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Silent Era Challenge (Official, September 2020)

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Re: Silent Era Challenge (Official, September 2020)

#121

Post by burneyfan » September 16th, 2020, 4:21 pm

allisoncm wrote:
September 16th, 2020, 4:13 pm
By way of HENRI (https://www.cinematheque.fr/henri/) we have two silent Allan Dwan films from 1916 starring Douglas Fairbanks:
1. The Good Bad Man (Allan Dwan, 1916)
2. The Half-Breed (Allan Dwan, 1916)
Thanks for the link, Allison!

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#122

Post by Obgeoff » September 17th, 2020, 10:33 am

7. By the Law (1926, Kuleshov) 8
Image

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#123

Post by Traveller » September 17th, 2020, 4:02 pm

92. En rade (1927) - 6/10
93. Eternal Love (1929) - 6/10
94. Forbidden Paradise (1924) - 5/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#124

Post by cinephage » September 18th, 2020, 8:18 am

06.a Kino-pravda no. 6, by Dziga Vertov (1922) 7,5/10 - 13 minutes
06.b Kino-pravda no. 7, by Dziga Vertov (1922) 7,5/10 - 11 minutes
06.c Kino-pravda no. 8, by Dziga Vertov (1922) 7,5/10 - 13 minutes
06.d Kino-pravda no. 9, by Dziga Vertov (1922) 7,5/10 - 12 minutes
06.e Kino-pravda no. 10, by Dziga Vertov (1922) 7,5/10 - 12 minutes

Silent Partners (05)Show
01. Der Student von Prag, by Henrik Galeen (1926) 6/10
02. Dr. Jekyll and Mr. Hyde, by John Robertson (1920) 7/1003.a Kino-pravda no. 21 - Leninskaia Kino-pravda. Kinopoema o Lenine, by Dziga Vertov (1924) 7,5/10 - 29 minutes
03.b Kino-pravda no. 1, by Dziga Vertov (1922) 7,5/10 - 10 minutes
03.c Kino-pravda no. 2, by Dziga Vertov (1922) 7,5/10 - 10 minutes
03.d Kino-pravda no. 3, by Dziga Vertov (1922) 7,5/10 - 7 minutes
03.e Kino-pravda no. 4, by Dziga Vertov (1922) 7,5/10 - 7 minutes
03.f Kino-pravda no. 5, by Dziga Vertov (1922) 7,5/10 - 7 minutes
04. Kinoglaz, by Dziga Vertov (1924) 7/10
05. He who gets slapped, by Victor Sjostrom (1924) 10/10

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#125

Post by sol » September 18th, 2020, 9:35 am

The Great SilenceShow
1. The Nut (1921)
2. Leap Year (1924)
3. Fig Leaves (1926)
4. Be My Wife (1921)
5. Za Schastem (1917)
6. Show People (1928)
7. The Show-Off (1926)
8. The Extra Girl (1923)
9. The Hoodlum (1919)
10. The Monster (1925)
11. Helen's Babies (1924)
12. Special Delivery (1927)
13. One Exciting Night (1922)
14. Down on the Farm (1920)
15. Her Sister from Paris (1925)
16. Her Night of Romance (1924)
17. It's the Old Army Game (1926)
18. The Battle of the Sexes (1928)
19. What Happened to Rosa (1920)
20. When the Clouds Roll By (1919)

21. The Delicious Little Devil (1919)

Image

While this is mostly mentioned nowadays for Rudolph Valentino's small turn, this is a Mae Murray show the whole way through, performing some very physical comedy -- falling backwards turns into an impromptu dance -- while mugging her heart out as she tries to maintain a ruse. The film has little going for it outside of Murray though. The tale does not go in any particularly novel directions and credibility is often strained. Amusing stuff though.
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#126

Post by Traveller » September 18th, 2020, 2:35 pm

95. El húsar de la muerte (1925) - 5/10
96. A Woman of Affairs (1928) - 6/10
97. Beggars of Life (1928) - 5/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#127

Post by Traveller » September 18th, 2020, 6:54 pm

98. Beau Geste (1926) - 6/10
99. The Devious Path (1928) - 7/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#128

Post by zzzorf » September 19th, 2020, 4:42 am

SpoilerShow
1. Die Abenteuer des Prinzen Achmed (1926) - 8/10
2. Salomé (1922) - 2/10
3. La passion de Jeanne d'Arc (1928) - 8/10
4-6. Miss Mend (1926) - 8/10 (3 part serial)

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#129

Post by Melvelet » September 19th, 2020, 9:16 am

1. Turksib 1929 8/10
These silent documentaries around the edge of avantgarde have been popular in the forum lists for a long time and rightly so. The focus on the industry/the worker's work (instead of his class or foreign enemy) also help with avoiding that annoying propaganda feeling (although it's obvious that it is propaganda) that plagues lots of other Soviet films. It's always a question how to evaluate the non-original soundtrack of a silent film but this one (from the BFI BD) lifts Turksib up quite a bit, the busy rhythm blends in with the low-frame rate rhythm of the environment and machinery.
It is also an interesting follow-up viewing to Dersu Uzala. Here, there is no peaceful living side by side of man and nature. Nature is the enemy to be fought to gather its resources. "War on the primitive" says one of the intertitles.
Current recommendation: Angela (1995)


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Current focus: Russia & USSR, 1000<400

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#130

Post by klaus78 » September 19th, 2020, 9:47 am

SpoilerShow
1. Mat (1926) 8/10
2. Devushka s korobkoy (1927) 7/10
3. It (1927) 7/10
4. Souls for Sale (1923) 7/10
5. Go West (1925) 6/10
6. Arsenal (1929) 7/10

7. Seven Years Bad Luck (1921) 6/10
8. Queen Kelly (1932) 7/10
9. Cabiria (1914) 6/10
10. The Patsy (1928) 7/10
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#131

Post by sol » September 19th, 2020, 10:40 am

The Great SilenceShow
1. The Nut (1921)
2. Leap Year (1924)
3. Fig Leaves (1926)
4. Be My Wife (1921)
5. Za Schastem (1917)
6. Show People (1928)
7. The Show-Off (1926)
8. The Extra Girl (1923)
9. The Hoodlum (1919)
10. The Monster (1925)
11. Helen's Babies (1924)
12. Special Delivery (1927)
13. One Exciting Night (1922)
14. Down on the Farm (1920)
15. Her Sister from Paris (1925)
16. Her Night of Romance (1924)
17. It's the Old Army Game (1926)
18. The Battle of the Sexes (1928)
19. What Happened to Rosa (1920)
20. When the Clouds Roll By (1919)
21. The Delicious Little Devil (1919)

22. The Cruise of the Jasper B (1926)

Image

While it is hard to make heads or tails of the plot with such complex wills for both protagonists and the ridiculous circumstances by which a will ends up on her back, this is a frequently funny affair. It is hilarious to watch Rod La Rocque's attempts to make it around his mansion while his every item of furniture and clothing is sold around him, leading to him parading around in just a towel for a long time. Jack Ackroyd is delightful as a loyal butler too.
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#132

Post by insomnius » September 19th, 2020, 11:41 am

Image

(Le manoir de la peur)


7. La femme de nulle part / The Woman from Nowhere (Louis Delluc, 1922) 7/10
8. Egy fiúnak a fele / The Half of a Boy / Stepmother (Géza von Bolváry, 1924) 7/10
9. I lifvets vår / The Springtime of Life (Paul Garbagni, 1912) 5-6/10
10. Le manoir de la peur / The Manor House of Fear (Alfred Machin, Henry Wulschleger, 1927) 7-8/10

SpoilerShow
1. Der Tunnel / The Tunnel (William Wauer, 1915)
2. The Bargain (Reginald Barker, 1914)
3. Danish shorts (60 min):
3a. Kørsel med grønlandske hunde (Peter Elfelt, 1897) 1 min
3b. En ny hat til Madammen (Viggo Larsen, 1906) 6 min
3c. Rosen (Viggo Larsen, 1907) 9 min
3d. Fyrtøjet (Viggo Larsen, 1907) 11 min
3e. Drengen med den sjette sans (Viggo Larsen, 1907) 5 min
3f. Kameliadamen (Viggo Larsen, 1907) 14 min
3g. La Tosca (Viggo Larsen, 1908) 6 min
3h. Capriciosa (Viggo Larsen, 1909) 8 min
4-5. Italian shorts (120 min):
a. Nina la poliziotta (Giuseppe Guarino, 1920) fragment, 12 min
b. Il passato che torna (?, ca. 1924) fragment, 11 min
c. Sotto la maschera / La vendetta del pugnale (?, 1913(?)) fragment, 23 min
d. Idolo infranto (Emilio Ghione, 1913) fragment, 22 min
e. Il protetto della morte / Albertini contra de schorpioen (Filippo Castamagna, 1919) fragment, 10 min
f. Il re dell'abisso (Riccardo Tolentino, 1919) fragment, 10 min
g. Sansone e la ladra di atleti (Amedeo Mustacchi, 1919) fragment, 15 min
h. Il ratto delle Sabine (Ugo Falena, 1910) 17 min
6. Chemi bebia / My Grandmother (Kote Mikaberidze, 1929)
7. La femme de nulle part / The Woman from Nowhere (Louis Delluc, 1922)
8. Egy fiúnak a fele / The Half of a Boy / Stepmother (Géza von Bolváry, 1924)
9. I lifvets vår / The Springtime of Life (Paul Garbagni, 1912)
10. Le manoir de la peur / The Manor House of Fear (Alfred Machin, Henry Wulschleger, 1927)

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#133

Post by Traveller » September 19th, 2020, 3:40 pm

100. The Love of Jeanne Ney (1927) - 7/10
101. The River (1928) - 4/10
102. The Salvation Hunters (1925) - 6/10
103. The Matinee Idol (1928) - 7/10
104. Tragedy of the Street (1927) - 5/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#134

Post by jdidaco » September 19th, 2020, 5:00 pm

(Screenshots from 'Opium' & 'Die Todesschleife'),

Image

21. Opium (Robert Reinert, 1919) 8/10
22. Der Ochsenkrieg (The Great Cattle War, Franz Osten, 1920) 7.5/10
23. The Lost World (Harry O. Hoyt, 1925) 7.5/10 (RV)
24. The Belle of Broadway (Harry O. Hoyt, 1926) 8.5/10
25. Berlin - Die Sinfonie der Großstadt (Berlin: A Symphony of a Big City, Walter Ruttmann, 1927) 9.5/10 (RV)
26. Die Todesschleife (Looping the Loop, Arthur Robison, 1928) 9/10
27. Shanhkayskiy dokument (The Shanghai Document, Yakov Bliokh, 1928) 6.5/10
28. Chelovek s kino-apparatom (Man with a Movie Camera, Dziga Vertov, 1929) 10/10 (RV)

Image

SpoilerShow
1. Protéa (Victorin-Hippolyte Jasset, 1913) 8/10
2. Les gaz mortels (The Deadly Gases, Abel Gance, 1916) 7.5/10
3. Haceldama ou Le prix du sang (Julien Duvivier, 1919) 7/10
4. Étude de la Lumière (Maurice Audibert, 1923) 9/10 (27 min), Harmonies de Paris (Lucie Derain, 1929) 7.5/10 (29 min), Jeux arborescents: Fugue en mineur (Émile Malespine, 1931) 7.5/10 (4 min) (Total: 60 min)
5. Âme d'artiste (Heart of an Actress, Germaine Dulac, 1924) 8/10
6. Paris en cinq jours (Paris in Five Days, Pierre Colombier & Nicolas Rimsky, 1926) 7.5/10
7. Ungarische Rhapsodie (Hungarian Rhapsody, Hanns Schwarz, 1928) 8/10
8. Die Abenteurer G.m.b.H. (Adventures Inc., Fred Sauer, 1929) 6.5/10
9. Sorok serdets (Forty Hearts, Lev Kuleshov, 1931) 7.5/10
10. Dvadtsat shest komissarov (Twenty-Six Commissars, Nikoloz Shengelaia, 1932) 8/10
11. Pinocchio (Giulio Antamoro, 1911) 8/10
12. La morte che assolve (Death Absolves, Alberto Carlo Lolli, 1918) 7.5/10
13. Tavadis asuli Meri (Vicountess Meri, Vladimir Barskiy, 1926) 8/10
14. Sumka dipkuryera (The Diplomatic Pouch, Aleksandr Dovzhenko, 1927) 7.5/10
15. Gospoda Skotininy (The Gentlefolks of Skotinin, Grigoriy Roshal, 1927) 7.5/10
16. Moy syn (My Son, Yevgeni Chervyakov, 1928) 9/10
17. Gesetze der Liebe (Laws of Love, Richard Oswald & Magnus Hirschfeld, 1927) 7.5/10
18. Orchids and Ermine (Alfred Santell, 1927) 8/10
19. Why Be Good? (William A. Seiter, 1929) 8/10
20. Der Adjutant des Zaren (The Adjutant of the Czar, Vladimir Strizhevsky, 1929) 7.5/10

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#135

Post by jdidaco » September 19th, 2020, 5:40 pm

sol wrote:...watch Rod La Rocque's attempts to make it around his mansion while his every item of furniture and clothing is sold around him, leading to him parading around in just a towel for a long time.
Plus that screenshot. Sold! :D

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#136

Post by OldAle1 » September 19th, 2020, 9:50 pm

1. Die Abenteuer des Prinzen Achmed / The Adventures of Prince Achmed (Lotte Reiniger, 1926) (re-watch)

When I first saw this over a decade ago it was listed as the oldest surviving animated feature - and it still is. What's up cinema historians and hunters? Nothing else found in the last decade? But to be fair, given how laborious the process of detailed animation was - of any kind - in those days, it's not surprising that there were very few films made that got to feature length, and that this is the only survivor known. But given the incredible beauty and quality on display here, one can only hope that there are more treasures to be found yet, as this still stands among the greatest achievements in the field. Reiniger's art is simultaneously wildly detailed - as detailed as 2D silhouettes can be anyway - and subtle - what I noticed particularly this time is the small deft choices she makes in creating faces which are all quite distinct from each other. I love the way she creates her monstrous characters and the way they often combine with each other, and the way she handles flight, and combat - it all seems years ahead of it's time, and yet at the same time something hermetic and sealed, in a special class of it's own. Probably because it was so time-consuming, and because a decade later the Disney factory came along, and other animators in France and elsewhere were more likely to following along something like that path, Reiniger's achievements were sidelined to a great extent, and apart from Michel Ocelet in the past couple of decades, she hasn't had many followers in her giant steps. Which helps to make this treasure seem all the more special.

Apart from the animation, there are plenty of interesting elements to the story as well. It's based on stories from the Arabian Nights, but the major character of the witch, who first seems like a foe but turns out to be the implacable enemy of the sorcerer who has stolen away hero Achmed's sister (the daughter of the Caliph) seems a little unusual in the medieval context. At any rate it's interesting that the crux of the story pivots around her, and that Achmed's love, the rule of Wak Wak, seems a bit pale as a heroine in comparison. If the film has a flaw really it's that it's a bit too short and fast-paced but I can't really fault it greatly for that.

2. Dom na Trubnoy / The House on Trubnaya Square (Boris Barnet, 1928)

And odd film with a lot going on in a fairly short running time. First we're introduced to a several-story house and many inhabitants who always seem to be feuding and getting in the way of each other, particularly over the stairway where a couple of men split logs in defiance of the rules, and the staircase seems on the verge of collapse. Then while we're still getting an idea of these people, the scene shifts to tell the story of Parasha, a young woman who has come to the big city (Moscow) with her goose from the countryside to find her uncle - who meantime has missed her on the train and returned home. Parasha gets a job for an uppity and pretentious barber and his wife in the apartment building, and things go rapidly downhill until there is unexpected news which might turn her life and the whole building's around...

This had a bit too much going on in too short a time for it all to make much sense - I get that it's sort of a screwball comedy, but other than Parasha and her hairdresser boss the characters just didn't resonate and this made the propaganda pro-Soviet elements a bit less meaningful; still it's quite lively and visually inventive (the beginning staircase sequence is quite marvelous) and frequently pretty amusing. So overall, pretty swell, if not even close to Barnet's best work.

3. Turksib (Victor A. Turin, 1929)
4. Shagay, Sovet! / Stride, Soviet! (Dziga Vertov, 1926)

The Turin film has become better-known it seems, and more highly regarded, perhaps as a more "mainstream" (if that word has relevance in this context) example of a Soviet propaganda documentary - in this case the story of Turkestan (then a Soviet Central Asian republic) and it's rapid industrialization, with the Turksib railway designed to be finished by 1930 so as to connect the desert steppes of the southern land to the icy cold regions of Siberia. This is very different from Vertov's or Eisenstein's or other works in that it concentrates almost wholly on landscapes and machinery, and while it's all very well done, I found the editing fairly ordinary by the high standards of Soviet filmmakers of that era, and ultimately this just didn't have the impact that it could have had - perhaps too my lack of knowledge of the situations described hurt in this case. Still well worth seeing but to me a little disappointing given the rep it's developed.

The Vertov film on the other hand, while maybe not one of his very greatest, was another piece of remarkable editing and storytelling, propaganda at it's finest. This is essentially a history of the first 7-8 years of the Soviet system, it's triumphs and tragedies (the latter represented especially by the early death of Lenin who Vertov truly seems to have idolized), and it's potential paths forward - a call on Russians to put away drink and foolish pleasures, to educate themselves, clean themselves up, help each other, etc. This has a lot of energy and the title - "forward" or "stride" is mirrored in the editing and montage, as we are presented with a series of negatives - prostitution and drinking - and their correctives, the forward march, the inexorable movement towards a new and better system. I lack the ability to really describe this in better detail but suffice it to say that I always find Vertov's editing choices exciting and this film is no exception. There's a better description of what he's doing HERE.

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#137

Post by sol » September 20th, 2020, 2:25 am

jdidaco wrote:
September 19th, 2020, 5:40 pm
sol wrote:...watch Rod La Rocque's attempts to make it around his mansion while his every item of furniture and clothing is sold around him, leading to him parading around in just a towel for a long time.
Plus that screenshot. Sold! :D
Oh yeah - even for a pre-Code production, the amount of partial nudity really surprised and amazed me here. The lead actress also walks around most of the film with her bare back exposed as an ink message gets inadvertently imprinted on her back. :mellow: Pretty funny film too, and not at all what I was expecting from the swashbuckling first five minutes -- so don't let the rather mundane opening deter you. ;)
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#138

Post by sol » September 20th, 2020, 11:04 am

The Great SilenceShow
1. The Nut (1921)
2. Leap Year (1924)
3. Fig Leaves (1926)
4. Be My Wife (1921)
5. Za Schastem (1917)
6. Show People (1928)
7. The Show-Off (1926)
8. The Extra Girl (1923)
9. The Hoodlum (1919)
10. The Monster (1925)
11. Helen's Babies (1924)
12. Special Delivery (1927)
13. One Exciting Night (1922)
14. Down on the Farm (1920)
15. Her Sister from Paris (1925)
16. Her Night of Romance (1924)
17. It's the Old Army Game (1926)
18. The Battle of the Sexes (1928)
19. What Happened to Rosa (1920)
20. When the Clouds Roll By (1919)
21. The Delicious Little Devil (1919)
22. The Cruise of the Jasper B (1926)

23. Finances of the Grand Duke (1924)

Image

It is incredible to think that this was released in the same year that Murnau helmed the stunning The Last Laugh, because while that film does a great job spinning a potent story without title cards, here the title cards are so wordy and frequent that they sink the film. Murnau's cinematic wizardry is still notable here with mobile camerawork and some great cutaways, but the plot is too complex for something that attempts to be a breezy comedy.
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#139

Post by sol » September 20th, 2020, 1:42 pm

The Great SilenceShow
1. The Nut (1921)
2. Leap Year (1924)
3. Fig Leaves (1926)
4. Be My Wife (1921)
5. Za Schastem (1917)
6. Show People (1928)
7. The Show-Off (1926)
8. The Extra Girl (1923)
9. The Hoodlum (1919)
10. The Monster (1925)
11. Helen's Babies (1924)
12. Special Delivery (1927)
13. One Exciting Night (1922)
14. Down on the Farm (1920)
15. Her Sister from Paris (1925)
16. Her Night of Romance (1924)
17. It's the Old Army Game (1926)
18. The Battle of the Sexes (1928)
19. What Happened to Rosa (1920)
20. When the Clouds Roll By (1919)
21. The Delicious Little Devil (1919)
22. The Cruise of the Jasper B (1926)
23. Finances of the Grand Duke (1924)

24. Yankee Doodle in Berlin (1919)

Image

A silent comedy designed to cash in on anti-German and pro-American sentiment. The Germans are all portrayed as bumbling idiots who would rather 'convert' prisoners-of-war to German than execute them (sure..) and who are unable to control themselves around women. While the Germans are never once scary due to this, the overall film is funny more often than not. The slapstick is delivered at a brisk pace and there is some wordplay humour too.
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#140

Post by Traveller » September 20th, 2020, 3:27 pm

Another ten days have passed and we are - already, alas - two thirds into the month. Thank you to every participant continuing to contribute to the challenge as well as every new one. A hushed welcome to you, too.

Here is the table with the current leaderboard. With blueboybob falling silent, Traveller extends his lead on him with jdidaco in third.

Rank Participant Count
1 Traveller 104
2 blueboybob 38
3 jdidaco 28
4 sol 24
5 PUNQ 15
6 ororama 11
7 insomnius 10
7 klaus78 10
7 St. Gloede 10
10 Obgeoff 7
11 cinephage 6
11 zzzorf 6
13 OldAle1 4
14 Lonewolf2003 3
14 hurluberlu 3
14 maxwelldeux 3
14 burneyfan 3
14 Lilarcor 3
19 mightysparks 2
19 allisoncm 2
19 Knaldskalle 2
19 3eyes 2
23 sebby 1
23 Melvelet 1
23 Ebbywebby 1
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#141

Post by Traveller » September 20th, 2020, 3:33 pm

105. Traffic in Souls (1913) - 4/10
106. Why Change Your Wife? (1920) - 7/10
107. Underground (1928) - 6/10
108. The Last of the Mohicans (1920) - 5/10
109. The Hands of Orlac (1924) - 7/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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cinephage
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#142

Post by cinephage » September 21st, 2020, 9:01 am

07.a Kino-pravda no. 11, by Dziga Vertov (1922) 7,5/10 - 16 minutes
07.b Kino-pravda no. 13, by Dziga Vertov (1922) 7,5/10 - 20 minutes
07.c Kino-pravda no. 14, by Dziga Vertov (1923) 7,5/10 - 12 minutes
07.d Kino-pravda no. 15, by Dziga Vertov (1923) 7,5/10 - 16 minutes

08-13. Tih Minh, by Louis Feuillade (1918) 6,5/10

Quite a saga !! I enjoyed more the exotic elements (hypnosis, drugs and unusual disguises) than the more mundane spy story, but it was quite fun.

Silent Partners (06)Show
01. Der Student von Prag, by Henrik Galeen (1926) 6/10
02. Dr. Jekyll and Mr. Hyde, by John Robertson (1920) 7/1003.a Kino-pravda no. 21 - Leninskaia Kino-pravda. Kinopoema o Lenine, by Dziga Vertov (1924) 7,5/10 - 29 minutes
03.b Kino-pravda no. 1, by Dziga Vertov (1922) 7,5/10 - 10 minutes
03.c Kino-pravda no. 2, by Dziga Vertov (1922) 7,5/10 - 10 minutes
03.d Kino-pravda no. 3, by Dziga Vertov (1922) 7,5/10 - 7 minutes
03.e Kino-pravda no. 4, by Dziga Vertov (1922) 7,5/10 - 7 minutes
03.f Kino-pravda no. 5, by Dziga Vertov (1922) 7,5/10 - 7 minutes
04. Kinoglaz, by Dziga Vertov (1924) 7/10
05. He who gets slapped, by Victor Sjostrom (1924) 10/10
06.a Kino-pravda no. 6, by Dziga Vertov (1922) 7,5/10 - 13 minutes
06.b Kino-pravda no. 7, by Dziga Vertov (1922) 7,5/10 - 11 minutes
06.c Kino-pravda no. 8, by Dziga Vertov (1922) 7,5/10 - 13 minutes
06.d Kino-pravda no. 9, by Dziga Vertov (1922) 7,5/10 - 12 minutes
06.e Kino-pravda no. 10, by Dziga Vertov (1922) 7,5/10 - 12 minutes
Last edited by cinephage on September 21st, 2020, 4:23 pm, edited 1 time in total.

Obgeoff
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#143

Post by Obgeoff » September 21st, 2020, 9:05 am

8. The Last Command (1928, von Sternberg) 8
9. Mother (1926, Pudovkin) 7
10. Queen Kelly (1932, von Stroheim/Boleslawski) 7
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#144

Post by ororama » September 21st, 2020, 11:58 am

12. Die Pest in FlorenzThe Plague in Florence (1919) * 102 min.

More historical/religious drama than horror most of the way through and somewhat repetitious, it picks up when the Black Death arrives. The depravity in Florence mostly seemed to involve young adults chasing each other in circles around the plaza, it could have been more sexually explicit. The sacrilege is fairly explicit. Based on The Masque of the Red Death, it seems more literal and less symbolic than Poe's story.

SpoilerShow
1. The Dragon Painter (1919) * 50 min.
2. The Busher (1919) * 55 min.
3. Die Spinnen, 1. Teil - Der Goldene SeeThe Spiders - Episode 1: The Golden Sea (1919) 69 min.
4. Die Spinnen, 2. Teil - Das BrillantenschiffThe Spiders - Episode 2: The Diamond Ship (1920) 104 min.
5. Harakiri (1919) * 86 min.
6. Das wandernde BildThe Wandering Image (1920) * 66 min.
7. Sumerki zhenskoy dushiTwilight of a Woman's Soul (1913) * 48 min.
8. The Covered Wagon (1923) * 99 min.
9. Madame DuBarry (1919) 113 min.
10. Vier um die FrauFour Around the Woman (1921) * 82 min.
11. The Scar of Shame (1927) * 86 min.

*First time viewing

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#145

Post by sol » September 21st, 2020, 12:07 pm

The Great SilenceShow
1. The Nut (1921)
2. Leap Year (1924)
3. Fig Leaves (1926)
4. Be My Wife (1921)
5. Za Schastem (1917)
6. Show People (1928)
7. The Show-Off (1926)
8. The Extra Girl (1923)
9. The Hoodlum (1919)
10. The Monster (1925)
11. Helen's Babies (1924)
12. Special Delivery (1927)
13. One Exciting Night (1922)
14. Down on the Farm (1920)
15. Her Sister from Paris (1925)
16. Her Night of Romance (1924)
17. It's the Old Army Game (1926)
18. The Battle of the Sexes (1928)
19. What Happened to Rosa (1920)
20. When the Clouds Roll By (1919)
21. The Delicious Little Devil (1919)
22. The Cruise of the Jasper B (1926)
23. Finances of the Grand Duke (1924)
24. Yankee Doodle in Berlin (1919)

25. Through The Back Door (1921)

Image

This is a film that goes through a number of motions and always remains captivating. The opening act is utterly heartbreaking with the protagonist as ~5-year-old neglected by her mother. The next act is thoroughly charming with Pickford credibly playing her character at ~10 years of age and showing real ingenuity, like skating on brushes to clean a muddy floor. The entire second half of the film is what emotionally resonates the most though.
Former IMDb message boards user // iCM | IMDb | Letterboxd | My top 750 films // Long live the new flesh!
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burneyfan
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#146

Post by burneyfan » September 21st, 2020, 12:23 pm

cinephage wrote:
September 21st, 2020, 9:01 am

08. Tih Minh, by Louis Feuillade (1918) 6,5/10

Quite a saga !! I enjoyed more the exotic elements (hypnosis, drugs and unusual disguises) than the more mundane spy story, but it was quite fun.

The one thing I really love about Tih Minh that I think distinguishes it from many other spy serials of the time is
SpoilerShow
...that the servants (who are usually used in these serials almost exclusively for comic relief) are the ones who actually do most of the useful sleuthing and rescuing this time around. The "silly" butler and maid are the ones who unravel the clues, heroically rescue people and objects, dupe the bad guys, etc., while the upper-class "heroes" mostly dither around back at their home base, allow things to be stolen repeatedly, walk right into traps, fail many rescue missions, and generally worsen whatever situation they're in.

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#147

Post by Traveller » September 21st, 2020, 4:00 pm

cinephage wrote:
September 21st, 2020, 9:01 am
08. Tih Minh, by Louis Feuillade (1918) 6,5/10

Quite a saga !! I enjoyed more the exotic elements (hypnosis, drugs and unusual disguises) than the more mundane spy story, but it was quite fun.
Heya cinephage, Tin Minh (1918) is counting as a serial this challenge and is thus worth six points, so I have you at 13 now.
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#148

Post by Traveller » September 21st, 2020, 4:06 pm

110. The Imaginary Voyage (1926) - 7/10
111. The Parson's Widow (1920) - 7/10
112. The Goose Woman (1925) - 6/10
113. The Iron Mask (1929) - 3/10
114. The Winning of Barbara Worth (1926) - 3/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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cinephage
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#149

Post by cinephage » September 21st, 2020, 4:23 pm

Traveller wrote:
September 21st, 2020, 4:00 pm
cinephage wrote:
September 21st, 2020, 9:01 am
08. Tih Minh, by Louis Feuillade (1918) 6,5/10

Quite a saga !! I enjoyed more the exotic elements (hypnosis, drugs and unusual disguises) than the more mundane spy story, but it was quite fun.
Heya cinephage, Tin Minh (1918) is counting as a serial this challenge and is thus worth six points, so I have you at 13 now.
This is fantastic news !! Thanks for letting me know. :wub: :cheers:

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#150

Post by Traveller » Yesterday, 4:47 am

115. Joan the Woman (1916) - 6/10
116. Isn't Life Wonderful (1924) - 4/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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sol
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#151

Post by sol » Yesterday, 3:06 pm

The Great SilenceShow
1. The Nut (1921)
2. Leap Year (1924)
3. Fig Leaves (1926)
4. Be My Wife (1921)
5. Za Schastem (1917)
6. Show People (1928)
7. The Show-Off (1926)
8. The Extra Girl (1923)
9. The Hoodlum (1919)
10. The Monster (1925)
11. Helen's Babies (1924)
12. Special Delivery (1927)
13. One Exciting Night (1922)
14. Down on the Farm (1920)
15. Her Sister from Paris (1925)
16. Her Night of Romance (1924)
17. It's the Old Army Game (1926)
18. The Battle of the Sexes (1928)
19. What Happened to Rosa (1920)
20. When the Clouds Roll By (1919)
21. The Delicious Little Devil (1919)
22. The Cruise of the Jasper B (1926)
23. Finances of the Grand Duke (1924)
24. Yankee Doodle in Berlin (1919)
25. Through The Back Door (1921)

26. That Model from Paris (1926)

Image

Marceline Day has some very funny moments early on here she slowly sinks into a theatre seat (to the oblivion of everyone around her) and as she tries to hide behind a coat rack. As the film wears on though, melodrama replaces humour and the comedy boils down to her saying "no" to every question - which grows tiresome and repetitive. Day is radiant to watch until the end, but the more melodramatic things get, the harder it is to care.
Former IMDb message boards user // iCM | IMDb | Letterboxd | My top 750 films // Long live the new flesh!
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#152

Post by Traveller » Yesterday, 3:24 pm

117. Peter Pan (1924) - 3/10
118. Mare Nostrum (1926) - 5/10
119. Lady of the Night (1925) - 5/10
ICM
September Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#153

Post by klaus78 » Yesterday, 7:38 pm

SpoilerShow
1. Mat (1926) 8/10
2. Devushka s korobkoy (1927) 7/10
3. It (1927) 7/10
4. Souls for Sale (1923) 7/10
5. Go West (1925) 6/10
6. Arsenal (1929) 7/10
7. Seven Years Bad Luck (1921) 6/10
8. Queen Kelly (1932) 7/10
9. Cabiria (1914) 6/10
10. The Patsy (1928) 7/10

11. The Blue Bird (1918) 7/10
12. The Merry Widow (1925) 6/10
13. Ukikusa monogatari (1934) 7/10
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