened to Baby Jane? (1962, Robert Aldrich), Bullet Train (2022, David Leitch), Britannia Hospital (1982, Lindsay Anderson), Hustle (1975, Robert Aldrich), The Life Aquatic with Steve Zissou (2004, Wes Anderson)

more HMs: The Pale Blue Eye, X, Pearl, Puss in Boots: The Last Wish, Shattered Image, Hotel Room: Tricks, American Hustle, Airplane!, Film ist a Girl & a Gun, Jak zostałem gangsterem, Copenhagen Cowboy Ep.1, The Menu, RRR

Fruitful rewatches: LOTR trilogy, True Detective 1, A Scanner Darkly, Southland Tales, True Detective 2, & a motley of The Simpsons

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#12

Post by St. Gloede »

So happy to have you back, Cartmel. Repo Man was a film I did not connect with when I saw it far too long ago, but Madame de... is just marvellous, California Split is excellent and *Corpus Callosum is one of my big discoveries from January as well. Will go over my list later.
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#13

Post by Perception de Ambiguity »

¶ Yo, wuddup, senior pilcrow on the mic. Nice takeover mymangurl Krystal. I might make it a conscious (non-)effort and tradition to forget about the monthly thread just to have the pleasure of seeing others awkwardly taking over and trying to copy the way I run it.

My favorite from yours are (obviously) 'Athena' and (of course) I'm Thinking of Ending Things' and (naturally) 'Overlord'. And "Dielman" I gained new-found appreciation for last month...meaning the month before last, when "Dielman" still was a reflection of my own life, now a film like 'Rien a foutre' AKA 'Zero Fucks Given' is a better reflection of my current day-to-day existence, not that I ever was a housewife with a son or a stewardess, but apart from those minor details those are the realities I am occupying (Hello Reality, senior pilcrow on the mic, wuddup...)
I'll post my list whenever.


@viktor-vaudevillain
Never seen 'Nosferatu' before? Dafuque, dude? Anyway, you appreciated it, so it's all cool.

@Carmel
My personal fav of yours is 'Point Blank'. And of course there's 'What Ever Happened to Baby Jane?' when we extend it to the HMs, which I haven't seen in 11 years and 5 days, so...but I think I'm still more or less down with it. Looks like you put at least a little bit of auteur-whore-minded attention to your viewings this Jan. Does 'Britannia Hospital' have any meaningful parallels to von Trier's l'hôspital extravaganzas? In other words, does L'Hôpital's rule apply in this equation in any way?

Aldrich's 'Hustle' [Ed: Aldous Huxley] has gazed into my direction many-a times but I never got to giving it a lick. Something about it always said "No" to me when it came to taking the final step. I'll let you decide, do you think that I will dig those ADs in 2023-02?
🤘
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#14

Post by matthewscott8 »

viktor-vaudevillain wrote: February 2nd, 2023, 6:34 pm
matthewscott8 wrote: February 2nd, 2023, 2:10 pm
I understand it being one of your best months ever, you saw some of the biggest masterpieces out there! Rivette, Akerman, Wong, Rossellini!

Malmkrog - hmm, I've been postponing this since it came because of the length. Interesting to see it wind up that high on your list. Renews my interest!
Céline et Julie & Jeanne Dielman - wow, to never have seen these two long-titled masterpieces before is something. Welcome to the - by now quite extensive - club!
Uncut Gems - intense! One of my favorites from '19. Still thinking about it quite often. It's definitely one of the best films about money. It surely gets the material history of money. It writes itself into a trajectory of Madame de... and L'argent, though it's a beast all of its own. The environment and sense of places in the city is phenomenal.
Viaggio in Italia - (l)
Light Sleeper - prime Dafoe and Schrader.
hehe it was a good month by any standards, it is quite ludicrous to place them. With Uncut Gems I thought I was going to have a heart attack with the intensity, really hadn't expected that as I didn't get on with Good Time. Masterpiece in maintaining intensity and suspense.

I am on a clean up of the S&S list so quite possible for a good February, I already saw Les Glaneurs at la glaneuse! News from home cinema viewing coming up!
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#15

Post by Torgo »

matthewscott8 wrote: February 2nd, 2023, 10:04 pm
viktor-vaudevillain wrote: February 2nd, 2023, 6:34 pm Uncut Gems - intense! One of my favorites from '19. Still thinking about it quite often. It's definitely one of the best films about money. It surely gets the material history of money. It writes itself into a trajectory of Madame de... and L'argent, though it's a beast all of its own. The environment and sense of places in the city is phenomenal.
With Uncut Gems I thought I was going to have a heart attack with the intensity, really hadn't expected that as I didn't get on with Good Time. Masterpiece in maintaining intensity and suspense.
I agree with your wording, matthew. The way viktor describes it I'd never even make the connection to Uncut/the Safdies or it's aspects I just absorb en passant and don't even mind to describe (things such as mise-en-scene, sense of place).
Sorry Viktor, still we all three love it, at least :D
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#16

Post by matthewscott8 »

Torgo wrote: February 2nd, 2023, 10:14 pm
matthewscott8 wrote: February 2nd, 2023, 10:04 pm
viktor-vaudevillain wrote: February 2nd, 2023, 6:34 pm Uncut Gems - intense! One of my favorites from '19. Still thinking about it quite often. It's definitely one of the best films about money. It surely gets the material history of money. It writes itself into a trajectory of Madame de... and L'argent, though it's a beast all of its own. The environment and sense of places in the city is phenomenal.
With Uncut Gems I thought I was going to have a heart attack with the intensity, really hadn't expected that as I didn't get on with Good Time. Masterpiece in maintaining intensity and suspense.
I agree with your wording, matthew. The way viktor describes it I'd never even make the connection to Uncut/the Safdies or it's aspects I just absorb en passant and don't even mind to describe (things such as mise-en-scene, sense of place).
Sorry Viktor, still we all three love it, at least :D
I can understand where Viktor is coming from, I think like you though it hit me on a much more visceral level, "money makes trouble" isn't exactly a revelation, and I don't think this is a consciously political film, neither is it blind. Howie is a crazy diamond, that's the movie in a nutshell. I completely re-evaluated Adam Sandler watching the movie, he became iconic to me. There's something of Wolf of Wall Street about the movie, it's a revel, some people will finish it and be like yeah I want to go work for Stratton Oakmont, the ones who were already Marxists before will be Marxists after.
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#17

Post by Minkin »

Sheesh, already another month over and done with. There isn't too much to update upon since December. There's been a big plus (only had psychosis twice in January!) but my meds appear to be taking their toll on me - causing myoclonic seizures which are rather annoying more than anything else - and its some med that's causing it - and I can't see a neurologist until July... fuck. I also had a night where I fainted like 3 times - knocking a ton of stuff over, and then even apparently had an actual seizure... so I've no clue what's going on, but it must all be related to these fucking medications.

I did put quite a bit of effort into watching films for the 1992 poll - as 10 films (out of 16 seen all month) were from 1992 - which coming from my limited viewing abilities, was quite impressive. Did try to get as much overlap between 1992 and the Sci-Fi / Fantasy challenge as possible - but didn't quite end up working out that well, all the same.

The only other disappointment was Cinema Safari - as I haven't put any work into finding stuff for Berlin. Inyo County is still being held up by the art piece - which is mostly done already, its just waiting for that last step, then it can go live... so hopefully some day soon it will work out.

For those so inclined. I keep a Pinterest board of accompanying screenshots for all films watched, here + a link to all films seen with links to reviews and screenshots - here.

So, not a terrible month, disappointing, yes, and a lot of medical bullshit unfortunately. As Ween tangentially said: The good meds are killing me.



New Watches:
01. Bottle Rocket (1994) - Texas - Rating: 6/10
A trio of would-be thieves (roughly) plan out and execute a robbery of a bookstore. These guys are quite dedicated to their craft of thievery – that they plan a practice run of their mom’s house to get a feel for it, and then they decide to buy a gun to help with intimidation to make it armed robbery. It ends up being a very lackadaisical approach to theft – where they don’t exactly have any need to steal from people. They treat it almost as a hobby – that they find the act of stealing to be, well, fun / exhilarating – perhaps a rush of adrenaline. It’s where they feel the stakes are low enough to not be overly concerning – as risking jail time for $183, but not putting in effort to disguise themself – as they still don’t really know what they’re doing. It’s that they see themselves as sort of master criminals as they want to be career thieves, who steal whatever they want and effortlessly escapes. For they have the delusion of being professional thieves – that they can get away with any crime job they want – because: they know how to steal from their mom’s house. At best, they treat the whole affair as a sort of game – that they find it all amusing – be it playing with the gun during planning, or celebrating a job well done with burgers. Closer to their actions and thoughts – they seem to live in a fantasy of their own doing – where they think they can get away with these crimes effortlessly, and that they wont face death or prison, because they are so skilled at robbery. Even the Dr Pepper gun seller guy warns them not to use a gun – lest they get killed because of it – but this doesn’t even phase them, and they go ahead with the purchase (which honestly – the gun probably cost more than the amount they stole). People aren’t usually this enthusiastic, methodical and delusional about armed robbery of a Bookstop – but to them, it comes across as just another way to pass time. We hear tidbits of their, well, incompetence – like needing / asking for a bigger bag to put the loot in, or that the manager would “remember” him. But they even admit how “easy” the robbery was – that they can rob someone at gunpoint and treat it so casually. Anyway, this isn’t too bad of a start for Wes Anderson – as it begins a trope common to many of his movies – of people living in sort of fantasy worlds built off of their self-image of superiority / infallibility, and thinking they can will reality to go as they wish – despite whatever the odds might be.
02. You'll Change (1992) - USA - Rating: 6/10
03. Franz Kafka (1992) - Poland - Rating: 5/10
04. Snowman's Land (1939) - Canada - Rating: 5/10
05. Adam (1992) - England - Rating: 5/10
06. Bad Ol' Putty Tat (1949) - USA - Rating: 4/10
07. Atlantic Rim (2013) - Florida / New York - Rating: 3/10
08. What is a Map (1949) - USA - Rating: 2/10


Rewatches:
01. La course à l'abîme (1992) - Switzerland - Rating: 7/10
A horse ride through the countryside and town, set to Berlioz’s La damnation de Faust, in this animated short. The music is from the final part of Berlioz’s opera, where Faust and Mephistopheles are riding horses to hell, as Faust has traded his soul to the devil in order to save his gal pal. In the opera, the scenery becomes more twisted and disturbing as they approach hell, but in this short, we witness what appears to be Faust’s life flashing before his eyes -as he remembers memories of riding a carousel, or playing jump rope. So, rather than the imagery becoming more unsettling, as though going through the many gates of hell, Faust is given a last minor reprieve of happiness before it’s all to be taken away from him for eternity. So, it’s an interesting juxtaposition between Faust’s last moments before being sent to hell, and his fond reminisces for moments of levity. This all culminates in a collage of animation – showing a sampling of all that has happened in Faust’s life, as he can no longer focus on any one specific memory, but is instead witnessing everything at once – with the little moments that stand out in his life, before he too finally joins the dancing circle leading to hell. Its an intermix between what Faust sees on his last journey by horse – the countryside, sprinkled with crow harbingers of death, and then the moments of his life that provoke a strong memory – which is mostly of his childhood, having fun experiences of joy with other kids. Peppered into the memories are animations of the orchestra (performing the music we hear), who add to the dramatization, but also seem to signify judgment from the heavens. Some of the voices are depicted as angelic, but there’s also vocalists singing from the libretto, as well as a conductor and musicians – which are all intermingled between Faust’s past (childhood games) and his current trajectory of dancing into hell. The presence of the musicians therefore brings Faust’s fate closer to home – that we’re witnessing one of our midst being taken away, and we too might be amongst his ranks some day as well. Anyway, this brief retelling of the end of Faust’s life brings forth an intriguing interpretation of mortality and that this question of judgment isn’t too far away from our existence as well.
02. Mom and Dad Save the World (1992) - San Bernardino County / Saturn - Rating: 7/10
03. Jídlo (Food) (1992) - Czechia - Rating: 7/10
04. Godzilla and Mothra: The Battle for Earth (1992) - Japan / Indonesia - Rating: 6/10
05. A Sense of History (1992) - England - Rating: 6/10
06. It's Christmastime Again, Charlie Brown (1992) - USA - Rating: 5/10
07. Colossus and the Headhunters (1963) - Italy / Slovenia - Rating: 4 /10
08. The Muppet Christmas Carol (1992) - England / USA - Rating: 4/10



Watching Source:
YouTube - 9 films
HBO Max - 2 films
Archive - 1 film
Blu-Ray - 1 film
Disney+ - 1 film
Download - 1 film
Netflix - 1 film


Other Year end Goals
-Stayed alive and out of the hospital: :pleasing:
-Continue short form reviews: :smilz19:

Polls submitted: 1992 + Sweden
Challenges: Sci-Fi / Fantasy - 27th (out of 30)
Cinema Safari: Uhhh...... Didn't work on anything all month I'm sorry to say


-Star Trek progress: +3 (DS9 = Finished Season 4!)
-ICM awards: Bronze ICM :ICM: Decade lists: 20s, 30s, 40s, 50s, 60s, 80s
-Rewatch backwards from Nov 2021 progress: +5 films (Now at May, 2021)
-MST3K: +2 (6x05 + 12x02)
-Watchlist: (u)
-List-iest Film: Franz Kafka (1992) - 1 list (Annecy)

Until next month,
Make the Madness Stop
Cinema Safari (Currently working on Inyo County, CA + Zimbabwe upgrade) Help recommend me movies to watch) Letterboxd
She has an illusion, and you have reality. May you find your way as pleasant.
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#18

Post by Lakigigar »

All films i've seen

FILMS:
1. Double Indemnity (1944): 9/10
2. Něco z Alenky (1988): 8/10
3. La belle et la bête (1946): 8/10
4. Solyaris (1972): 8/10
5. Lilo & Stitch (2002): 8/10
6. Close Encounters of the Third Kind (1977): 8/10
7. The Iron Giant (1999): 7/10
8. Who Framed Roger Rabbit (1988): 7/10
9. A.I. Artificial Intelligence (2001): 7/10
10. Dumbo (1941): 7/10
11. Only The Brave (2017): 6/10
12. Der Himmel über Berlin (1987): 6/10
13. The Princess Bride (1987): 6/10
14. Sedmikrásky (1966): 5/10
15. Peter Pan (1953): 4/10
16. The Wizard of Oz (1939): 4/10

SHORTS:
Duck Dodgers in the 24½th Century (1953): 7/10
The Cat Concerto (1947): 7/10
The Old Mill (1937): 7/10
Der Führer’s Face (1943): 6/10
Gerald McBoing-Boing (1950): 6/10
One Froggy Evening (1955): 6/10
The Band Concert (1935): 6/10
King-Size Canary (1947): 6/10
The Unicorn in the Garden (1953): 6/10
Bad Luck Blackie (1949): 6/10
Feed The Kitty (1952): 5/10
Long-Haired Hare (1949): 5/10
Rabbit of Seville (1950): 5/10
Ali Baba Bunny (1957): 4/10
Minnie the Moocher (1932): 4/10
Porky in Wackyland (1938): 4/10
The Great Piggy Bank Robbery (1946): 4/10
The Dover Boys at Pimento University (1942): 4/10
Rabbit Fire (1951): 3/10
Rabbit Seasoning (1952): 3/10
Duck! Rabbit, Duck! (1953): 3/10
The Barber of Seville (1944): 2/10
Hedgehog in the Fog (1975): 2/10
Coal Black and de Sebben Dwarfs (1943): 1/10

Everything above 6/10 i enjoyed, below less and less so.

MUSIC:
Harold Budd, Elizabeth Fraser, Robin Guthrie & Simon Raymonde - The Moon and the Melodies (1986): 8/10 Ambient, Dream Pop, Ethereal Wave
Della Zyr - 모호함 속의 너 Nebulous You (2022): 7/10 Dream Pop, Post-Rock, Folktronica, Shoegaze
Pearly Drops - Call For Help (2020): 7/10 Synthpop, Ethereal Wave, Bedroom Pop, Dream Pop
moondaughter - Phosphenes and Iridescent Lights (2022): 7/10 Ambient, Ambient pop

OTHER:
The Making of Who Framed Roger Rabbit
Het verhaal van Vlaanderen [The Story of Flanders] ep. 1 to ep. 5
And probably lots of stuff on YT.

Mostly films for sci-fi / fantasy challenge that i participated earlier in the month, while also working on the Jerry Becks cartoon list, which frankly isn't the best official list out on the site. 20 left. Here and there some genuinely good shorts, but quite a lot are either forgettable or just bad shorts in terms of content.
Last edited by Lakigigar on February 3rd, 2023, 3:06 pm, edited 1 time in total.
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#19

Post by shugs »

A few new favorites.

9/10
Puss in Boots: The Last Wish (Joel Crawford, Januel Mercado, 2022, 🇺🇸)

8/10
Miracle in Milan (Vittorio De Sica, 1951, 🇮🇹)
A Chinese Ghost Story II (Tony Ching Siu-Tung, 1990, 🇭🇰)
The Banshees of Inisherin (Martin McDonagh, 2022, 🇮🇪)
Ilo Ilo (Anthony Chen, 2013, 🇸🇬)
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#20

Post by OldAle1 »

My month was very much the opposite of matthew's - due almost entirely to health issues. Little energy or desire to watch much besides old favorites - and generally mindless, low-concentration-needed old favorites at that. I probably had the lowest number of new viewings total since at least one of the months in the summer of 2019, and possibly even further back. Only two new viewings really worth noting

1. Saint Omer (Alice Diop, 2022) - cinema
2. Crossing Delancey (Joan Micklin Silver, 1988)

Several other new and mediocre to sort of good new releases too, but nothing worth taking my time up on now

More in the notable re-watch category

1. The Man Who Could Work Miracles (Lothar Mendes, 1936) 3rd or 4th
2. Spirited Away (Hayao Miyazaki, 2001) 2nd
3. Thunder Road (Arthur Ripley, 1958) 2nd
4. The Blues Brothers (John Landis, 1981) 3rd or 4th

Mostly old TV though - Logan's Run and Frasier. Comfort in very uncomfortable times.

I expect February to be nonexistent for me, film-wise. Hopefully I will make a triumphant return in March but only the fates know that, and they brook no predictions, either hopeful or despairing.
It was the truth, vivid and monstrous, that all the while he had waited the wait was itself his portion..
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#21

Post by Torgo »

shugs wrote: February 3rd, 2023, 3:05 pm A few new favorites.

9/10
Puss in Boots: The Last Wish (Joel Crawford, Januel Mercado, 2022, 🇺🇸)
:cheers:
🐈🥾 gang unite
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#22

Post by Perception de Ambiguity »

1. Apeiron (1998, Eurico Coelho)
2. Vortex (2021, Gaspar Noé)
3. Rocky IV: Rocky VS. Drago / Rocky Vs. Drago - The Ultimate Director's Cut (2021, Sylvester Stallone)
4. 2O22 (2023, Jacob Gene)
5. Eine Sache, die sich versteht. ( 15 mal ) (1971, Hartmut Bitomsky & Harun Farocki)
6. The Drowned Giant ("Love, Death & Robots" S02E08) (2021, Tim Miller)
7. White Noise (2022, Noah Baumbach)


Honorable Mentions

Enter the Kettlebell! - Strength Secret of the Soviet Supermen (with Pavel) (2006, A Dragon Door Publications Production) ● Kino Flächen Bunker / Bombardement und Bunker (1991, Hartmut Bitomsky) ● The Menu (2022, Mark Mylod) ● Los Dos (2023, JJ Arkadin) ● Der VW-Komplex (1990, Hartmut Bitomsky)

special shoutouts / Online Media

Matt and Shane's Secret Podcast ● videogamedunkey [YT channel] ● Primitive Technology [YT channel] ● Kiun B [YT channel] ● Eastern Wisdom and Modern Life [Alan Watts]

particular vidz/podz: Is Reality Real? The "Meta" Hard Problem of Consciousness with Levin Λ Friston Λ Fields ● Steven Seagal Choke Hold Diorama [by BobbyFingers] ● Exposing Scientific Dogmas - Banned TED Talk - Rupert Sheldrake ● The Logos at Ephesus [by Jordan B Peterson] ● A Conversation So Intense It Might Transcend Time and Space | John Vervaeke | EP 321]

The Joe Rogan Experience [#1926 Matt McCusker & Shane Gillis (2023), #1928 Jimmy Corsetti & Ben van Kerkwyk (2023), #1933 Jordan Peterson (2023), #1921 Peter Zeihan (2023), #1918 John Reeves, from The Boneyard Alaska (2022), #1924 Andrew Santino (2023), #1925 Sonny, from Best Ever Food Review Show (2023), #1919 Bret Weinstein (2023)]


Honorable Mentions - most 🍓🍒🍅ful rewatches

North by Northwest (1959, Hitch) 7 > 8 ● Kiss Me Deadly (1955, Robert Aldrich) 8 > 9 ● Key Largo (1948, John Huston) 7+ ● Notorious (1946, Hitch) 7- ● ¡Mátalo! / Matalo (1970, Cesare Canevari) 10
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#23

Post by shugs »

Torgo wrote: February 3rd, 2023, 6:22 pm 🐈🥾 gang unite
Image
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#24

Post by RogerTheMovieManiac88 »

Hi there, Matt!

My favourite FTVs of January 2023 (arranged chronologically & with standouts in red):

Return to Yesterday (1940, Robert Stevenson) - 8 or 8.5/10
Cluny Brown (1946, Ernst Lubitsch) - 8/10
Dreamboat (1952, Claude Binyon) - 7/10
The Last Page (1952, Terence Fisher) - 8/10 (The film's US title 'Man Bait' is way better IMO)
Midnight Desires (1976, Shaun Costello) - 8.5/10
Der Himmel über Berlin (1987, Wim Wenders) - 8.5/10
D.I.M (1992, Marek Skrobecki) - 8/10
Milk of Amnesia (1992, Jeff Scher) - 9/10
Hysteria (1997, Rene Daalder) - 8 or 8.5/10
Alaverdi (2012, Mariya Saakyan) - 8/10
Bacalaureat (2016, Cristian Mungiu) - 7.5 or 8/10
Boże Ciało (2019, Jan Komasa) - 8/10
Laila Aur Satt Geet (2020, Pushpendra Singh) - 8/10

Great rewatches:

Thunder Rock (1942, Roy Boulting) - 9 or 9.5/10 ; down from 10/10
Runaway Train (1985, Andrey Konchalovskiy) - 9.5/10; up from 8/10

:cheers:
That's all, folks!
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#25

Post by matthewscott8 »

RogerTheMovieManiac88 wrote: February 4th, 2023, 5:54 pm Runaway Train (1985, Andrey Konchalovskiy) - 9.5/10; up from 8/10

:cheers:
Any comments on this one, I love it as a kid, and was happy when I rewatched it as an adult. I would like to see it again, interested in your views around 9.5.
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#26

Post by RogerTheMovieManiac88 »

matthewscott8 wrote: February 4th, 2023, 6:49 pm
RogerTheMovieManiac88 wrote: February 4th, 2023, 5:54 pm Runaway Train (1985, Andrey Konchalovskiy) - 9.5/10; up from 8/10

:cheers:
Any comments on this one, I love it as a kid, and was happy when I rewatched it as an adult. I would like to see it again, interested in your views around 9.5.
I didn't note down any thoughts in the wake of seeing it unfortunately. I should have as it was probably the outstanding viewing from my January.

I think where the film works so well from the get-go is in the establishing of a primal, visceral, unforgiving toughness. The scenes in the prison present an animalistic atmosphere and lay out an anarchistic streak that will continue throughout the film. Voight is a force of nature - intense, steadfast, manic. He's been worn down but this ride to freedom is going to end on his terms. I was spellbound by his character and how he was viewed by those around him.

The use of Vivaldi and the Shakespeare quote (“No beast so fierce but knows some touch of pity. But I know none, and therefore am no beast.”) add a transcendence to the immediacy of the acting. The closing image of Voight riding into eternity is one to rival Jimmy Cagney's ''Made it Ma - Top of the World'' from 'White Heat'. An incredible close!

A profound actioner; brilliantly, memorably played by Voight. I was surprised how much I was held and moved by it!
That's all, folks!
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#27

Post by matthewscott8 »

Carmel1379 wrote: February 2nd, 2023, 7:46 pmare the BFI screenings way more frequent?)
The BFI seem to be having only one or two screenings for each of the top 100 movies. I actually saw Jeanne D in Bristol though as it happens, which was a single screening.
Carmel1379 wrote: February 2nd, 2023, 7:46 pm4. Céline et Julie vont en bateau: Phantom Ladies Over Paris (1974 - Jacques Rivette) - This supposedly French 'Sedmikrásky' was always meant to become one of my favourite films ever, but when I actually watched it I found it oddly barren, unexciting, and lacking musicality, however I am still convinced I'll be swooned over by its magic when it'll eventually be rewatched years down the line.
It's a complex film, I think it deliberately breaks its own spell at several points. It's almost urging you to leave the cinema and get out on the streets yourself. Would be a trip to see this in Montmartre.
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#28

Post by St. Gloede »

Finally had the time to look at my viewings from last month.

Got a lot in, with a full 60 first-time viewings (+4 shorts), as well as 4 rewatches.

As you can see last month was heavy on 2022 viewings (and this month will likely be the same).

New Favourites:

Unrueh / Unrest (2022, Cyril Schäublin)
Le pont des Arts (2004, Eugène Green)
Pacifiction (2022, Albert Serra)
Triangle of Sadness (2022, Ruben Östlund)
Syk pike / Sick of Myself (2022, Kristoffer Borgli)

Other great films:

De noorderlingen / The Northerners (1992, Alex van Warmerdam)
Joyland (2022, Saim Sadiq)
Paris Is Burning (1990, Jennie Livingston)
Tár (2022, Todd Field)
*Corpus Callosum (2002, Michael Snow)
Tori et Lokita (2022, Jean-Pierre Dardenne, Luc Dardenne)
An Cailín Ciúin / The Quiet Girl (2022, Colm Bairéad)
Fabian oder Der Gang vor die Hunde / Fabian: Going to the Dogs (2021, Dominik Graf)
The Banshees of Inisherin (2022, Martin McDonagh)
Histoires d'Amérique: Food, Family and Philosophy (1989, Chantal Akerman)
EO (2022, Jerzy Skolimowski)
Le monde vivant / The Living World (2003, Eugène Green)
Mandibules (2020, Quentin Dupieux)
See How They Run (2022, Tom George)
The Timekeepers of Eternity (2021, Aristotelis Maragkos)

Rewatches:

Wavelength (1967, Michael Snow) 2 ---> 5
<---> (1969, Michael Snow) 4 ---> 6
Videogrammes of the Revolution (1992, Harun Farocki) 7.5 ---> 8.5
And Life Goes On ... (1992, Abbas Kiarostami 6 ---> 8
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#29

Post by Carmel1379 »

St. Gloede wrote: February 2nd, 2023, 8:02 pm So happy to have you back, Cartmel. Repo Man was a film I did not connect with when I saw it far too long ago, but Madame de... is just marvellous, California Split is excellent and *Corpus Callosum is one of my big discoveries from January as well. Will go over my list later.
Cheers Gloede, I'm happy to be back as well. If you fancied '*Corpus Callosum', but not necessarily Snow's other work (at least based on your ratings (they're easy 8s for me), despite the rewatch improvements), I'd recommend the short film Sshtoorrty, a comparable comical later stage creation, which similarly deconstructs the living room topos and the way people inhabit it, messing with spacetime through loopings and thus also generating a sense of absurd. I'll refrain from commenting further until I've listened to your Talking Images Special Episode, maybe I'll have something more to write over in that thread. Otherwise from yours I've also seen 'Triangle of Sadness' and 'Mandibules; both were among my better first viewings of last year, especially the latter.
Perception de Ambiguity wrote: February 2nd, 2023, 9:34 pm @Carmel
My personal fav of yours is 'Point Blank'. And of course there's 'What Ever Happened to Baby Jane?' when we extend it to the HMs, which I haven't seen in 11 years and 5 days, so...but I think I'm still more or less down with it. Looks like you put at least a little bit of auteur-whore-minded attention to your viewings this Jan. Does 'Britannia Hospital' have any meaningful parallels to von Trier's l'hôspital extravaganzas? In other words, does L'Hôpital's rule apply in this equation in any way?

Aldrich's 'Hustle' [Ed: Aldous Huxley] has gazed into my direction many-a times but I never got to giving it a lick. Something about it always said "No" to me when it came to taking the final step. I'll let you decide, do you think that I will dig those ADs in 2023-02?
🤘
'Britannia Hospital''s unabashedly more satirical, loud, and crowded, but the thematic and comedic sources differ in the sense that Anderson's even more concerned with societal dynamics as a whole (England as a monarchical class society with a managerial joke of institutions, Luke Skywalker doing drugs in a van, a socialist upheaval, the operating established news & media forces, etc.), whereas I'd say von Trier is more subtle, whilst interested in the interpersonal and situational turbulences. That said you also have a case of mad scientists with particular visions, but in BH they're even more amoral & future-oriented & performing crazy experiments. There's little to speak of a spiritual realm / ghost world presence in BH, which is like 50% of the shenanigans manifesting in 'Riget'. A/w, I'll certainly be watching "Exodus" later this month, I'm not done with the adventure yet.

Hustle - The poster's hugely misleading and the plot's negligible to the point one could summarise it in one sentence, but that loitering déroulement works in its advantage, as the mood clicks, and the film's grittiness & nihilism are reinforced as a result. You get to see Burt & Deneuve groove, you get to experience what's very much an anti-cop film for its release time, and the ending's pretty bonkers -- there are probably entire minute long noirish passages I can't remember due to being too high, but the ending certainly made an impression, for what it's worth. If on a given day you feel all romance is doomed, life is fleeting, there's nothing human agency can do to the contrary, and feel like watching a plotless movie, then this one's for you.

Apeiron (1998, Eurico Coelho) - Woohoo, if Lemurians are mentioned in a ltbxd review, then I'm sold.

Vortex - Been holding this one out, didn't even manage to see it in the theatre during its release. But maybe waiting's for the better, I'm sure its gyrating power will safe and sound eventually find its way into my cradle to gently nudge a memento mori at precisely the right time.

Der VW-Komplex - It only clicked days later in my mind after I've seen this among your viewings that it's gotta be about the automotive industry... My first instinctual association upon seeing that title is naturally a CW Complex. :turned:

the Hitchs - I've seen both during my cinephilia infancy just about 10 years ago, but I haven't had the itch to rewatch them yet (partly from a past-protective sentiment). Of the apparently twenty of his films I've rated, I've only seen two more than once. You think you might continue the mini revisiting streak / a little bit of auteur-whore-minded attention?

¡Mátalo! - !Acid Western ftw¡
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#30

Post by Perception de Ambiguity »

Carmel1379 wrote: February 8th, 2023, 4:47 pm
St. Gloede wrote: February 2nd, 2023, 8:02 pm So happy to have you back, Cartmel. Repo Man was a film I did not connect with when I saw it far too long ago, but Madame de... is just marvellous, California Split is excellent and *Corpus Callosum is one of my big discoveries from January as well. Will go over my list later.
Cheers Gloede, I'm happy to be back as well. If you fancied '*Corpus Callosum', but not necessarily Snow's other work (at least based on your ratings (they're easy 8s for me), despite the rewatch improvements), I'd recommend the short film Sshtoorrty, a comparable comical later stage creation, which similarly deconstructs the living room topos and the way people inhabit it, messing with spacetime through loopings and thus also generating a sense of absurd. I'll refrain from commenting further until I've listened to your Talking Images Special Episode, maybe I'll have something more to write over in that thread. Otherwise from yours I've also seen 'Triangle of Sadness' and 'Mandibules; both were among my better first viewings of last year, especially the latter.
Perception de Ambiguity wrote: February 2nd, 2023, 9:34 pm @Carmel
My personal fav of yours is 'Point Blank'. And of course there's 'What Ever Happened to Baby Jane?' when we extend it to the HMs, which I haven't seen in 11 years and 5 days, so...but I think I'm still more or less down with it. Looks like you put at least a little bit of auteur-whore-minded attention to your viewings this Jan. Does 'Britannia Hospital' have any meaningful parallels to von Trier's l'hôspital extravaganzas? In other words, does L'Hôpital's rule apply in this equation in any way?

Aldrich's 'Hustle' [Ed: Aldous Huxley] has gazed into my direction many-a times but I never got to giving it a lick. Something about it always said "No" to me when it came to taking the final step. I'll let you decide, do you think that I will dig those ADs in 2023-02?
🤘
'Britannia Hospital''s unabashedly more satirical, loud, and crowded, but the thematic and comedic sources differ in the sense that Anderson's even more concerned with societal dynamics as a whole (England as a monarchical class society with a managerial joke of institutions, Luke Skywalker doing drugs in a van, a socialist upheaval, the operating established news & media forces, etc.), whereas I'd say von Trier is more subtle, whilst interested in the interpersonal and situational turbulences. That said you also have a case of mad scientists with particular visions, but in BH they're even more amoral & future-oriented & performing crazy experiments. There's little to speak of a spiritual realm / ghost world presence in BH, which is like 50% of the shenanigans manifesting in 'Riget'. A/w, I'll certainly be watching "Exodus" later this month, I'm not done with the adventure yet.

Hustle - The poster's hugely misleading and the plot's negligible to the point one could summarise it in one sentence, but that loitering déroulement works in its advantage, as the mood clicks, and the film's grittiness & nihilism are reinforced as a result. You get to see Burt & Deneuve groove, you get to experience what's very much an anti-cop film for its release time, and the ending's pretty bonkers -- there are probably entire minute long noirish passages I can't remember due to being too high, but the ending certainly made an impression, for what it's worth. If on a given day you feel all romance is doomed, life is fleeting, there's nothing human agency can do to the contrary, and feel like watching a plotless movie, then this one's for you.

Apeiron (1998, Eurico Coelho) - Woohoo, if Lemurians are mentioned in a ltbxd review, then I'm sold.

Vortex - Been holding this one out, didn't even manage to see it in the theatre during its release. But maybe waiting's for the better, I'm sure its gyrating power will safe and sound eventually find its way into my cradle to gently nudge a memento mori at precisely the right time.

Der VW-Komplex - It only clicked days later in my mind after I've seen this among your viewings that it's gotta be about the automotive industry... My first instinctual association upon seeing that title is naturally a CW Complex. :turned:

the Hitchs - I've seen both during my cinephilia infancy just about 10 years ago, but I haven't had the itch to rewatch them yet (partly from a past-protective sentiment). Of the apparently twenty of his films I've rated, I've only seen two more than once. You think you might continue the mini revisiting streak / a little bit of auteur-whore-minded attention?

¡Mátalo! - !Acid Western ftw¡

I sssscecccnod the recommendation of 'Sshtoorrty' for gloede. I actually liked that one better. *Corpus Callosum I found to be a bit too much just being fiddling with new video effects without much of a greater raison d'être. 'Sshtoorrty', on the other hand, properly engaged my mind.

I get what you mean by it, but I think you might be the first person to call Lars von Trier subtle. Let me check.
"Lars von Trier is subtle
Let's try your exact quote:
"von Trier is more subtle"
Hypothesis confirmed.
Can't say that I'm interested in 'Britannia Hospital'. It's mostly the Britishness that keeps me away. British works that are too culturally specific and part of the Zeitgeist (British period pieces I'm more down with) tend to reek too much "stiff upper lip" for me, including the ones that are actually satires and critical of the country. When I think about it, fuck middle-class Brits, I guess. Proper posh Brits I kind of get, and poor Brits I kind of get, but we all know that poor people have no culture, so that explains that.

Hustle - I'll probably not jump into 'Hustle' immediately now, but I'll put it back on my watchlist.

You're interested in Lemuria and that kind of shit? Nyzzzz!
'Apeiron' can be watched here: https://vimeo.com/11076466
Didn't find it anywhere else. I suggest you correct the aspect ratio, though, unless it doesn't bother you, in which case good for you. I likened the short to a Larry Jordan film whose films have an air of esoteric allusions about them. I don't know how Bedeutungsschwanger Jordan's films actually are or in how far they are stream-of-consciousness nonsense, but even a stream-of-consciousness oriented work inadvertently is imbued with a lifetime of experiences and knowledge and he seems to be a decently erudite guy from all I picked up through his films, I'm confident that I would have called his bluff a long time ago if his films were little more than random shit pretending to be meaningful.
'Apeiron' also has total PlayStationOne graphics in terms of technology (made at exactly around that time) but better animated than any PS1 game I know (I've known pretty much all of them, at least fleetingly, by reading about them in PS1 magazines back in the day), it's also a bit V A P O R W A V E; very blue, skies with clouds, oceans and reflections of the ripples of water under the ocean surface as the sunlight hits the ocean floor as a nude roboman swims through it, and who encounters headless and armless marble statues. Giant (hologram-)screens suspended in air, showing lines of numbers computing...something, and geometric forms disappearing as effortlessly as they appeared, disembodied people appearing and disappearing, suggesting a virtual world. Also a lot of eyeballs, and some floating spheres. The aspects described in the last two sentences were quite reminiscent of at least one SE:L episode:
Image

Hitch - It is possible that I'll do more rewatches. But the rewatches were just the easy route to go in terms of getting back into Hitch, as I've also been meaning to catch that Hitch-wave to get to some less popular Hitch films that I still haven't seen, like some of his silents. We'll see. Except for mostly the big classics I've seen most of his films only once, including the ones that I liked a lot, and I've seen them way back, back in the watching-films-dubbed-on-TV days, so I could go for those just as well. I got bitten by the Hitch bug (if you can call it that with my streak of watching TWO Hitch films in a month) by seeing the famous "Cary Grant chased by an airplane on a field" 'sequence dissected in Bombardement und Bunker', and I used to be somewhat lukewarm on that film...well, I had it as a 7, which isn't bad at all, but compared to the reputation of it generally being ranked as a Top 5 Hitch it was somewhat disappointing.

¡Mátalo! - You haven't seen this, right? I guess this probably isn't your kind of thing, and I know that this is something specific that I am into, my brain just has the right receptors to connect with those psychedelic end-60s/early-70s substances. But what I'm sure of is that anyone who just watches the first five minutes of it will know if it is their jam or not. Well, I think that's pretty much true for all of those jams. And ¡Mátalo!, like most of those films, goes full throttle right from the start, so if you are not immediately captivated by it, you can turn it off and you don't need to worry about it anymore. But if it does connect it's time to take a trip.

There's a new Johanna Vaude work, btw: https://www.arte.tv/fr/videos/112557-01 ... nna-vaude/
Wasn't too BLOWn away by this one, personally, but it was successful enough to make me horny for 'Knock at the Cabin'.

And I found this on YT...well, it got recc'd to me, but might actually be something more up your alley:
https://www.youtube.com/watch?v=r28i-k3mL3o
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