1000<400 Challenge (Official, January 2021)

[zzzorf]

Goal:
Watch as many movies as possible from the current version of the 1000<400 list during January 2021.


Rules:
- Movies from this list are the only eligible.
- Each feature film (over 40 minutes) counts as one entry.
- 80 minutes of short films or miniseries/TV episodes counts as one entry.
- Rewatches are allowed and are good for your soul.
- Please put the list position of the movie in your post, otherwise it will not be counted.


Bonus Challenge - Complete the List:
As a group lets see if we can complete the list. I will keep track of what is watched, lets see how close we can get.

Rank	Participant	Count
1st	tourdesb	111
2nd	Lu-Chin	100
3rd	jeroeno	71
4th	beavis	58
5th	72aicm	55
6th	sol	47
7th	DudeLanez	42
8th	klaus78	32
9th	jdidaco	22
10th	AB537	21
11th	pitchorneirda	20
12th	maksler	17
13th	insomnius	12
=14th	maxwelldeux	11
=14th	ckfilm88	11
16th	frbrown	10
17th	Obgeoff	8
=18th	hurluberlu	7
=18th	Melvelet	7
20th	flavo5000	6
=21st	zzzorf	5
=21st	blocho	5
=23rd	kongs_speech	3
=23rd	ororama	3
25th	redcard29	2
=26th	mightysparks	1
=26th	connordenney	1
=26th	OldAle1	1

[72aicm]

In! Thanks for hosting. 765/1000 on the full list. I’ll try to at least watch the remaining films on the main list. Got 29 left.

[frbrown]

- Movies from this list are the only eligible.

Could someone put that list on IMDb, please?

[frbrown]

- All movies tagged as science fiction or fantasy on IMDB are eligible.

Wrong challenge, I think

[zzzorf]

- All movies tagged as science fiction or fantasy on IMDB are eligible.

Wrong challenge, I think

Thanks, forgot to delete it out when I copied the new rules. Has been fixed now.

[sol]

It starts! First in.

1. The Myth of the American Sleepover (2010) #639



Less engaging than David Robert Mitchell's subsequent horror/thriller movies, this comedy/drama is populated with self-absorbed characters who vary in how interesting they are to follow around. A subplot involving twins comes off the best with pointed personal identity issues as the twins insist on being recognised as individuals and the young guy chasing them is given an ultimatum to choose which one he has a crush on, told that he cannot like both.

[beavis]

And I'm kicking this off with

1. Has Anybody Seen My Gal? (1952, #642) - 8

A great seasonal closer (the movie end in Christmas and new years celebrations) for me and a continuation of a tradition I've been having with myself for 9 years now, which is kicking of my cinematic year with a Douglas Sirk movie! I was glad to find a Sirk I hadn't seen yet in the 1000<400 list

1/1/2013 - All That Heaven Allows (1955) - 8,5
1/1/2014 - A Time to Love and a Time to Die (1958) - 7,5
1/1/2015 - There's Always Tomorrow (1956) - 8,5
1/1/2016 - Imitation of Life (1959) - 8
1/1/2017 - Lured (1947) - 7
1/1/2018 - The Tarnished Angels (1958) - 7,5
1/1/2019 - Interlude (1957) - 7,5
1/1/2020 - Summer Storm (1944) - 7,5
1/1/2021 - Has Anybody Seen My Gal? (1952) - 8

The movie is genuinely funny, has amazing Technicolor cinematography (as the best Sirk movies do!) and there is a lot of old school "heart" into this. Very much in the Christmas spirit. I closed the year with Feuerwerk, and this turned out to be an excellent sentimental double-bill (with a short night sleep in between )

[zzzorf]

1. Has Anybody Seen My Gal? (1952)

Don't forget to add which number on the list it is for it to count.

[zzzorf]

1. The Silent Partner (1978, #222) - 6/10
2. Who Killed Captain Alex? (2010, #388) - 2/10

[pitchorneirda]

1. Daïnah la Métisse (1932, Jean Grémillon) #677 6.5/10

<-- Astonishingly modern, loved the Roaring Twenties vibe and the socio-political stake. A few scenes are weird though, one ends in the middle of a sentence; I wonder whether the film is complete or not?

2. Blokada (2006, Sergey Loznitsa) #549 5/10

<-- Besides its obvious great historical value (it depicts the Siege of Leningrad during WWII), I wasn't impressed by the footage. The fake added sound is awful, the editing is average.

[tourdesb]

I'm in!

Starting at 237/500 and 381/1000.

1. Yoru no onnatachi (1948, Kenji Mizoguchi) #757
2. Ansatsu (1964, Masahiro Shinoda) #686

[72aicm]

01. #119 Da xiang xi di er zuo (2018)
02. #345 Laissez bronzer les cadavres (2017)
03. #985 En forårsdag i Helvede (1977)

[maxwelldeux]

- Movies from this list are the only eligible.

Could someone put that list on IMDb, please?

On it.

[maxwelldeux]

- Movies from this list are the only eligible.

Could someone put that list on IMDb, please?

On it.

https://www.imdb.com/list/ls084018780/

[frbrown]

1. The Blue Bird (1918) #416

Solid, but I won't be adding it to my list

[frbrown]

Could someone put that list on IMDb, please?

On it.

https://www.imdb.com/list/ls084018780/

Thanks, Max

[sol]

The 1000<400 Blows

1. The Myth of the American Sleepover (2010) #639

2. Go, Go, Second Time Virgin (1969) #297



This is lusciously filmed in black and white for the most part with high contrast shots that sublimely wash out the nudity and emphasise the shadows at night. There are also a couple of trauma flashbacks that are filmed in colours so vibrant that they effectively convey just how strong the nightmarish memories are for the characters. Certain stretches of the film feel repetitive, but this goes in so many unexpected directions that it is totally engrossing.

[maksler]

Alright, I'm in! This will be my first challenge in 5 years

I'll be watching a selection of movies by one of the two directors who have 10 films on the list: Mikio Naruse (the other being Frederick Wiseman). I'll also be watching other movies by him that are on other lists on my watchlist, so my aim for this challenge will be to (at least) have watched the ten movies by him that are on the 1000 < 400 list.
However, I'm going through the silent era first.

[tourdesb]

Saw a selection of solid shorts, my favourite being Sisyphus, Hamsarayan and Ghost

3a. Do pivnice (1983, Jan Svankmajer) #601 (15')
3b. Hamsarayan (1982, Abbas Kiarostami) #267 (17')
3c. Ghost (1984, Takashi Ito) #745 (5')
3d. Sisyphus (1974, Marcell Jankovics) #893 (3')
3e. Spacy (1981, Takashi Ito) #876 (10')
3f. The Wanderer (1988, George Ungar) #921 (11')
3g. Brouillard: Passage #14 (2014, Alexandre Larose) #527 (10')
3h. Jack Frost (1934, Ub Iwerks) #808 (9')
4. Zacharovannaya Desna (1964, Yuliya Solntseva) #383
5. Von morgens bis mitternachts (1920, Karl Heinz Martin) #729

239/500 - 393/1000

1. Yoru no onnatachi (1948, Kenji Mizoguchi) #757
2. Ansatsu (1964, Masahiro Shinoda) #686
3a. Do pivnice (1983, Jan Svankmajer) #601 (15')
3b. Hamsarayan (1982, Abbas Kiarostami) #267 (17')
3c. Ghost (1984, Takashi Ito) #745 (5')
3d. Sisyphus (1974, Marcell Jankovics) #893 (3')
3e. Spacy (1981, Takashi Ito) #876 (10')
3f. The Wanderer (1988, George Ungar) #921 (11')
3g. Brouillard: Passage #14 (2014, Alexandre Larose) #527 (10')
3h. Jack Frost (1934, Ub Iwerks) #808 (9')
4. Zacharovannaya Desna (1964, Yuliya Solntseva) #383
5. Von morgens bis mitternachts (1920, Karl Heinz Martin) #729

[sol]

The 1000<400 Blows

1. The Myth of the American Sleepover (2010) #639
2. Go, Go, Second Time Virgin (1969) #297

3. The Story of Louis Pasteur (1936) #995



Absolutely riveting to watch in Covid-19 times, this Hollywood biopic details Louis Pasteur's difficulties proving that germs are real and that vaccinations work in the nineteenth century. Paul Muni shines as the humble scientist, frustrated by poor hygiene deaths and only wanting better healthcare rather than fame or fortune. The most memorable moments though come from the supporting characters who scoff at his ideas - most notably Fritz Leiber.

[klaus78]

1. #53 La muerte de un burócrata (1966) 7/10
2. #61 La religieuse (1966) 8/10
3. #82 LA 92 (2017) 8/10

[pitchorneirda]

Spoiler

1. Daïnah la Métisse (1932, Jean Grémillon) #677 6.5/10
2. Blokada (2006, Sergey Loznitsa) #549 5/10

3. Reality's Invisible (1971, Robert E. Fulton) #155 4/10

<-- A little bit snobbish. I'm an experimental buff but I'm probably not ready to watch "meta"-movies about experimental arts. Moreover, the fast pace has always acted as a foil to me - I can't think properly

4. Chanson d'Armor (1934, Jean Epstein) #997 5/10

<-- I will always admire Jean Epstein for his desire to flee the studio and go on the field to record something real; the Breton folk vibe is there and it was a great use of music for an early talkie. But to modern eyes, the story remains flat.

5. Mer Dare (1983, Artavazd Peleshian) #109 7/10

<-- Chilling experience. Loved the modern interpretation of the myth of Icarus but with a dash of optimism and love for the failing humanity. Like someone else said on iCM, "would have been sublime if not for the comic relief"

6. Sero hiki no Gôshu (1982, Isao Takahata) #366 6.5/10

<-- Very cute and fascinating but at the end maybe too short and too on the surface of things, a good introduction to Takahata though, might be the kind of film to get my niece (9 yo) seriously interested in Ghibli anime

7. Chronos (1985, Ron Fricke) #762 2/10

<-- No emotion, the technique never effaces its own presence for the benefit of meaning. It's just time-lapse after time-lapse and not much else, it seemed like an ad for drones. The mix of footage of "sacred" places like Giza pyramids, Mont St-Michel, Stonehenge etc. just highlights how syncretic and thus uneffective the message is

[72aicm]

04. #405 Hearts Beat Loud (2018)
05. #409 Monday (2000) (added to my list)
06. #454 César (1936)
07. #696 Sogobi (2002)

772/1000

01. #119 Da xiang xi di er zuo (2018)
02. #345 Laissez bronzer les cadavres (2017)
03. #405 Hearts Beat Loud (2018)
04. #409 Monday (2000) (added to my list)
05. #454 César (1936)
06. #696 Sogobi (2002)
07. #985 En forårsdag i Helvede (1977)

[tourdesb]

6a. Childish Gambino: This is America (2018, Hiro Murai) #871 (4')
6b. Baltie zvani (1961, Ivars Kraulitis) #617 (24')
6c. Pereval (1988, Vladimir Tarasov) #978 (31')
6d. Rusalka (1997, Aleksandr Petrov) #735 (10')
6e. This House Has People in It (2016, Alan Resnick) #738 (12')
7. Chronos (1985, Ron Fricke) #762

239/500 - 399/1000

1. Yoru no onnatachi (1948, Kenji Mizoguchi) #757
2. Ansatsu (1964, Masahiro Shinoda) #686
3a. Do pivnice (1983, Jan Svankmajer) #601 (15')
3b. Hamsarayan (1982, Abbas Kiarostami) #267 (17')
3c. Ghost (1984, Takashi Ito) #745 (5')
3d. Sisyphus (1974, Marcell Jankovics) #893 (3')
3e. Spacy (1981, Takashi Ito) #876 (10')
3f. The Wanderer (1988, George Ungar) #921 (11')
3g. Brouillard: Passage #14 (2014, Alexandre Larose) #527 (10')
3h. Jack Frost (1934, Ub Iwerks) #808 (9')
4. Zacharovannaya Desna (1964, Yuliya Solntseva) #383
5. Von morgens bis mitternachts (1920, Karl Heinz Martin) #729
6a. Childish Gambino: This is America (2018, Hiro Murai) #871 (4')
6b. Baltie zvani (1961, Ivars Kraulitis) #617 (24')
6c. Pereval (1988, Vladimir Tarasov) #978 (31')
6d. Rusalka (1997, Aleksandr Petrov) #735 (10')
6e. This House Has People in It (2016, Alan Resnick) #738 (12')
7. Chronos (1985, Ron Fricke) #762

[DudeLanez]

1. Tall in the Saddle (1944) 7/10 #381
2. Electric Dragon 80.000 V (2001) 5/10 #558

Spoiler

1. Tall in the Saddle (1944) 7/10 #381
2. Electric Dragon 80.000 V (2001) 5/10 #558

[blocho]

Alright, I'm in! This will be my first challenge in 5 years

Welcome back!

[tourdesb]

8. La ville des pirates (1983, Raoul Ruiz) #79
9. Le grand amour (1969, Pierre Etaix) #206

241/500 - 401/1000

1. Yoru no onnatachi (1948, Kenji Mizoguchi) #757
2. Ansatsu (1964, Masahiro Shinoda) #686
3a. Do pivnice (1983, Jan Svankmajer) #601 (15')
3b. Hamsarayan (1982, Abbas Kiarostami) #267 (17')
3c. Ghost (1984, Takashi Ito) #745 (5')
3d. Sisyphus (1974, Marcell Jankovics) #893 (3')
3e. Spacy (1981, Takashi Ito) #876 (10')
3f. The Wanderer (1988, George Ungar) #921 (11')
3g. Brouillard: Passage #14 (2014, Alexandre Larose) #527 (10')
3h. Jack Frost (1934, Ub Iwerks) #808 (9')
4. Zacharovannaya Desna (1964, Yuliya Solntseva) #383
5. Von morgens bis mitternachts (1920, Karl Heinz Martin) #729
6a. Childish Gambino: This is America (2018, Hiro Murai) #871 (4')
6b. Baltie zvani (1961, Ivars Kraulitis) #617 (24')
6c. Pereval (1988, Vladimir Tarasov) #978 (31')
6d. Rusalka (1997, Aleksandr Petrov) #735 (10')
6e. This House Has People in It (2016, Alan Resnick) #738 (12')
7. Chronos (1985, Ron Fricke) #762
8. La ville des pirates (1983, Raoul Ruiz) #79
9. Le grand amour (1969, Pierre Etaix) #206

[AB537]

Haven't put as much effort into these lists as some others have, so starting at 53/500 and 90/1000.

1. The Silent Partner (Daryl Duke, 1978) 7/10 ... #222

[72aicm]

008. #336 Foxtrot (2017) (added to my list)
009. #387 Perceval le Gallois (1978)
010. #940 The Wild Parrots of Telegraph Hill (2003)

Spoiler

001. #119 Da xiang xi di er zuo (2018)
002. #336 Foxtrot (2017) (added to my list)
003. #345 Laissez bronzer les cadavres (2017)
004. #387 Perceval le Gallois (1978)
005. #405 Hearts Beat Loud (2018)
006. #409 Monday (2000) (added to my list)
007. #454 César (1936)
008. #696 Sogobi (2002)
009. #940 The Wild Parrots of Telegraph Hill (2003)
010. #985 En forårsdag i Helvede (1977)

[maksler]

1. Wife! Be like a rose! (1935, Mikio Naruse) 8- #982

And we're off! And I do love me some shomin-geki! Where Naruse's characters in his silents felt to be lacking a little depth, this movie felt like an improvement. Some annoying characters, but overall a moving picture.

[beavis]

1. Has Anybody Seen My Gal? (1952, #642) - 8

yesterday:
2. Prästänkan (1920, #593) - 6.5
3. The Patsy (1928, #286) - 7.5
4. Døden er et kjærtegn (1949, #937) - 7.5

today:
5. Kamouraska (1973, #612) - 7.5
6. Les ordres (1974, #171) - 8
7. Hard Core Logo (1996, #967) - 7.5

Yesterday the Patsy came very close to an 8 for me. Some truly funny intertitles and a captivating leading performance by Marion Davies (who I had not seen in a movie before, but did recently see portrayed by Amanda Seyfried in Mank). Only the type of story, situations and characters are keeping this one slightly back for me, so even if it is tempting to overrate this for its unique selling points, I still think this is "just" a very solid 7.5 And a fun discovery!
Prastankan was not up there with other Dreyer works for me, and there seems to be a kind of morality play going on (closing the thing off with the symbol of the cross) that just doesn't fly for me. The noir film was well done for the genre, which is not my favorite... I had a hard time believing the characters, but in the end the story did engage me enough to think about it some more, so I rounded it generously off upwards to a 7.5

Today was for Canada and the movie I had least expectations about ran off with a solid 8. Les Ordres really succeeds in putting you in the mindset of someone who is put into jail without any justification... I wanted to compare it to something Peter Watkins could have done, the style is different and not as intense at Watkins could make it, but there are some similarities.
Kamouraska is a close second with a double whammy of putting the stunning Geneviève Bujold in some stunning cinematography and lighting. The first half hour had me thinking masterpiece, but after that a long extended flashback takes place for most of the rest of the movie (and i watched the longest version, so this is a more than 2 hour segment), that in the end just drags too much. also the bravura editing and lighting felt taken a notch down... I just wasn't as engaged anymore.
Hard Core Logo is a véry well made mockumentary... subtly funny and painfully true at times. I can see why this one is up there on the best of Canada list... but this kind of thing just doesn't engages me much these days. I have seen these type of characters and situations too much I guess, they are not the most captivating to look at and be on the road with.

[pitchorneirda]

Spoiler

1. Daïnah la Métisse (1932, Jean Grémillon) #677 6.5/10
2. Blokada (2006, Sergey Loznitsa) #549 5/10
3. Reality's Invisible (1971, Robert E. Fulton) #155 4/10
4. Chanson d'Armor (1934, Jean Epstein) #997 5/10
5. Mer Dare (1983, Artavazd Peleshian) #109 7/10
6. Sero hiki no Gôshu (1982, Isao Takahata) #366 6.5/10
7. Chronos (1985, Ron Fricke) #762 2/10

8. Cien niños esperando un tren (1988, Ignacio Agüero) #394 6/10
<-- documentary about children in Chile learning the early history of cinema and film-making; cute, joyful and informative, not much else

9. West of Zanzibar (1928, Tod Browning) #638 4/10
<-- took me too long to get into it, not very rewarding and a lot of details that are unimportant and are just there "for the folklore"

10. Gwen, le livre de sable (1985, Jean-François Laguionie) #773 7/10
<-- one of the best animated movies I've watched, not the most beautiful but one of the most intelligent, with a clever anti-materialist story and one magical scene that's unforgettable

11. Kapurush (1965, Satyajit Ray) #299 5/10
<-- I get where its praise comes from but the story falls mostly flat and Ray made some much cleverer movies and metaphores; it's a minor film in his filmography

12. Hyuil (1968, Man-hui Lee) #951 6/10
<-- Wow this movie is like the definition of bleak...which is good really! And The fact that it was censored for being too bleak make it legendary somehow. But some scenes are off tone and the actors seem a bit clumsy overall.

[AB537]

2. Kreuzweg - Stations of the Cross (Dietrich Bruggemann, 2014) 7.5/10 ... #14

[sol]

The 1000<400 Blows

1. The Myth of the American Sleepover (2010) #639
2. Go, Go, Second Time Virgin (1969) #297
3. The Story of Louis Pasteur (1936) #995

4. Dawson City: Frozen Time (2016) #120



This begins well with intimate interviews and a fascinating rundown of the discovery, including reenactments. After this promising start though, the middle 90 minutes feels like a PowerPoint presentation with Morrison showing all of the footage with text rather than narration describing and giving context. The text (often paragraphs long) distracts from the footage and photographs shown - and Morrison even superimposes whole newspaper articles over images!

[jeroeno]

01. Kaos (1984) #930
02. Aoi haru (Blue Spring) (2001) #283
03. Yoru wa mijikashi aruke yo otome (Night Is Short, Walk On Girl) (2017) #294
04. Black Roots (1970) #900


Shorts for the bonus challenge only:
Sisyphus (1974) #893
Childish Gambino: This Is America (2018) #871
Spacy (1981) #876
Jack Frost (1934 #808
My ne mozhem zhit bez kosmosa (2014) #399

[tourdesb]

10. Daïnah la métisse (1932, Jean Grémillon) #677
11. Souls for Sale (1923, Rupert Hughes) #825
12. L'homme qui ment (1968, Alain Robbe-Grillet) #189

243/500 - 405/1000

1. Yoru no onnatachi (1948, Kenji Mizoguchi) #757
2. Ansatsu (1964, Masahiro Shinoda) #686
3a. Do pivnice (1983, Jan Svankmajer) #601 (15')
3b. Hamsarayan (1982, Abbas Kiarostami) #267 (17')
3c. Ghost (1984, Takashi Ito) #745 (5')
3d. Sisyphus (1974, Marcell Jankovics) #893 (3')
3e. Spacy (1981, Takashi Ito) #876 (10')
3f. The Wanderer (1988, George Ungar) #921 (11')
3g. Brouillard: Passage #14 (2014, Alexandre Larose) #527 (10')
3h. Jack Frost (1934, Ub Iwerks) #808 (9')
4. Zacharovannaya Desna (1964, Yuliya Solntseva) #383
5. Von morgens bis mitternachts (1920, Karl Heinz Martin) #729
6a. Childish Gambino: This is America (2018, Hiro Murai) #871 (4')
6b. Baltie zvani (1961, Ivars Kraulitis) #617 (24')
6c. Pereval (1988, Vladimir Tarasov) #978 (31')
6d. Rusalka (1997, Aleksandr Petrov) #735 (10')
6e. This House Has People in It (2016, Alan Resnick) #738 (12')
7. Chronos (1985, Ron Fricke) #762
8. La ville des pirates (1983, Raoul Ruiz) #79
9. Le grand amour (1969, Pierre Etaix) #206
10. Daïnah la métisse (1932, Jean Grémillon) #677
11. Souls for Sale (1923, Rupert Hughes) #825
12. L'homme qui ment (1968, Alain Robbe-Grillet) #189

[maxwelldeux]

1. Reminiscences of a Journey to Lithuania (1972) #209
Hold the damned camera still, Mekas.

2. At Sea (2007) #161
Why? Some neat images to look at, but good god this could use some narration/context. I know I'm not usually a fan of experimental stuff, but come on!

[sol]

2. At Sea (2007) #161
Why? Some neat images to look at, but good god this could use some narration/context. I know I'm not usually a fan of experimental stuff, but come on!

Hear, hear. I recently bashed At Sea during our Contemporary Silent Films podcast. Don't understand the love for it either.

My four word review for At Sea was "I prefer At Land".

[sol]

The 1000<400 Blows

1. The Myth of the American Sleepover (2010) #639
2. Go, Go, Second Time Virgin (1969) #297
3. The Story of Louis Pasteur (1936) #995
4. Dawson City: Frozen Time (2016) #120

5. They Made Me a Fugitive (1947) #341



The first thirty minutes are a little slow-moving here, but the film improves after prison break as the protagonist encounters nefarious characters on his journey, from a femme fatale who wants him to murder her husband in return for a meal, to a man who offers him a ride and teases him the whole way about whether he could be the wanted fugitive in the news. Everything also culminates in a fantastic climax with an eerily large and ominous RIP sign.

[tourdesb]

13. Une corde un Colt... (1969, Robert Hossein) #495
14. Mujô (1970, Akio Jissoji) #42
15. Pirosmani (1969, Giorgi Shengelaia) #45

246/500 - 407/1000

1. Yoru no onnatachi (1948, Kenji Mizoguchi) #757
2. Ansatsu (1964, Masahiro Shinoda) #686
3a. Do pivnice (1983, Jan Svankmajer) #601 (15')
3b. Hamsarayan (1982, Abbas Kiarostami) #267 (17')
3c. Ghost (1984, Takashi Ito) #745 (5')
3d. Sisyphus (1974, Marcell Jankovics) #893 (3')
3e. Spacy (1981, Takashi Ito) #876 (10')
3f. The Wanderer (1988, George Ungar) #921 (11')
3g. Brouillard: Passage #14 (2014, Alexandre Larose) #527 (10')
3h. Jack Frost (1934, Ub Iwerks) #808 (9')
4. Zacharovannaya Desna (1964, Yuliya Solntseva) #383
5. Von morgens bis mitternachts (1920, Karl Heinz Martin) #729
6a. Childish Gambino: This is America (2018, Hiro Murai) #871 (4')
6b. Baltie zvani (1961, Ivars Kraulitis) #617 (24')
6c. Pereval (1988, Vladimir Tarasov) #978 (31')
6d. Rusalka (1997, Aleksandr Petrov) #735 (10')
6e. This House Has People in It (2016, Alan Resnick) #738 (12')
7. Chronos (1985, Ron Fricke) #762
8. La ville des pirates (1983, Raoul Ruiz) #79
9. Le grand amour (1969, Pierre Etaix) #206
10. Daïnah la métisse (1932, Jean Grémillon) #677
11. Souls for Sale (1923, Rupert Hughes) #825
12. L'homme qui ment (1968, Alain Robbe-Grillet) #189
13. Une corde un Colt... (1969, Robert Hossein) #495
14. Mujô (1970, Akio Jissoji) #42
15. Pirosmani (1969, Giorgi Shengelaia) #45