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In Competition at Cannes - Official Challenge May 2019

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Re: In Competition at Cannes - Official Challenge May 2019

#121

Post by Traveller » May 18th, 2019, 6:21 pm

46. The Kid with a Bike (2011) - 6/10
47. Reality (2012) - 4/10
48. The Wonders (2014) - 4/10
ICM
December Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#122

Post by maxwelldeux » May 18th, 2019, 7:40 pm

I prefer a bottleShow
1. A Taste of Cherry (1997)
2. Z (1969)
3. The Salesman (2016)
4. Cria Cuervos (1976)
5. Sin City (2005)
6. Elephant (2003)
7. The Piano Teacher (2001)
This was fucked up - but I think I loved it. It did not go in any sort of expected ways, but it all made sense to me. I need to sit on this before commenting too much... :circle:

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#123

Post by flavo5000 » May 18th, 2019, 8:03 pm

9. Rosetta (1999)
10. Gli intoccabili (1969)
SpoilerShow
1. Friendly Persuasion (1956)
2. The Pumpkin Eater (1964)
3. Vizi privati, pubbliche virtù (1976)
4. Woyzeck (1979)
5. Modesty Blaise (1966)
6. Mouchette (1967)
7. Borgman (2013)
8. Le passé (2013)
9. Rosetta (1999)
10. Gli intoccabili (1969)

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#124

Post by allisoncm » May 18th, 2019, 8:03 pm

1. 5/14 The Dead Don’t Die, Jim Jarmusch 6/10 2019
2. 5/15 Litigante 6.2/10 2019
3. 5/15 Bull, Annie Silverstein 5.5/10 2019
4. 5/15 Reves de Jeunesse 6/10
5. 5/16 Beanpole 6/10
6. 5/16 Hirondelles de Kaboul
7. 5/16 Hvítur, Hvítur Dagur/ A White, White Day 6/10
8. 5/16 Des Hommes 4.5/10
9. 5/17 Sorry We Missed You 9/10
10. 5/17 Papicha Mounia Meddour 7/10
11. 5/17 Vif-Argent 5/10
12. 5/18 Port Authority 6/10
13. 5/18 Jeanne (Bruno Dumont) 6/10
14. Shorts I:
-FAKH (THE TRAP) DE/BY NADA RIYADH                         20’
-THE MANILA LOVER DE/BY JOHANNA PYYKKÖ            26’
-KOLEKTYVINIAI SODAI 15’(COMMUNITY GARDENS) DE/BY VYTAUTAS KATKUS

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#125

Post by maxwelldeux » May 18th, 2019, 8:52 pm

allisoncm wrote:
May 18th, 2019, 8:03 pm
1. 5/14 The Dead Don’t Die, Jim Jarmusch 6/10 2019
2. 5/15 Litigante 6.2/10 2019
3. 5/15 Bull, Annie Silverstein 5.5/10 2019
4. 5/15 Reves de Jeunesse 6/10
5. 5/16 Beanpole 6/10
6. 5/16 Hirondelles de Kaboul
7. 5/16 Hvítur, Hvítur Dagur/ A White, White Day 6/10
8. 5/16 Des Hommes 4.5/10
9. 5/17 Sorry We Missed You 9/10
10. 5/17 Papicha Mounia Meddour 7/10
11. 5/17 Vif-Argent 5/10
12. 5/18 Port Authority 6/10
13. 5/18 Jeanne (Bruno Dumont) 6/10
14. Shorts I:
-FAKH (THE TRAP) DE/BY NADA RIYADH                         20’
-THE MANILA LOVER DE/BY JOHANNA PYYKKÖ            26’
-KOLEKTYVINIAI SODAI 15’(COMMUNITY GARDENS) DE/BY VYTAUTAS KATKUS
I was waiting for you to post! Tell us about the festival... :cheers:

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#126

Post by allisoncm » May 18th, 2019, 8:56 pm

Hey maxwell, it’s totally cray over here! It’s good, but I have to be strategic with what screenings I go to. There’s a ton of red carpets, but a ton of people, so it’s almost impossible to get a good view. Hopefully some good stuff is coming up in the next week. Pre-Cannes was stressful and not a lot of time for watching movies, but now that I’m here, it’s like a paradise.

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#127

Post by maxwelldeux » May 18th, 2019, 9:53 pm

allisoncm wrote:
May 18th, 2019, 8:56 pm
Hey maxwell, it’s totally cray over here! It’s good, but I have to be strategic with what screenings I go to. There’s a ton of red carpets, but a ton of people, so it’s almost impossible to get a good view. Hopefully some good stuff is coming up in the next week. Pre-Cannes was stressful and not a lot of time for watching movies, but now that I’m here, it’s like a paradise.
That sounds pretty awesome - I'm totally jealous! Definitely want to hear more when you get a chance.

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#128

Post by AB537 » May 19th, 2019, 2:36 am

10. Jigokumon - Gate of Hell (Teinosuke Kinugasa, 1953)
11. Brief Encounter (David Lean, 1945)

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#129

Post by Traveller » May 19th, 2019, 7:01 am

49. Dheepan (2015) - 6/10
ICM
December Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#130

Post by sol » May 19th, 2019, 9:17 am

In a world in which nobody KAHN pronounce CannesShow
1. Pale Rider (1985)
2. Good Time (2017)
3. The Sun Shines Bright (1953)
4. The Three Burials of Melquiades Estrada (2005)
5. Tell Me That You Love Me, Junie Moon (1970)
6. Fear and Loathing in Las Vegas (1998) REVISION
7. White Hunter, Black Heart (1990)
8. The Long Riders (1980)
9. The Homesman (2014)
10. The Nickel Ride (1974)
11. Sons and Lovers (1960)
12. Modesty Blaise (1966)
13. Kuroneko (1968)
14. Frauds (1993)
15. Car Wash (1976)
16. Splitting Heirs (1993)
17. The Salesman (2016)

18. Moonlighting (1982)

Image

Jeremy Irons shines in the lead role here with pitch-perfect melancholy voiceover narration that clues us into all his insecurities about his colleagues. And what about his wife back home? The project benefits from a perfectly moody Stanley Myers score too. There are also some great sound effects as Irons eyes some supermarket security cameras before the film delves into a series of nail-biting near misses as he stoops to shoplifting to get by.
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#131

Post by hurluberlu » May 19th, 2019, 12:27 pm

5. Advise & Consent (Otto Preminger, 1962) 8-

looking at allisoncm postings, are eligible films only from main competition or any competition counts ?
#JeSuisCharlie Liberté, Liberté chérie !

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#132

Post by Traveller » May 19th, 2019, 6:06 pm

50. I, Daniel Blake (2016) - 7/10
51. The Square (2017) - 7/10
52. 120 Beats Per Minute (2017) - 3/10
ICM
December Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#133

Post by maxwelldeux » May 19th, 2019, 6:11 pm

hurluberlu wrote:
May 19th, 2019, 12:27 pm
looking at allisoncm postings, are eligible films only from main competition or any competition counts ?
Good question - thoughts? I'm pretty open to what gets included here...

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#134

Post by albajos » May 19th, 2019, 9:06 pm

main competiton, the ones that actually can win the main awards, or else we would need to include everything all other years as well. And that is a lot.

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#135

Post by AB537 » May 19th, 2019, 11:34 pm

12. L'avventura (Michelangelo Antonioni, 1960)

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#136

Post by Knaldskalle » May 20th, 2019, 4:48 am

Finally!

1. The Salesman (Farhadi, 2016). Another Farhadi film that revolves around relationships breaking down. This one didn't wow me as much as his earlier efforts, but it's still really good. We have been spoiled when this isn't top tier stuff. :)
Personal film goals for 2019.
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#137

Post by maxwelldeux » May 20th, 2019, 6:08 am

Knaldskalle wrote:
May 20th, 2019, 4:48 am
Finally!

1. The Salesman (Farhadi, 2016). Another Farhadi film that revolves around relationships breaking down. This one didn't wow me as much as his earlier efforts, but it's still really good. We have been spoiled when this isn't top tier stuff. :)
I'm sorry, but that's the incorrect view of the film. Please try again. :P

Seriously though, that film blew me away. I thought it nailed just about everything. My initial reaction was getting slightly angry at just how good it was (which I tend to do with my favorite films). #43 on my favorites list, currently.

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#138

Post by cinephage » May 20th, 2019, 9:12 am

04. Oberst Redl, by Istva, Szabo (1985) 8/10

Very interesting and a relevant approach : an Austrian empire infested by strong nationalists who want independance, while the decadent elite is deaf to these aspirations... Great part for Klaus Maria Brandauer.

-4- Guy, by Alex Lutz (2018) 8,5/10 (Semaine de la critique)

Great acting by Alex Lutz, and a surprisingly nostalgic film...
SpoilerShow
01. The Long Day Closes, by Terence Davies (1992) 8/10
02. Fröken Julie, by Alf Sjoberg (1951) 7/10
03. Forbrydelsens element, by Lars von Trier (1984) 6,5/10
-3- Chronik der Anna Magdalena Bach, by Danièle Huillet & Jean-Marie Straub (1968) 3/10 (Semaine de la critique)

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#139

Post by sol » May 20th, 2019, 1:31 pm

albajos wrote:
May 19th, 2019, 9:06 pm
main competiton, the ones that actually can win the main awards, or else we would need to include everything all other years as well. And that is a lot.
^ This.

Only the films listed in the "Competition" section of this post should be eligible for the Challenge, so allison's score might need an update.
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#140

Post by allisoncm » May 20th, 2019, 3:04 pm

SpoilerShow
1. 5/14 The Dead Don’t Die, Jim Jarmusch 6/10 2019
2. 5/15 Litigante 6.2/10 2019
3. 5/15 Bull, Annie Silverstein 5.5/10 2019
4. 5/15 Reves de Jeunesse/As Happy As Possible 6/10
5. 5/16 Dylda/Beanpole 6/10
6. 5/16 Les Hirondelles de Kaboul
7. 5/16 Hvítur, Hvítur Dagur/ A White, White Day 6/10
8. 5/16 Des Hommes -Alice Odiot, Jean-Robert Viallet 4.5/10
9. 5/17 Sorry We Missed You 9/10
10. 5/17 Papicha Mounia Meddour 7/10
11. 5/17 Vif-Argent 5/10
12. 5/18 Port Authority 6/10
13. 5/18 Jeanne (Bruno Dumont) 6/10
14. 5/18 Shorts I: -FAKH (THE TRAP) DE/BY NADA RIYADH                         20’
-THE MANILA LOVER DE/BY JOHANNA PYYKKÖ            26’
-KOLEKTYVINIAI SODAI 15’(COMMUNITY GARDENS) DE/BY VYTAUTAS KATKUS
15. 5/19, Chambre 212 (Christophe Honoré), 8/10
16. 5/19, Liberté (Albert Serra), 1/10
17. 5/19, Share (Pippa Bianco), 6/10
18. 5/19, Ceniza Negre/Cendre Noire/Land of Ashes (Sofía Quirós Ubeda), 6/10
19. 5/20, Portrait of a Lady on Fire (Céline Sciamma), 6.5/10
20. 5/20 Abou Leila (Amin Sidi-Boumédiène), 6/10
21. 5/20, Adam (Maryam Touzani), 6/10

Alright I am too busy to figure out which ones are eligible so ... I am at Cannes. Include what you want.

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#141

Post by sol » May 20th, 2019, 3:25 pm

Okay - I think this is allison's adjusted score. Took some time to work out with different AKAs and all, but I think this is correct.

1. 5/14 The Dead Don’t Die, Jim Jarmusch 6/10 2019
2. 5/17 Sorry We Missed You 9/10
3. 5/20, Portrait of a Lady on Fire (Céline Sciamma), 6.5/10

Did I miss anything out that she saw and is in the Main Competition?
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#142

Post by sol » May 20th, 2019, 3:29 pm

In a world in which nobody KAHN pronounce CannesShow
1. Pale Rider (1985)
2. Good Time (2017)
3. The Sun Shines Bright (1953)
4. The Three Burials of Melquiades Estrada (2005)
5. Tell Me That You Love Me, Junie Moon (1970)
6. Fear and Loathing in Las Vegas (1998) REVISION
7. White Hunter, Black Heart (1990)
8. The Long Riders (1980)
9. The Homesman (2014)
10. The Nickel Ride (1974)
11. Sons and Lovers (1960)
12. Modesty Blaise (1966)
13. Kuroneko (1968)
14. Frauds (1993)
15. Car Wash (1976)
16. Splitting Heirs (1993)
17. The Salesman (2016)
18. Moonlighting (1982)

19. Last Days (2005)

Image

This film gets off to an intriguing start, consisting entirely of long distance shots for over ten minutes, followed by medium shots in which either the protagonist's long hair or camera angle obscures his face (and it is only in the final 15 minutes that we properly see his face in close-up). The overall film is not as intriguing as the beginning though, and while Gus Van Sant captures the musician's malaise and lack of energy well throughout, it is a repetitive affair and amusing episodes (like a sales pitch from a Yellow Pages worker unfazed by the fact that he is wearing a black dress) are rare.
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#143

Post by Knaldskalle » May 20th, 2019, 5:12 pm

maxwelldeux wrote:
May 20th, 2019, 6:08 am
Knaldskalle wrote:
May 20th, 2019, 4:48 am
Finally!

1. The Salesman (Farhadi, 2016). Another Farhadi film that revolves around relationships breaking down. This one didn't wow me as much as his earlier efforts, but it's still really good. We have been spoiled when this isn't top tier stuff. :)
I'm sorry, but that's the incorrect view of the film. Please try again. :P

Seriously though, that film blew me away. I thought it nailed just about everything. My initial reaction was getting slightly angry at just how good it was (which I tend to do with my favorite films). #43 on my favorites list, currently.
It really is just a matter of a few degrees and what really hits home vs. what doesn't. For me, About Elly and Fireworks Wednesday were slightly better, It's just personal preference.

I knew a guy online (who has since passed away) who claimed that at least one of Vittorio De Sica's three famous Italian Neo-realism movies would devastate you, it was just a matter of which of the three (Bicycle Thieves, Shoeshine or Umberto D.). Umberto D. did nothing much for me, Shoeshine was tough to watch and Bicycle Thieves was soul-crushing. For others it's different. YMMV.
Personal film goals for 2019.
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#144

Post by hurluberlu » May 20th, 2019, 5:44 pm

sol wrote:
May 20th, 2019, 1:31 pm
albajos wrote:
May 19th, 2019, 9:06 pm
main competiton, the ones that actually can win the main awards, or else we would need to include everything all other years as well. And that is a lot.
^ This.

Only the films listed in the "Competition" section of this post should be eligible for the Challenge, so allison's score might need an update.
Yeah I guess it is a little late to change the rule if everyone has been sticking to the icm list in the original op so far
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#145

Post by maxwelldeux » May 20th, 2019, 6:04 pm

allisoncm wrote:
May 20th, 2019, 3:04 pm
Alright I am too busy to figure out which ones are eligible so ... I am at Cannes. Include what you want.
OK. I'm fine including anything watched at the Cannes FF. For everything else, let's stick with the main competition.

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#146

Post by Traveller » May 20th, 2019, 6:05 pm

53. Rosa Luxemburg (1986) - 7/10
54. Where the Green Ants Dream (1984) - 6/10
ICM
December Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#147

Post by maxwelldeux » May 20th, 2019, 11:49 pm

I prefer a bottleShow
1. A Taste of Cherry (1997)
2. Z (1969)
3. The Salesman (2016)
4. Cria Cuervos (1976)
5. Sin City (2005)
6. Elephant (2003)
7. The Piano Teacher (2001)
8. Kagemusha (1980)
This was pretty fantastic - beautiful cinematography, amazing costumes, great coloring, and a pretty interesting story that happens to be historical. It dragged in the middle for me, as I didn't get too engaged in the subterfuge, but pretty worthwhile film to see.

9. Battle in Heaven (2005)
On the other hand... I disliked this film. I didn't see the point. It did nothing for me other than make me confused and slightly angry.

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#148

Post by 3eyes » May 21st, 2019, 12:52 am

4. Le Havre (Fin/Fr 11) - rewatch

I loved this 7 years ago and I still do - tho it's a bit disturbing how little I remember from the first watch.
Tin Cannes AlleyShow
1. Mon oncle d'Amérique (Fr 80)
2. BlacKkKlansman (18)
3. The glass menagerie (87)
4. Le Havre (Fin/Fr 11) - rewatch
:run: STILL the Gaffer!

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#149

Post by AB537 » May 21st, 2019, 2:37 am

13. Biutiful (Alejandro Gonzalez Inarritu, 2010)
14. La Dolce Vita (Federico Fellini, 1960)

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#150

Post by sol » May 21st, 2019, 2:26 pm

In a world in which nobody KAHN pronounce CannesShow
1. Pale Rider (1985)
2. Good Time (2017)
3. The Sun Shines Bright (1953)
4. The Three Burials of Melquiades Estrada (2005)
5. Tell Me That You Love Me, Junie Moon (1970)
6. Fear and Loathing in Las Vegas (1998) REVISION
7. White Hunter, Black Heart (1990)
8. The Long Riders (1980)
9. The Homesman (2014)
10. The Nickel Ride (1974)
11. Sons and Lovers (1960)
12. Modesty Blaise (1966)
13. Kuroneko (1968)
14. Frauds (1993)
15. Car Wash (1976)
16. Splitting Heirs (1993)
17. The Salesman (2016)
18. Moonlighting (1982)
19. Last Days (2005)

20. The Past (2013)

Image

This domestic drama from Asghar Farhadi comes with ample mystery and mysteriousness (not just regarding the new boyfriend, but why the husband and wife separated in the first place), yet with a plot that becomes convoluted with shock revelation after revelation in the second and third act, the whole thing began to feel like a soap opera episode to me. I also didn't like how the husband disappeared into the backdrop towards the end since he was the only character I liked. The acting is certainly classy, but I would definitely place this on a notch below the two other Farhadi films I have seen.
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#151

Post by Mate_cosido » May 21st, 2019, 4:33 pm

5. Raíces - Roots (1954, Benito Alazraki)

6. La ciociara - Two Women (1960, Vittorio De Sica)

7. Deveti krug - The Ninth Circle (1960, France Stiglic)

8. Beoning - Burning (2018, Chang-dong Lee)

9. Yurîka - Eureka (2000, Shinji Aoyama)

10. La vendedora de rosas - The Rose Seller (1998, Victor Gaviria)
Seen so far:Show
1. Los golfos - The Delinquents (1960, Carlos Saura)

2. Manbiki kazoku - Shoplifters (2018, Hirokazu Koreeda)

3. Sharaku (1995, Masahiro Shinoda)

4. Dolina miru - Valley of Peace (1956, France Stiglic)

5. Raíces - Roots (1954, Benito Alazraki)

6. La ciociara - Two Women (1960, Vittorio De Sica)

7. Deveti krug - The Ninth Circle (1960, France Stiglic)

8. Beoning - Burning (2018, Chang-dong Lee)

9. Yurîka - Eureka (2000, Shinji Aoyama)

10. La vendedora de rosas - The Rose Seller (1998, Victor Gaviria)

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#152

Post by hurluberlu » May 21st, 2019, 6:04 pm

6. I, Daniel Blake (Ken Loach, Laura Obiols, 2016) 5+
Probably the weakest Palme d'Or I have seen.
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#153

Post by Traveller » May 21st, 2019, 6:07 pm

55. Colonel Redl (1985) - 7/10
56. The Bread of Those Early Years (1962) - 7/10
ICM
December Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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#154

Post by maxwelldeux » May 21st, 2019, 6:38 pm

I prefer a bottleShow
1. A Taste of Cherry (1997)
2. Z (1969)
3. The Salesman (2016)
4. Cria Cuervos (1976)
5. Sin City (2005)
6. Elephant (2003)
7. The Piano Teacher (2001)
8. Kagemusha (1980)
9. Battle in Heaven (2005)
10. Silent Light (2007)
This was my second Reygadas feature in a day, and I have to admit I'm not a fan. The cinematography in this was breathtaking, save for the weird artifact/circles that appear on screen when the camera is pointed towards the sun. But the story was uninteresting and paced super slow, so I often had trouble telling if I was watching for 2 minutes or 2 hours. I understand this is a remake of Ordet (also unseen for me), but it does not make me want to turn to that film any quicker.


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#156

Post by albajos » May 21st, 2019, 9:55 pm

07. About Schmidt (2002) USA 4 official lists 13 207 checks

Off. list progress:
+1 Cannes Film Festival - Palme d'Or (59,3%)

So Many Cannon films were sold at CannesShow
01. The Sun Shines Bright (1953) USA 4 official lists 379 checks [double]
02. La escondida (1956) Mexico 11 checks [double]
03. Friendly Persuasion (1956) USA 3 official lists 694 checks [double]
04. The Beguiled (2017) USA 1 747 checks
05. Jeremiah Johnson (1972) USA 1 988 checks [double]
06. The Long Riders (1980) USA 3 official lists 1 005 checks [double]

bonus
The Heart Is Deceitful Above All Things - side competition in 2004
Nordic films in competitionShow
1946
BLOD OCH ELD
BREVET FRA AFDØDE
DE RØDE ENGE
HETS

1947
SKEEP TILL INDIA LAND
TVA KVINNOR

1949
FRAMMANDE HAMN

1951
FRÖKEN JULIE

1952
HON DANSADE EN SOMMAR
NØDLANDING *

1953
FÖR MIN HETA UNGDOMS SKULL
VALKOINEN PEURA

1954
CIRCUS FANDANGO *
DET STORA AVENTYRET
KÄRLEKENS BRÖD

1955
DET BRENNER I NATT *

1956
SOMMARNATTENS LEENDE

1957
DET SJUNDE INSEGLET
QIVITOQ
SAME JAKKI *

1958
EN DJUNGELSAGA
NÄRA LIVET
NI LIV *

1959
FRÖKEN APRIL

1960
JAKTEN *
JUNGFRUKALLAN
PAW, BOY OF TWO WORLDS

1961
DOMAREN

1962
HARRY OG KAMMERTJENEREN

1964
KVARTERET KORPEN

1965
ALSKANDE PAR
MITT HEM AR COPACABANA

1966
SULT *

1967
DEN RØDE KAPPE
ELVIRA MADIGAN

1968
DOCTOR GLAS

1969
ADALEN 31

1970
HARRY MUNTER

1971
JOE HILL

1975
UN DIVORCE HEUREUX

1977
BANG !

1979
ARVEN *
VICTORIA

1984
THE ELEMENT OF CRIME

1988
PELLE EROBREREN

1989
KVINNORNA PA TAKET

1991
EUROPA

1992
DEN GODA VILJAN

1996
BREAKING THE WAVES
KAUAS PILVET KARKAAVAT

1998
FESTEN
IDIOTERNE

2000
DANCER IN THE DARK
TROLOSA

2002
MIES VAILLA MENNEISYYTTÄ

2003
DOGVILLE

2005
MANDERLAY

2006
LAITAKAUPUNGIN VALOT

2009
ANTICHRIST

2011
LE HAVRE
MELANCHOLIA

2012
JAGTEN

2015
LOUDER THAN BOMBS *

2017
THE SQUARE

!seen 7

AB537
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#157

Post by AB537 » May 22nd, 2019, 3:03 am

15. Midnight Express (Alan Parker, 1978)

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maxwelldeux
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#158

Post by maxwelldeux » May 22nd, 2019, 4:56 am

AB537 wrote:
May 22nd, 2019, 3:03 am
15. Midnight Express (Alan Parker, 1978)
Apropos of nothing, you are proving rather difficult to catch in the ICM rankings. You've been 5-10 ranks ahead of me for a while now.

jdidaco
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#159

Post by jdidaco » May 22nd, 2019, 5:24 pm

(Screenshots from 'Codine' &' Moy laskovyy i nezhnyy zver'),

Image

41. Codine/Codin (Henri Colpi, 1963) 9/10
42. Fifi la plume (Circus Angel, Albert Lamorisse, 1965) 8.5/10
43. L'immorale (The Climax, Pietro Germi, 1967) 8/10
44. I protagonisti (The Protagonists, Marcello Fondato, 1968) 8/10
45. Les Gauloises bleues (Gauloises Blue, Michel Cournot, 1969) 9/10
46. La califfa (Lady Caliph, Alberto Bevilacqua, 1970) 8/10
47. Mimì metallurgico ferito nell'onore (The Seduction of Mimi, Lina Wertmüller, 1972) 8.5/10
48. Monolog (Monologue, Ilya Averbakh, 1973) 8/10
49. Moy laskovyy i nezhnyy zver (My Tender and Affectionate Beast, Emil Loteanu, 1978) 9/10
50. Jaguar (Lino Brocka, 1979) 8/10

Image

SpoilerShow
1. Il relitto/To hameno kormi (The Wastrel, Michael Cacoyannis, 1961) 8/10
2. Les abysses (The Depths, Nikos Papatakis, 1963) 9/10
3. Los pianos mecánicos (The Uninhibited, Juan Antonio Bardem, 1965) 8/10
4. Feldobott kö (The Upthrown Stone, Sándor Sára, 1969) 9.5/10
5. Matzor (Siege, Gilberto Tofano, 1969) 9/10
6. The Buttercup Chain (Robert Ellis Miller, 1970) 9/10
7. Loot (Silvio Narizzano, 1970) 8/10
8. Il était une fois dans l'est (Once Upon a Time in the East, André Brassard, 1974) 7.5/10
9. Budapesti mesék (Budapest Tales, István Szabó, 1977) 7/10
10. Kravgi gynaikon/A Dream of Passion (Jules Dassin, 1978) 7/10
11. Carambolages (Carom Shots, Marcel Bluwal, 1963) 8.5/10
12. Pierwszy dzien wolnosci (The First Day of Freedom, Aleksander Ford, 1964) 9/10
13. El juego de la oca (Snakes and Ladders, Manuel Summers, 1965) 8/10
14. Último encuentro (The Last Meeting, Antonio Eceiza, 1967) 9/10
15. Polowanie na muchy (Hunting Flies, Andrzej Wajda, 1969) 7.5/10
16. Michael Kohlhaas - Der Rebell (Man on Horseback, Volker Schlöndorff, 1969) 7.5/10
17. Malatesta (Peter Lilienthal, 1970) 9/10
18. Le bateau sur l'herbe (The Boat on the Grass, Gérard Brach, 1971) 8/10
19. Les arpenteurs (The Surveyors, Michel Soutter, 1972) 8.5/10
20. Lotte in Weimar (Egon Günther, 1975) 9/10
21. Madalena (Dinos Dimopoulos, 1960) 8/10
22. Ouranos (Glory Sky, Takis Kanellopoulos, 1962) 9/10
23. Prodosia (Treason, Kostas Manoussakis, 1964) 10/10
24. Morgan: A Suitable Case for Treatment (Karel Reisz, 1966) 8/10
25. Gli intoccabili (Machine Gun McCain, Giuliano Montaldo, 1969) 7/10
26. I tulipani di Haarlem (Tulips of Haarlem, Franco Brusati, 1970) 8/10
27. Zycie rodzinne (Family Life, Krzysztof Zanussi, 1971) 10/10
28. Perla w koronie (Pearl in the Crown, Kazimierz Kutz, 1972) 10/10
29. Abu el Banat (Daughters, Daughters, Moshé Mizrahi, 1973) 7/10
30. Black Joy (Anthony Simmons, 1977) 8/10
31. Kam cert nemuze (When the Woman Butts In, Zdenek Podskalský, 1960) 7.5/10
32. Het mes (The Knife, Fons Rademakers, 1961) 8/10
33. Harry og kammertjeneren (Harry and the Butler, Bent Christensen, 1961) 8.5/10
34. Harry Munter (Kjell Grede, 1969) 8.5/10
35. Ådalen 31 (Bo Widerberg, 1969) 9/10
36. Magasiskola (The Falcons, István Gaál, 1970) 9/10
37. A Fan's Notes (Eric Till, 1972) 7/10
38. Un divorce heureux/En lykkelig skilsmisse (A Happy Divorce, Henning Carlsen, 1975) 8/10
39. Egy erkölcsös éjszaka (A Very Moral Night, Károly Makk, 1977) 8.5/10
40. Een vrouw tussen hond en wolf/Femme entre chien et loup (Woman Between Wolf and Dog, André Delvaux, 1979) 9/10

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Traveller
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#160

Post by Traveller » May 22nd, 2019, 5:28 pm

57. World on a Wire (1973) - 8/10
ICM
December Challenge: Image
But at the bottom, the immanent philosopher sees in the entire universe only the deepest longing for absolute annihilation, and it is as if he clearly hears the call that permeates all spheres of heaven: Redemption! Redemption! Death to our life! and the comforting answer: you will all find annihilation and be redeemed!

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