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Academy Awards Challenge (Official, February 2020)

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Re: Academy Awards Challenge (Official, February 2020)

#161

Post by blueboybob » February 13th, 2020, 1:43 pm

26. The Lives of a Bengal Lancer (1935)

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#162

Post by sebby » February 13th, 2020, 2:58 pm

05 Fanny and Alexander (1982) 8/10
06 Knives Out (2019) 5/10
07 Sunday Bloody Sunday (1971) 3/10
08 King: A Filmed Record... Montgomery to Memphis (1970) 8/10
09 Women on the Verge of a Nervous Breakdown (1988) 6/10
10 The Man in the White Suit (1951) 5/10
SpoilerShow
01 The Two Popes (2019) 3/10
02 Toy Story 4 (2019) 2/10
03 Parasite (2019) 6/10
04 Speed (1994) 7/10
05 Fanny and Alexander (1982) 8/10
06 Knives Out (2019) 5/10
07 Sunday Bloody Sunday (1971) 3/10
08 King: A Filmed Record... Montgomery to Memphis (1970) 8/10
09 Women on the Verge of a Nervous Breakdown (1988) 6/10
10 The Man in the White Suit (1951) 5/10

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#163

Post by Lonewolf2003 » February 13th, 2020, 4:10 pm

4. Field of Dreams (1989, Phil Alden Robinson): 5.2 - : It starts very bad with a long introduction to explain its characters background. The first part about building a baseball field is extremely poor and cheesy. But luckily the movie, tho still sentimental, gets more tolerable when he goes to meet the reclusive writer.
5. The Adventures of Baron Munchausen (1988, Terry Gilliam): 6.8
6. Little Women (2019, Greta Gerwig): 7.5 - It looked very beautiful. The acting was great. Especially Saoirse Ronan is phenomenal. Streep was superb also again. The flashback structure lifts the movie up from what could easily become a very sentimental romance story by contrasting the past with the present.
The very best moment isShow
when the movie in a kind of meta-commentary points out the inconsistency in the movie itself and the lead character about on one hand delivering a feminist moral but ending it with her marrying
7. Inherit the Wind (1960, Stanley Kramer): 8.2
8. Ship of Fools (1965, Stanley Kramer): 7.2
9. Guess Who's Coming to Dinner (1967, Stanley Kramer): 7.8
10. Speedy (1928, Ted Wilde): 8.0
11. Runaway Train (1985, Andrey Konchalovskiy): 6.2 - How both Roberts and Voight got nominated for an Oscar for their acting in this is a mystery . Must have been an extremly weak year.

Removing a bunch of movies from my watchlistShow
1. Marriage Story (2019, Noah Baumbach): 8.0
2. Blue Thunder (1983, John Badham): 5.8
3. Star Wars: Episode IX – The Rise of Skywalker (2019, J.J. Abrams): 6.8

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#164

Post by RogerTheMovieManiac88 » February 13th, 2020, 6:01 pm

Thanks for hosting, shugs!

01. 'Mississippi Burning' / 1988, Alan Parker / 8.5/10 / 7 nominations, 1 win
02. 'The Mambo Kings' / 1992, Arne Glimcher / 6.5/10 / 1 nomination, 0 wins
03. 'Master and Commander: The Far Side of the World' / 2003, Peter Weir / 7.5 or 8/10 / 10 nominations, 2 wins
04. 'Revolutionary Road' / 2008, Sam Mendes / 6/10 / 3 nominations, 0 wins
05. 'Get Out' / 2017, Jordan Peele / 6.5 or 7/10 / 4 nominations, 1 win
That's all, folks!

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#165

Post by Traveller » February 13th, 2020, 6:07 pm

27. The Song of Bernadette (1943) - 7/10
ICM
February Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#166

Post by jeroeno » February 13th, 2020, 7:27 pm

21. Secretos del corazón (1997)
22. Exodus (1960)

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#167

Post by blocho » February 13th, 2020, 8:28 pm

Lonewolf2003 wrote:
February 13th, 2020, 4:10 pm
6. Little Women (2019, Greta Gerwig): 7.5 - It looked very beautiful. The acting was great. Especially Saoirse Ronan is phenomenal. Streep was superb also again. The flashback structure lifts the movie up from what could easily become a very sentimental romance story by contrasting the past with the present.
The very best moment isShow
when the movie in a kind of meta-commentary points out the inconsistency in the movie itself and the lead character about on one hand delivering a feminist moral but ending it with her marrying
Well, this is eerie. Not only did I have the exact same reaction to Little Women, but you also made almost the exact same comments I was planning to make -- about Ronan, about the flashback structure, about the meta-textual ending. The only thing I have to add is ...

3. Little Women (2019)
... the movie reminded me how good Ronan always has been. I wasn't the only one who was taken aback by her precocious talent way back when she debuted in Atonement. It's heartening that such early promise has been fulfilled. Unlike many, she has ably made that difficult transition from child to adult star. It's curious, incidentally, that Atonement also had a meta-textual ending.

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#168

Post by AB537 » February 14th, 2020, 4:11 am

11. Gods and Monsters (Bill Condon, 1998) 6.5/10 ... Won Adapted Screenplay, Nominated for Actor (Ian McKellen) and Supporting Actress (Lynn Redgrave)
12. Emma (Douglas McGrath, 1996) 7/10 ... Won Score, Nominated for Costume Design

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#169

Post by blueboybob » February 14th, 2020, 1:11 pm

27. Mister Roberts (1955)

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#170

Post by Lonewolf2003 » February 14th, 2020, 1:23 pm

12. Matrimonio all'italiana [Marriage Italian-Style] (1964, Vittorio De Sica): 6.8 - The second half with Loren plotting to ensure the safety of her future trough marriage with Mastroianni is better than the first about their first meeting and history till then. Loren and Mastroianni both are great. It always surprises me easily Loren can switch convincingly between different female character types. Mastroianni is very convincing as sleazy masochist Italian male.
13. The Spoilers (1942, Ray Enright) : 6.5 - A Western starring John Wayne, Marlene Dietrich and Randolph Scott! The production design is also great, the town really looks like a dirty backwater Alaskian goldmining town. Unforntunate the movie doesn't live up to its stellar cast, decent plot and great sets, because it plays what could be an intriguing story too much for comedy and romance. Highlight is a very long fistfight between Wayne and Scott.

Removing a bunch of movies from my watchlistShow
1. Marriage Story (2019, Noah Baumbach): 8.0
2. Blue Thunder (1983, John Badham): 5.8
3. Star Wars: Episode IX – The Rise of Skywalker (2019, J.J. Abrams): 6.8
4. Field of Dreams (1989, Phil Alden Robinson): 5.2
5. The Adventures of Baron Munchausen (1988, Terry Gilliam): 6.8
6. Little Women (2019, Greta Gerwig): 7.5
7. Inherit the Wind (1960, Stanley Kramer): 8.2
8. Ship of Fools (1965, Stanley Kramer): 7.2
9. Guess Who's Coming to Dinner (1967, Stanley Kramer): 7.8
10. Speedy (1928, Ted Wilde): 8.0
11. Runaway Train (1985, Andrey Konchalovskiy): 6.2

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#171

Post by flavo5000 » February 14th, 2020, 1:48 pm

Image
53. La caduta degli dei (Götterdämmerung) a.k.a. The Damned (1969)
Nominated: Best Original Screenplay

Image
54. The Accidental Tourist (1988)
Won: Best Supporting Actress (Geena Davis)
Nominated: Best Picture, Adapted Screenplay, Original Score

Image
55. Poetic Justice (1993)
Nominated: Best Song

Image
56. Space Cowboys (2000)
Nominated: Best Sound Editing
...And the Winner Is...Maybe...Show
1. Dorp aan de rivier a.k.a. Village by the River (1958)
2. Rocketman (2019)
3. Belle Epoque (1992)
4. Invictus (2009)
5. The Caine Mutiny (1954)
6. 1917 (2019)
7. How to Train Your Dragon: The Hidden World (2019)
8. Anne of the Thousand Days (1969)
9. The Two Popes (2019)
10. The Irishman (2019)
11. Little Women (2019)
12. Richard Jewell (2019)
13. Blackboard Jungle (1955)
14. Indigènes (2006)
15. Dolor y gloria (2019)
16. Plácido (1961)
17. The Sand Pebbles (1966)
18. Exodus (1960)
19. Mr. Turner (2014)
20. The House of the Seven Gables (1940)
21. Ford v Ferrari (2019)
22. Marriage Story (2019)
23. Bombshell (2019)
24. Capharnaüm (2018)
25. Jojo Rabbit (2019)
26. Judy (2019)
27. Frozen II (2019)
28. A Beautiful Day in the Neighborhood (2019)
29. J'ai perdu mon corps a.k.a. I Lost My Body (2019)
30. American Factory (2019)
31. Utomlennye solntsem a.k.a. Burnt By The Sun (1994)
32. Klaus (2019)
33. Since You Went Away (1944)
34. For Whom the Bell Tolls (1943)
35. Harriet (2019)
36a. Dcera a.k.a. Daughter (2019)
36b. Hair Love (2019)
36c. Mémorable (2019)
36d. Sister (2018)
36e. The Dam Keeper (2014)
37. Central do Brasil a.k.a. Central Station (1998)
38. Places in the Heart (1984)
39. Valley of the Dolls (1967)
40. Battleground (1949)
41. The Greatest Showman (2017)
42. Nicholas and Alexandra (1971)
43. Deux jours, une nuit a.k.a. Two Days, One Night (2014)
44. The Eddy Duchin Story (1956)
45. Tess (1979)
46. Death on the Nile (1978)
47. Hallelujah (1929)
48. The Private Life of Henry VIII. (1933)
49. The Great Gatsby (2013)
50. The Deep (1977)
51. Wonder (2017)
52. Julius Caesar (1953)
53. La caduta degli dei (Götterdämmerung) a.k.a. The Damned (1969)
54. The Accidental Tourist (1988)
55. Poetic Justice (1993)
56. Space Cowboys (2000)

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#172

Post by sol » February 14th, 2020, 2:43 pm

shugs wrote:
February 12th, 2020, 7:00 pm
Stats! As always, they include only features. No love for shorts.

12 days into the challenge and there are 32 participants. Together we have accumulated 271 points, for an average of 8.47 per user, and have watched 194 different movies.
A belated thanks for the detailed stats. Very interested to see how much the most watched movies and countries change by the end of the month with challenge doubles adding up. I know that at least a couple more people have watched Poetic Justice since I logged it. Some have even tried to claim two points for it. :o ;)
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#173

Post by sol » February 14th, 2020, 2:45 pm

SpoilerShow
1. The Irishman (2019) Best Supporting Actor
2. Marriage Story (2019) Best Actor/Actress
3. The Blind Side (2009) Best Actress
4. Lady for a Day (1933) Best Actress
5. Poetic Justice (1993) Best Song
6. Little Women (2019) Best Costumes
7. Grand Canyon (1991) Best Screenplay
8. Marvin's Room (1996) Best Actress
9. Molly's Game (2017) Best Screenplay

10. Under Siege (1992) Best Sound Editing

Image

Often cited as Die Hard on a battleship, there is very little to Under Siege. The Oscar nominated sound effects are decent, Tommy Lee Jones makes a great villain with an axe to grind and there some memorable henchmen confrontations (kitchen knife thrown directly into a jugular). Steven Segal really lacks charisma though, there is a poorly developed romance and most of the action comes as over-the-top explosions rather than intense close combat.
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#174

Post by Traveller » February 14th, 2020, 5:44 pm

28. Wilson (1944) - 3/10
29. Terms of Endearment (1983) - 4/10
ICM
February Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#175

Post by albajos » February 14th, 2020, 9:40 pm

Women's Valentine!

04. Bombshell (2019) USA | Canada 636 checks
1 win of 2 nominations: Best Makeup and Hairstyling, Best Actress in a Leading Role, Best Actress in a Supporting Role
05. Harriet (2019) USA 270 checks [double]
2 nominations: Best Actress in a Leading Role, Best Original Song
06. Little Women (2019) USA 270 checks
1 win of 6 nominations: Best Costume Design, Best Picture, Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Adapted Screenplay, Best Original Score

2019: 0 categories completed

Sylvester Stallone's OscarShow
01. Lady Sings the Blues (1972) USA 185 checks [double]
5 nominations: Best Actress in a Leading Role, Best Screenplay (original), Best Art Direction, Best Costume Design, Best Song Score
02. The Wiz (1978) USA 185 checks [double]
4 nominations: Best Cinematography, Best Art Direction, Best Costume Design, Best Song Score
03. Mudbound (2017) USA 1 official list 1 547 checks [double]
4 nominations: Best Actress - Supporting, Best Screenplay - Adapted, Best Cinematography, Best Original Song
04. Bombshell (2019) USA | Canada 636 checks
1 win of 2 nominations: Best Makeup and Hairstyling, Best Actress in a Leading Role, Best Actress in a Supporting Role
05. Harriet (2019) USA 270 checks [double]
2 nominations: Best Actress in a Leading Role, Best Original Song
06. Harriet (2019) USA 270 checks [double]
1 win of 6 nominations: Best Costume Design, Best Picture, Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Adapted Screenplay, Best Original Score

winner
01 Best Makeup and Hairstyling
01 Best Costume Design

nomination
04 Best Actress - Leading
03 Best Costume Design
03 Best Writing - 01 Best Screenplay (original), 02 Best Screenplay (adapted)
02 Best Art Direction
03 Best Actress - Supporting
02 Best Cinematography
02 Best Original Song
02 Best Song Score
01 Best Makeup and Hairstyling
01 Best Original Score
01 Best Picture

1972: 1/21 Best Director category completed.
1978: 1/21 Best Director category completed
2017: 13/24 Best Motion Picture of the Year, Best Performance by an Actress in a Leading Role, Best Performance by an Actress in a Supporting Role, Best Achievement in Directing, Best Original Screenplay, Best Achievement in Cinematography, Best Achievement in Film Editing, Best Achievement in Production Design, Best Achievement in Music Written for Motion Pictures (Original Score), Best Achievement in Sound Mixing, Best Achievement in Sound Editing, Best Achievement in Visual Effects, Best Animated Feature Film categories completed
2019: 0 categories completed

!seen 6

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#176

Post by maxwelldeux » February 14th, 2020, 10:37 pm

I'd like to thank...Show
1. Kinsey (2004) Best Supporting Actress - Laura Linney [nom]
2. Ex Machina (2015) Best Visual Effects [win]
3. The Weather Underground (2002) Best Doc Feature [nom]
Catching up, so quick comments.

4. Bohemian Rhapsody (2018) Best Actor [win +3 others]
Solid but not great. Best bit of this (aside from the Queen songs) was the casting of Mike Myers. Hilarious joke.

5. Murder on a Sunday Morning (2001) Best Doc Feature [win]
Very good doc. Shitty situation, but at least the justice system worked.

6. Way Out West (1937) Best Music Score [nom]
Beyond stupid. Waste of time.

7. Ali (2001) - Best Supporting Actor [nom]
Could have been a lot better. Will Smith just didn't quite have that swagger that Ali did. Plus the end was stupid.

8. Ball of Fire (1941) - Best Supporting Actress
Pretty damn funny, especially the first half. Loved Barbara Stanwyck in this.

9. The Day of the Jackal (1973) - Best Editing [nom]
Felt slow and I didn't feel the tension. Maybe it was the plane I was on, but this didn't do it for me.

10. The Pride of the Yankees (1942) - Best Editing [won]
The story is way better than the film, but it was still a lot of fun. Mad props to Teresa Wright in this.

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#177

Post by sol » February 15th, 2020, 3:13 am

Academy Award winner for Best Spoiler TagShow
1. The Irishman (2019) Best Supporting Actor
2. Marriage Story (2019) Best Actor/Actress
3. The Blind Side (2009) Best Actress
4. Lady for a Day (1933) Best Actress
5. Poetic Justice (1993) Best Song
6. Little Women (2019) Best Costumes
7. Grand Canyon (1991) Best Screenplay
8. Marvin's Room (1996) Best Actress
9. Molly's Game (2017) Best Screenplay
10. Under Siege (1992) Best Sound Editing

11. Undefeated (2011) Best Documentary

Image

A documentary about the determination of the Caucasian coach of an African American high school football team to see his players succeed both on and off the field. The film is inspirational and heartwarming at its best, but mostly hits the expected notes for an underdog sports story and relies too heavily on maudlin music. Shot on handheld cameras and with some interesting teens, the documentary has a nice air of authenticity at least.
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#178

Post by VincentPrice » February 15th, 2020, 4:47 am

12. The Subject was Roses-1968: 8/10

Nominated for
  • Best Actress in a Leading Role
Won for
  • Best Actor in a Supporting Role
SpoilerShow
1. BlacKkKlansman-2018: 10/10
2. Bugsy Malone-1976: 6/10
3. Summer of '42-1971: 7/10
4. Hope and Glory-1987: 8/10
5. Emma-1932: 7/10
6. Parasite-2019: 9/10
7. The North Star-1943: 7/10
8. Once Upon a Time...in Hollywood-2019: 10/10
9. None Shall Escape-1944: 8/10
10. Neptune's Daughter-1949: 7/10
11. Jojo Rabbit-2019: 10/10

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#179

Post by sol » February 15th, 2020, 5:22 am

Academy Award winner for Best Spoiler TagShow
1. The Irishman (2019) Best Supporting Actor
2. Marriage Story (2019) Best Actor/Actress
3. The Blind Side (2009) Best Actress
4. Lady for a Day (1933) Best Actress
5. Poetic Justice (1993) Best Song
6. Little Women (2019) Best Costumes
7. Grand Canyon (1991) Best Screenplay
8. Marvin's Room (1996) Best Actress
9. Molly's Game (2017) Best Screenplay
10. Under Siege (1992) Best Sound Editing
11. Undefeated (2011) Best Documentary

12. Cliffhanger (1993) Best Sound Editing

Image

Right from the opening scene that has an inexperienced mountain climber hanging midair while Stallone tries in vain to rescue her, this is highly encapsulating. All of the mountain action scenes are remarkably intense, plus the film works as a potent look at madness and greed as Stallone goes up against hijackers posing as hikers after a plane crash -- and it is also a tale of Stallone mending a friendship fractured after the opening scene incident.
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#180

Post by sol » February 15th, 2020, 7:40 am

Academy Award winner for Best Spoiler TagShow
1. The Irishman (2019) Best Supporting Actor
2. Marriage Story (2019) Best Actor/Actress
3. The Blind Side (2009) Best Actress
4. Lady for a Day (1933) Best Actress
5. Poetic Justice (1993) Best Song
6. Little Women (2019) Best Costumes
7. Grand Canyon (1991) Best Screenplay
8. Marvin's Room (1996) Best Actress
9. Molly's Game (2017) Best Screenplay
10. Under Siege (1992) Best Sound Editing
11. Undefeated (2011) Best Documentary
12. Cliffhanger (1993) Best Sound Editing

13. Hollow Man (2000) Best Visual Effects

Image

The premise here has potential, yet the film falters by making Kevin Bacon's protagonist arrogant and unlikeable for the get-go, allowing him little room for character progression as invisibility toys with his common sense. The entire second half of the movie also feels like a routine slasher outside of the whole invisibility thing. The film is nevertheless constantly propped up by its superb special effects and Verhoeven daring to show perverted extremes.
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#181

Post by cinephage » February 15th, 2020, 10:01 am

10. Revanche, by Götz Spielmann (2008) 7,5/10

A nice, naturalist, thriller. It relies on coincidences too many, but once the setting is built, it works quite well from there...

Academy Awards :
Best Picture in a Foreign Language - Nominated

11. Watch on the Rhine, by Herman Shumlin (1943) 7/10

A theatrical adapatation. A little too talkative, but the period and approach are very interesting...

Academy Awards :
Best Picture - Nominated
Best Actor (Paul Lukas) - Won
Best Supporting Actress (Lucile Watson) - Nominated
Best Screenplay Based on Material from Another Medium (Dashiell Hammett) - Nominated
And the oscar goes to...Show
01. Show Boat, by George Sidney (1951) 7/10
02. Potop, by Jerzy Hoffman (1974) 8/10
03. Under Sandet, by Martin Zandvliet (2015) 7,5/10
04. Marriage Story, by Noah Baumbach (2019) 8,5/10
05. Separate tables, by Delbert Mann (1958) 7,5/10
06. A Passage to India, by David Lean (1984) 8/10
07. The Front Page, by Lewis Milestone (1931) 7,5/10
08. Alfie, by Gilbert Lewis (1966) 8/10
09. Elmer Gantry, by Richard Brooks (1960) 10/10

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#182

Post by sol » February 15th, 2020, 10:03 am

Academy Award winner for Best Spoiler TagShow
1. The Irishman (2019) Best Supporting Actor
2. Marriage Story (2019) Best Actor/Actress
3. The Blind Side (2009) Best Actress
4. Lady for a Day (1933) Best Actress
5. Poetic Justice (1993) Best Song
6. Little Women (2019) Best Costumes
7. Grand Canyon (1991) Best Screenplay
8. Marvin's Room (1996) Best Actress
9. Molly's Game (2017) Best Screenplay
10. Under Siege (1992) Best Sound Editing
11. Undefeated (2011) Best Documentary
12. Cliffhanger (1993) Best Sound Editing
13. Hollow Man (2000) Best Visual Effects

14. Days of Glory (2006) Foreign Language Film

Image

This World War II film gives voice to Islamic minority soldiers who made a significant difference to the war effort and there are several potent scenes as they smash tomatoes in disgust at being given different food and as they seriously contemplate the promises of propaganda flyers that state that Germany would welcome them should they defect. The story is a bit choppy and episodic though and all of the combat scenes are pretty by-the-books.
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#183

Post by vortexsurfer » February 15th, 2020, 11:51 am

4. Marjoe (Sarah Kernochan & Howard Smith, 1972)
5. 1917 (Sam Mendes, 2019)

SpoilerShow
1. Encounters at the End of the World (Werner Herzog, 2007)
2. Get Out (Jordan Peele, 2017)
3. The Lighthouse (Robert Eggers, 2019)
4. Marjoe (Sarah Kernochan & Howard Smith, 1972)
5. 1917 (Sam Mendes, 2019)

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#184

Post by flavo5000 » February 15th, 2020, 1:47 pm

Image
57. Ludwig (1973)
Nominated: Best Costume Design

Image
58. The Americanization of Emily (1964)
Nominated: Best B&W Cinematography, B&W Art Direction

Image
59. Kolya (1996)
Won: Best Foreign Language Film

Image
60. Tre fratelli a.k.a. Three Brothers (1981)
Nominated: Best Foreign Language Film
...And the Winner Is...Maybe...Show
1. Dorp aan de rivier a.k.a. Village by the River (1958)
2. Rocketman (2019)
3. Belle Epoque (1992)
4. Invictus (2009)
5. The Caine Mutiny (1954)
6. 1917 (2019)
7. How to Train Your Dragon: The Hidden World (2019)
8. Anne of the Thousand Days (1969)
9. The Two Popes (2019)
10. The Irishman (2019)
11. Little Women (2019)
12. Richard Jewell (2019)
13. Blackboard Jungle (1955)
14. Indigènes (2006)
15. Dolor y gloria (2019)
16. Plácido (1961)
17. The Sand Pebbles (1966)
18. Exodus (1960)
19. Mr. Turner (2014)
20. The House of the Seven Gables (1940)
21. Ford v Ferrari (2019)
22. Marriage Story (2019)
23. Bombshell (2019)
24. Capharnaüm (2018)
25. Jojo Rabbit (2019)
26. Judy (2019)
27. Frozen II (2019)
28. A Beautiful Day in the Neighborhood (2019)
29. J'ai perdu mon corps a.k.a. I Lost My Body (2019)
30. American Factory (2019)
31. Utomlennye solntsem a.k.a. Burnt By The Sun (1994)
32. Klaus (2019)
33. Since You Went Away (1944)
34. For Whom the Bell Tolls (1943)
35. Harriet (2019)
36a. Dcera a.k.a. Daughter (2019)
36b. Hair Love (2019)
36c. Mémorable (2019)
36d. Sister (2018)
36e. The Dam Keeper (2014)
37. Central do Brasil a.k.a. Central Station (1998)
38. Places in the Heart (1984)
39. Valley of the Dolls (1967)
40. Battleground (1949)
41. The Greatest Showman (2017)
42. Nicholas and Alexandra (1971)
43. Deux jours, une nuit a.k.a. Two Days, One Night (2014)
44. The Eddy Duchin Story (1956)
45. Tess (1979)
46. Death on the Nile (1978)
47. Hallelujah (1929)
48. The Private Life of Henry VIII. (1933)
49. The Great Gatsby (2013)
50. The Deep (1977)
51. Wonder (2017)
52. Julius Caesar (1953)
53. La caduta degli dei (Götterdämmerung) a.k.a. The Damned (1969)
54. The Accidental Tourist (1988)
55. Poetic Justice (1993)
56. Space Cowboys (2000)
57. Ludwig (1973)
58. The Americanization of Emily (1964)
59. Kolya (1996)
60. Tre fratelli a.k.a. Three Brothers (1981)

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#185

Post by Traveller » February 15th, 2020, 6:22 pm

30. Corpus Christi (2019) - 7/10
31. Honeyland (2019) - 6/10
32. Cimarron (1931) - 3/10
33. You Can't Take It with You (1938) - 7/10
ICM
February Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#186

Post by albajos » February 15th, 2020, 9:48 pm

07. What's Love Got to Do with It (1993) USA 1 official list 1 754 checks [double]
2 nominations: Best Actor in a Leading Role, Best Actress in a Leading Role

1993: 14/23 Best Actor in a Leading Role, Best Actor in a Supporting Role, Best Actress in a Leading Role, Best Art Direction, Best Costume Design, Best Director, Best Effects, Sound Effects Editing, Best Effects, Visual Effects, Best Film Editing, Best Makeup, Best Music, Original Score, Best Picture, Best Writing (Adapted), Best Writing (Original) categories completed

Sylvester Stallone's OscarShow
01. Lady Sings the Blues (1972) USA 185 checks [double]
5 nominations: Best Actress in a Leading Role, Best Screenplay (original), Best Art Direction, Best Costume Design, Best Song Score
02. The Wiz (1978) USA 185 checks [double]
4 nominations: Best Cinematography, Best Art Direction, Best Costume Design, Best Song Score
03. Mudbound (2017) USA 1 official list 1 547 checks [double]
4 nominations: Best Actress - Supporting, Best Screenplay - Adapted, Best Cinematography, Best Original Song
04. Bombshell (2019) USA | Canada 636 checks
1 win of 2 nominations: Best Makeup and Hairstyling, Best Actress in a Leading Role, Best Actress in a Supporting Role
05. Harriet (2019) USA 270 checks [double]
2 nominations: Best Actress in a Leading Role, Best Original Song
06. Little Women (2019) USA 270 checks
1 win of 6 nominations: Best Costume Design, Best Picture, Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Adapted Screenplay, Best Original Score
07. What's Love Got to Do with It (1993) USA 1 official list 1 754 checks [double]
2 nominations: Best Actor in a Leading Role, Best Actress in a Leading Role

winner
01 Best Makeup and Hairstyling
01 Best Costume Design

nomination
05 Best Actress - Leading
03 Best Costume Design
03 Best Writing - 01 Best Screenplay (original), 02 Best Screenplay (adapted)
02 Best Art Direction
03 Best Actress - Supporting
02 Best Cinematography
02 Best Original Song
02 Best Song Score
01 Best Actor - Leading
01 Best Makeup and Hairstyling
01 Best Original Score
01 Best Picture

1972: 1/21 Best Director category completed.
1978: 1/21 Best Director category completed
1993: 14/23 Best Actor in a Leading Role, Best Actor in a Supporting Role, Best Actress in a Leading Role, Best Art Direction, Best Costume Design, Best Director, Best Effects, Sound Effects Editing, Best Effects, Visual Effects, Best Film Editing, Best Makeup, Best Music, Original Score, Best Picture, Best Writing (Adapted), Best Writing (Original) categories completed
2017: 13/24 Best Motion Picture of the Year, Best Performance by an Actress in a Leading Role, Best Performance by an Actress in a Supporting Role, Best Achievement in Directing, Best Original Screenplay, Best Achievement in Cinematography, Best Achievement in Film Editing, Best Achievement in Production Design, Best Achievement in Music Written for Motion Pictures (Original Score), Best Achievement in Sound Mixing, Best Achievement in Sound Editing, Best Achievement in Visual Effects, Best Animated Feature Film categories completed
2019: 0 categories completed

!seen 7

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#187

Post by AB537 » February 15th, 2020, 10:01 pm

13. Goodbye Mr. Chips (Sam Wood, 1939) 6/10 ... Won Best Actor (Robert Donat) ... Nominated for Picture, Director, Actress (Greer Garson - in very much a supporting role, apparently the opposite approach to what's been done more recently with Supporting wins for Clooney and Pitt), Screenplay, Film Editing, Sound Recording. To me, this is a good illustration of how tastes change over time: in 1939, this was popular with both audiences and critics and did quite well in a very competitive Oscar year. Now, the film would likely have limited appeal if it was made at all. An interesting comparison would be to Anthony Asquith's 1951 The Browning Version, which exists in a similar setting but is much darker and I think has aged a lot better.

14. Obchod na korze - The Shop on Main Street (Ján Kadár and Emil Klos, 1965) 8/10 ... Won Foreign Language Film, Nominated for Best Actress (Ida Kamińska)

15. Pasqualino Settebellezze - Seven Beauties (Lina Wertmüller, 1975) 6.5/10 ... Nominated for Director, Actor (Giancarlo Giannini), Original Screenplay and Foreign Language Film

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#188

Post by ChrisReynolds » February 16th, 2020, 1:59 am

1. The Irishman (Scorsese, 2019) Nominated for Best Picture, Best Director, Best Supporting Actor (Al Pacino), Best Supporting Actor (Joe Pesci), Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Production Design, Best Editing and Best Visual Effects
Even though it's 3.5 hours long, it feels like a natural length for the epic story and it does very well with its portrayal of the destructive effects of violence. Despite being good, it suffers from being so close in subject/tone/team to Goodfellas. There's also the de-ageing, which works when it's subtracting less than thirty years from the actors, but looks plastic when subtracting forty or fifty.
6/10

Image

2. A Beautiful Day in the Neighborhood (Heller, 2019) Nominated for Best Supporting Actor (Tom Hanks)
Hanks is brilliant in this. Probably nobody else could have played this part so well. Unfortunately his status as supporting actor is justified, and more than half of the film is a tiresome cliched drama about a journalist trying to reconnect with his dad.
4/10

Image

3. The Lone Ranger (Verbinski, 2013) Nominated for Best Makeup/Hairstyling and Best Visual Effects
The highlights are the two fun train-based action sequences that bookend the movie, the glossy cinematography and the ever-reliable Fichtner's villainous performance. The rest of the film is openly ripped off from Once Upon a Time in America and Dead Man, but the most awkward element is the story's attempt to synthesise Depp's comedy impersonation of a Comanche with a serious portrayal of the genocide committed against Native Americans.
4/10

Image

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#189

Post by sol » February 16th, 2020, 3:09 am

Academy Award winner for Best Spoiler TagShow
1. The Irishman (2019) Best Supporting Actor
2. Marriage Story (2019) Best Actor/Actress
3. The Blind Side (2009) Best Actress
4. Lady for a Day (1933) Best Actress
5. Poetic Justice (1993) Best Song
6. Little Women (2019) Best Costumes
7. Grand Canyon (1991) Best Screenplay
8. Marvin's Room (1996) Best Actress
9. Molly's Game (2017) Best Screenplay
10. Under Siege (1992) Best Sound Editing
11. Undefeated (2011) Best Documentary
12. Cliffhanger (1993) Best Sound Editing
13. Hollow Man (2000) Best Visual Effects
14. Days of Glory (2006) Foreign Language Film

15. The Lighthouse (2019) Best Cinematography

Image

This is one of those movies that attempts to be a living, breathing nightmare and for the most part it succeeds; the black and white photography is divine with the shadows often engulfing the men and the sound design is equally arresting. We are also treated to a lot of out-there imagery including visions (or memories?) of mermaids, dead bodies and fey sea creatures. This was quite appealing, though I found it a little repetitive too after a while.
Former IMDb message boards user // iCM | IMDb | Letterboxd | My top 600 films // Long live the new flesh!
Image Image Image

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#190

Post by klaus78 » February 16th, 2020, 9:57 am

SpoilerShow
1. J'ai perdu mon corps (2019) 7/10
2. Marriage Story (2019) 6/10
3. Les misérables (2019) 7/10
4. Little Women (2019) 7/10
5. Ford v Ferrari (2019) 5/10

6. American Factory (2019) 8/10
7. Knives Out (2019) 5/10
Image

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#191

Post by flavo5000 » February 16th, 2020, 1:27 pm

Image
61. Mephisto (1981)
Won: Best Foreign Language Film

Image
62. The French Lieutenant's Woman (1981)
Nominated: Best Actress (Meryl Streep), Adapted Screenplay, Art Direction-Set Decoration, Costume Design, Film Editing

Image
63. What's the Matter with Helen? (1971)
Nominated: Best Costume Design
...And the Winner Is...Maybe...Show
1. Dorp aan de rivier a.k.a. Village by the River (1958)
2. Rocketman (2019)
3. Belle Epoque (1992)
4. Invictus (2009)
5. The Caine Mutiny (1954)
6. 1917 (2019)
7. How to Train Your Dragon: The Hidden World (2019)
8. Anne of the Thousand Days (1969)
9. The Two Popes (2019)
10. The Irishman (2019)
11. Little Women (2019)
12. Richard Jewell (2019)
13. Blackboard Jungle (1955)
14. Indigènes (2006)
15. Dolor y gloria (2019)
16. Plácido (1961)
17. The Sand Pebbles (1966)
18. Exodus (1960)
19. Mr. Turner (2014)
20. The House of the Seven Gables (1940)
21. Ford v Ferrari (2019)
22. Marriage Story (2019)
23. Bombshell (2019)
24. Capharnaüm (2018)
25. Jojo Rabbit (2019)
26. Judy (2019)
27. Frozen II (2019)
28. A Beautiful Day in the Neighborhood (2019)
29. J'ai perdu mon corps a.k.a. I Lost My Body (2019)
30. American Factory (2019)
31. Utomlennye solntsem a.k.a. Burnt By The Sun (1994)
32. Klaus (2019)
33. Since You Went Away (1944)
34. For Whom the Bell Tolls (1943)
35. Harriet (2019)
36a. Dcera a.k.a. Daughter (2019)
36b. Hair Love (2019)
36c. Mémorable (2019)
36d. Sister (2018)
36e. The Dam Keeper (2014)
37. Central do Brasil a.k.a. Central Station (1998)
38. Places in the Heart (1984)
39. Valley of the Dolls (1967)
40. Battleground (1949)
41. The Greatest Showman (2017)
42. Nicholas and Alexandra (1971)
43. Deux jours, une nuit a.k.a. Two Days, One Night (2014)
44. The Eddy Duchin Story (1956)
45. Tess (1979)
46. Death on the Nile (1978)
47. Hallelujah (1929)
48. The Private Life of Henry VIII. (1933)
49. The Great Gatsby (2013)
50. The Deep (1977)
51. Wonder (2017)
52. Julius Caesar (1953)
53. La caduta degli dei (Götterdämmerung) a.k.a. The Damned (1969)
54. The Accidental Tourist (1988)
55. Poetic Justice (1993)
56. Space Cowboys (2000)
57. Ludwig (1973)
58. The Americanization of Emily (1964)
59. Kolya (1996)
60. Tre fratelli a.k.a. Three Brothers (1981)
61. Mephisto (1981)
62. The French Lieutenant's Woman (1981)
63. What's the Matter with Helen? (1971)

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#192

Post by OldAle1 » February 16th, 2020, 4:40 pm

#OscassoICMShow
1. The Adventures of Robin Hood (Michael Curtiz/William Keighley, 1938) Picture, Art Direction, Film Editing, Music-Original Score
2. Bus Stop (Joshua Logan, 1956) Supporting Actor
3. Phaedra (Jules Dassin, 1962) Costume Design - Black and White
4. Klaus (Sergio Pablos, 2019) Animated Feature
5. Marriage Story (Noah Baumbach, 2019) (cinema) Picture, Actor, Actress, Screenplay - Original, Score, Supporting Actress
6. Jojo Rabbit (Taikia Waititi, 2019) (cinema) Picture, Costume Design, Film Editing, Production Design, Screenplay - Adapted, Supporting Actress
7. Little Women (Gillian Armstrong, 1994) Actress, Costume Design, Original Score
8-10. SHORTS 17+25+21+22+17+7+15+8+12+9+28=181 minutes total

a) Une soeur (Delphine Girard, 2018) Live Action Short Film
b) Brotherhood (Meryam Joobeur, 2018) Live Action Short Film
c) The Neighbor's Window (Marshall Curry, 2019) Live Action Short Film
d) Saria (Brian Buckley, 2019) Live Action Short Film
e) Nefta Football Club (Yves Piat, 2018) Live Action Short Film
f) Hair Love (Matthew A. Cherry/Everett Downing Jr/Bruce W. Smith, 2019) Animated Short Film
g) Dcera (Daria Kashcheeva, 2019) Animated Short Film
h) Sister (Siqi Song, 2018) Animated Short Film
i) Mémorable (Bruno Collet, 2019) Animated Short Film
j) Kitbull (Rosanna Sullivan, 2019) Animated Short Film
k) In the Absence (Seung-jun Yi, 2018) Documentary Short Subject

11. J'ai perdu mon corps / I Lost My Body (Jérémy Clapin, 2019) Animated Feature
12. Little Women (Greta Gerwig, 2019) Picture, Actress, Costume Design, Score, Screenplay - Adapted, Supporting Actress (re-watch, cinema)

3rd viewing. I already wrote about this elsewhere and don't feel like copying my review here; I will just note that this is I think only the 4th film I've seen at least three times in the cinema this century (Yi yi, No Country for Old Men, La La Land are the others for those who care and only the latter got seen more than three times). The vagaries of distribution are certainly a big reason for how and why I see films and how many times I see them, but it's also certainly due to the effect a film has, and hitting me at the right point in life. What I paid more attention to this time was the music - certainly one of my favorite scores of the year and used quite precisely; in fact everything in the film feels precision-placed, which I suppose some might see as a flaw and could be one in certain kinds of films; there isn't the "looseness" that we see in Lady Bird. But to me it works and it's fairly remarkable that given Gerwig's early roles in films and the kinds of things she started out being known for that she's come to this point at a still (hopefully) early stage in her career. I'm also more impressed by Eliza Scanlen and Emma Watson with every viewing, though they are certainly hampered by their characters and while Gerwig does make all of the girls more interesting than in previous versions, there's only so much she can do without distorting the book all out of shape and/or making a 3-hour film.

13. When Harry Met Sally... (Rob Reiner, 1989) Screenplay - Original (re-watch)

I saw this when it originally came out, and not since then. It's one of those films where I can't remember if I saw it in the cinema or on video but I do remember that I saw it with my first girlfriend who was much less conventionally romantic than I was, and pretty staunchly feminist in a way that really didn't respond to Nora Ephron's screenplay in particular - and neither did I. Ephron's assertions that men and women can never be friends and are really, totally, fundamentally different animals - which is belied at the end of this to be fair but which recurs in the other films she wrote and/or directed - still bugs the shit out of me and I still find myself hating that element of the film. In 1989 that was enough for me to hate the whole film though and it didn't help that I didn't much like Billy Crystal; pretty sure the only thing with Meg Ryan I had seen was D.O.A but I wasn't keeping track of actors at the time in any way, and her subsequent roles didn't help my opinion of her and in memory the film has languished as an offensive screenplay acted out by a guy I've grudgingly come to tolerate, and my least-favorite actress ever. So I guess it was time for a re-visit, eh?

Well color me surprised and surprisingly pleased. As I said, I still don't much like Ephron's writing - don't find a lot of Crystal's jokes that funny, don't like her view of men in general (and more importantly don't find it all that accurate) - but everything else improved dramatically, in particular Meg Ryan who while at times irritating (deliberately so - as a self-portrait of the writer it's clear that Ephron for all her faults could be as hard on women, and herself, as on men) is also just a joy to watch here, vivacious and self-assured and neurotic in almost equal measures. The fact that I hadn't really known anybody like her - and that I was soon to enter into a relationship with someone much more like her than my then-girlfriend, and have since met a much wider variety of women, probably helps in my changed feelings here. Reiner shoots New York in a loving manner and it works as a fantasy-view of the big city when two people are in love, certainly very much influenced by Woody Allen and in a long line that goes back to the musicals of the 50s. Crystal bugs me a little less - though again, he doesn't seem that real to me, and certainly Ephron's notion that all men love sports and don't cry in movies is utterly false as far as I'm concerned - and the supporting duo of Carrie Fisher and Bruno Kirby help immeasurably - if I'd remembered that they were in this I probably would have gone back to it sooner.

In short, dramatically improved - though still flawed enough that it's not really close to a "favorite"; and I still blame this film, and Ephron's simple-minded attitudes about the roles of men and women in particular for the wretched state the genre has been mired in for 30 years - though now it's clear that this film isn't quite as generically derivative or generally stupid as many of it's progeny. Makes me look forward more to a re-visit of Joe Versus the Volcano though, and now I think I have to replace Ms. Ryan for the title of all-time least-favorite actress.

As far as Oscars go - as you can see from my review I definitely don't think the film deserved it's nomination in the Screenplay category, though the winner, Tom Schulman for Dead Poets Society, is maybe even more atrocious and certainly more clichéd; all three of the other films nominated had good-to-great writing and would have been more deserving winners. Where WHMS may have actually deserved a nom is in Best Actress, though I've only seen the winner and one other nominee - 30+ years ago - so can't say for sure.

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#193

Post by jeroeno » February 16th, 2020, 6:04 pm

23. La Venganza (1958)
24. La strada lunga un anno (1958)

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#194

Post by Traveller » February 16th, 2020, 6:10 pm

34. Ordinary People (1980) - 8/10
35. The Good Earth (1937) - 4/10
36. The Yearling (1946) - 2/10
37. Anna and the King of Siam (1946) - 7/10
ICM
February Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#195

Post by maxwelldeux » February 16th, 2020, 6:59 pm

I'd like to thank...Show
1. Kinsey (2004) Best Supporting Actress - Laura Linney [nom]
2. Ex Machina (2015) Best Visual Effects [win]
3. The Weather Underground (2002) Best Doc Feature [nom]
4. Bohemian Rhapsody (2018) Best Actor [win +3 others]
5. Murder on a Sunday Morning (2001) Best Doc Feature [win]
6. Way Out West (1937) Best Music Score [nom]
7. Ali (2001) - Best Supporting Actor [nom]
8. Ball of Fire (1941) - Best Supporting Actress
9. The Day of the Jackal (1973) - Best Editing [nom]
10. The Pride of the Yankees (1942) - Best Editing [won]
11. Cat Ballou (1965) Best Actor [win]
After the first five minutes where they sing about how evil Cat is, I was pulled in and really excited to see where they would take it. Then nothing happened for 45 minutes until you FINALLY got to see her motivation. Then it was just a little boring. Could have been awesome, wasn't.

12. Chariots of Fire (1981) Best Picture [win]
I loved everything about this... except the things I love to love. If the story or characters or writing or anything like that were compelling, it could have been amazing. As is, it seemed the British equivalent of a bald eagle masturbating on the American flag while holding a gun. But the music, especially in that opening scene (which I'd heard, but didn't know the source of), was pretty awesome.

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#196

Post by OldAle1 » February 16th, 2020, 7:03 pm

I don't remember either Cat Ballou or Chariots very well, but being an enormous Lee Marvin fan now I definitely have to see the former again before too long. Love your description of Chariots which... I only remember the music. And being pretty anti-sports I really don't give a shit about most films extolling the virtues of manly competition on a field or track, so I don't think that film will ever be a priority to re-see; it's the kind of thing I could watch if it just happened to be on TCM at the right moment, that's about it.

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#197

Post by maxwelldeux » February 16th, 2020, 7:46 pm

OldAle1 wrote:
February 16th, 2020, 7:03 pm
I don't remember either Cat Ballou or Chariots very well, but being an enormous Lee Marvin fan now I definitely have to see the former again before too long. Love your description of Chariots which... I only remember the music. And being pretty anti-sports I really don't give a shit about most films extolling the virtues of manly competition on a field or track, so I don't think that film will ever be a priority to re-see; it's the kind of thing I could watch if it just happened to be on TCM at the right moment, that's about it.
Lee Marvin was solid in Cat Ballou - I was just so focused on wanting Jane Fonda/the titular character to do something, that I overlooked him. But he carried what was an otherwise underwhelming film for me. And yeah, Chariots is... something.

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#198

Post by jdidaco » February 16th, 2020, 10:54 pm

(Screenshots from 'Die gläserne Zelle' & 'Ingenjör Andrées luftfärd'),

Image

11. Private Worlds (Gregory La Cava, 1935) 8/10
12. The Spanish Main (Frank Borzage, 1945) 8/10
13. Käre John (Dear John, Lars-Magnus Lindgren, 1964) 8.5/10
14. Hoa-Binh (The Bamboo Incident, Raoul Coutard, 1970) 7.5/10
15. Erste Liebe (First Love, Maximilian Schell, 1970) 8/10
16. Die gläserne Zelle (The Glass Cell, Hans W. Geissendörfer, 1978) 8.5/10
17. Ingenjör Andrées luftfärd (The Flight of the Eagle, Jan Troell, 1982) 9/10
18. La diagonale du fou (Dangerous Moves, Richard Dembo, 1984) 7.5/10
19. Poussières de vie (Dust of Life, Rachid Bouchareb, 1995) 7/10
20. Once Upon a Time ...in Hollywood (Quentin Tarantino, 2019) 7.5/10

Image

SpoilerShow
1. Kitty (Mitchell Leisen, 1945) 9/10
2. Torch Song (Charles Walters, 1953) 6.5/10
3. El amor brujo (Bewitched Love, Francisco Rovira Beleta, 1967) 7.5/10
4. Paix sur les champs (Peace Over the Fields, Jacques Boigelot, 1970) 8/10
5. Mahogany (Berry Gordy & Tony Richardson, 1975) 6.5/10
6. BlacKkKlansman (Spike Lee, 2018) 7.5/10
7. Dolor y gloria (Pain and Glory, Pedro Almodóvar, 2019) 8/10
8. Joker (Todd Phillips, 2019) 7/10
9-10. How to Avoid Friendship (Gene Deitch, 1964) 7/10 (7 min), Hypothèse Beta (Jean-Charles Meunier, 1967) 7.5/10 (7 min), The Shepherd (Cameron Guess, 1969) 6.5/10 (8 min), Is It Always Right to Be Right? (Lee Mishkin, 1970) 6.5/10 (8 min), The Resurrection of Broncho Billy (James R. Rokos, 1970) 6.5/10 (21 min), Sticky My Fingers... Fleet My Feet (John D. Hancock, 1970) 7/10 (23 min), Mei mei/Sister (Siqi Song, 2018) 7/10 (8 min), Hair Love (Matthew A. Cherry & Everett Downing Jr. & Bruce W. Smith, 2019) 7/10 (7 min), Kitbull (Rosana Sullivan, 2019) 7.5/10 (9 min), Dcera (Daughter, Daria Kashcheeva, 2019) 7.5/10 (15 min), Mémorable (Memorable, Bruno Collet, 2019) 9/10 (12 min) (Total: 125 min)

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#199

Post by AB537 » February 17th, 2020, 3:14 am

16. The Fortune Cookie (Billy Wilder, 1966) 7/10 ... Won Supporting Actor (Walter Matthau), Nominated for Original Screenplay, Cinematography (B&W), Art Direction-Set Direction (B&W)

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#200

Post by blocho » February 17th, 2020, 4:50 am

maxwelldeux wrote:
February 16th, 2020, 6:59 pm
12. Chariots of Fire (1981) Best Picture [win]
As is, it seemed the British equivalent of a bald eagle masturbating on the American flag while holding a gun.
Now that would be quite a movie! Kind of a mash-up of Rambo with Birdemic with the Jackie Earle Haley scene from Little Children.

maxwelldeux wrote:
February 16th, 2020, 6:59 pm
But the music, especially in that opening scene (which I'd heard, but didn't know the source of), was pretty awesome.
A jazz trio cover of that music from a group I really like. Definitely not for everyone.

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