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1930s Challenge (Official, February 2019)

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Re: 1930s Challenge (Official, February 2019)

#41

Post by jeroeno » February 3rd, 2019, 7:29 am

03. Alice Adams (1935)
04. Warawara (1930)
05. Brennendes Geheimnis (1933)

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#42

Post by sol » February 3rd, 2019, 11:46 am

Zero Dark ThirtiesShow
1. Dead End (1937)
2. Chun Can (1933)
3. Svengali (1931)

4. Bad Girl (1931)

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If never as salacious as the title suggests, this melodrama actually begins very well as it focuses on an unusual romance. She has developed a knack and quick wit for rejecting the advances of men while he is a cynic in love, calling out her obvious flirting and deliberately provocative attire, and yet these hardened souls nevertheless connect. And yet, after a promising first half-hour, the film falls apart when the pair wed. Their financial stresses and parenthood woes are very by-the-books and their miscommunication issues are often groan-inducing.
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#43

Post by frbrown » February 3rd, 2019, 3:41 pm

3. The Black Camel (1931)

A Charlie Chan movie



4a. Puppy Love (1933)
4b. The Pet Store (1933)
4c. Giantland (1933)
4d. Camping Out (1934)
4e. Gulliver Mickey (1934)
4f. Orphan's Benefit (1934)
4g. The Dognapper (1934)
4h. Two-Gun Mickey (1934)
4i. Mickey's Service Station (1935)

Mickey Mouse cartoons

SpoilerShow
1. Only Yesterday (1933)
2a. The Autograph Hound (1939)
2b. Goofy and Wilbur (1939)
2c. Hamateur Night (1939)
2d. It's the Natural Thing to Do (1939)
2e. Jitterbug Follies (1939)
2f. Peace on Earth (1939)
2g. Porky's Tire Trouble (1939)
2h. The Pointer (1939)
2i. Thugs with Dirty Mugs (1939)
3. The Black Camel (1931)
4a. Puppy Love (1933)
4b. The Pet Store (1933)
4c. Giantland (1933)
4d. Camping Out (1934)
4e. Gulliver Mickey (1934)
4f. Orphan's Benefit (1934)
4g. The Dognapper (1934)
4h. Two-Gun Mickey (1934)
4i. Mickey's Service Station (1935)

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#44

Post by frbrown » February 3rd, 2019, 7:54 pm

Cartoons of 1938 (and one from 1939)


5a. Brave Little Tailor (1938)

Rewatch. Mickey Mouse. Oscar nominee


5b. Daffy Duck in Hollywood (1938)


5c. Ferdinand the Bull (1938)

Rewatch. Disney. Oscar Winner


5d. Goonland (1938)

Rewatch. Popeye


5e. Love on the Wing (1939)

Norman McLaren


5f. Mickey's Trailer (1938)

Rewatch


5g. Mother Goose Goes Hollywood (1938)

Silly Symphony. Oscar nominee


5h. Philips Broadcast of 1938 (1938)

Rewatch. George Pal Puppetoon


5i. Porky in Egypt (1938)

Rewatch


5j. Porky in Wackyland (1938)

Rewatch

SpoilerShow
1. Only Yesterday (1933)
2a. The Autograph Hound (1939)
2b. Goofy and Wilbur (1939)
2c. Hamateur Night (1939)
2d. It's the Natural Thing to Do (1939)
2e. Jitterbug Follies (1939)
2f. Peace on Earth (1939)
2g. Porky's Tire Trouble (1939)
2h. The Pointer (1939)
2i. Thugs with Dirty Mugs (1939)
3. The Black Camel (1931)
4a. Puppy Love (1933)
4b. The Pet Store (1933)
4c. Giantland (1933)
4d. Camping Out (1934)
4e. Gulliver Mickey (1934)
4f. Orphan's Benefit (1934)
4g. The Dognapper (1934)
4h. Two-Gun Mickey (1934)
4i. Mickey's Service Station (1935)
5a. Brave Little Tailor (1938)
5b. Daffy Duck in Hollywood (1938)
5c. Ferdinand the Bull (1938)
5d. Goonland (1938)
5e. Love on the Wing (1939)
5f. Mickey's Trailer (1938)
5g. Mother Goose Goes Hollywood (1938)
5h. Philips Broadcast of 1938 (1938)
5i. Porky in Egypt (1938)
5j. Porky in Wackyland (1938)

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#45

Post by India Istanbul » February 3rd, 2019, 8:25 pm

I'm in.

1. Inspiration (1931) 8/10
2. The Painted Veil (1934) 8/10

Total Points: 2

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#46

Post by Tarris1 » February 3rd, 2019, 9:37 pm

3. Hitori musuko (1936) 7/10
2. Mutiny on the Bounty (1935) 7/10
SpoilerShow
1. The Most Dangerous Game (1932) 6/10

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#47

Post by VincentPrice » February 3rd, 2019, 10:57 pm

1. Two-Gun Man from Harlem-1938: 6/10

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#48

Post by jdidaco » February 3rd, 2019, 11:05 pm

7. Cape Forlorn (Ewald André Dupont, 1931) 9.5/10
8. Broken Blossoms (John Brahm, 1936) 8.5/10
9. Pygmalion (Ludwig Berger, 1937) 8.5/10

The combination of Dupont's Expressionistic sensibilities and British cinematograher Claude Friese-Greene's penchant for visual experimentations was a match made in proto-noir heaven,

ImageImageImageImage

SpoilerShow
1. Un chien qui rapporte (A Dog That Fetches, Jean Choux, 1932) 8/10
2. Histoire du soldat inconnu (Story of the Unknown Soldier, Henri Storck, 1932) 9/10 (11 min), Affaire classée (Case Closed, Charles Vanel, 1932) 7/10 (23 min), Amour et publicité (Love & Advertising, Leo Mittler, 1933) 8/10 (26 min) (Total: 60 min)
3. Remous (Whirlpool, Edmond T. Gréville, 1935) 10/10
4. With Byrd at the South Pole (Joseph T. Rucker & Willard Van der Veer, 1930) 8/10
5. Trader Horn (W.S. Van Dyke,1931) 7/10
6. Eskimo (W.S. Van Dyke, 1933) 9/10

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#49

Post by frbrown » February 3rd, 2019, 11:16 pm

6. Mutiny on the Bounty (1935)

SpoilerShow
1. Only Yesterday (1933)
2a. The Autograph Hound (1939)
2b. Goofy and Wilbur (1939)
2c. Hamateur Night (1939)
2d. It's the Natural Thing to Do (1939)
2e. Jitterbug Follies (1939)
2f. Peace on Earth (1939)
2g. Porky's Tire Trouble (1939)
2h. The Pointer (1939)
2i. Thugs with Dirty Mugs (1939)
3. The Black Camel (1931)
4a. Puppy Love (1933)
4b. The Pet Store (1933)
4c. Giantland (1933)
4d. Camping Out (1934)
4e. Gulliver Mickey (1934)
4f. Orphan's Benefit (1934)
4g. The Dognapper (1934)
4h. Two-Gun Mickey (1934)
4i. Mickey's Service Station (1935)
5a. Brave Little Tailor (1938)
5b. Daffy Duck in Hollywood (1938)
5c. Ferdinand the Bull (1938)
5d. Goonland (1938)
5e. Love on the Wing (1939)
5f. Mickey's Trailer (1938)
5g. Mother Goose Goes Hollywood (1938)
5h. Philips Broadcast of 1938 (1938)
5i. Porky in Egypt (1938)
5j. Porky in Wackyland (1938)
6. Mutiny on the Bounty (1935)

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#50

Post by Simba63 » February 3rd, 2019, 11:22 pm

02. À nous la liberté (1931) - 6/10

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#51

Post by St. Gloede » February 3rd, 2019, 11:24 pm

Cape Forlorn looks amazing, jdidaco! Seen many of Dupont's silents, a bit of a mixed back, but capable of greatness. Honestly I'll join the challenge just for this and your previous promotion of Remous!

Will aim for a solid 10 films overall.

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#52

Post by Hunziker » February 4th, 2019, 3:19 am

1. The Awful Truth (1937) - 7.5/10

2. Midnight (1939) - 7.5/10

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1. The Awful Truth (1937)
2. Midnight (1939)
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#53

Post by flavo5000 » February 4th, 2019, 3:55 am

1. The Big House (1930)
2. Cleopatra (1934)
3. Stage Door (1937)
4. A Tale of Two Cities (1935)

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#54

Post by maxwelldeux » February 4th, 2019, 6:10 am

A depressing decadeShow
1. Sweet Dream (1936)
2. The Lady Vanishes (1938)
3. You and Me (1938)
4. The Front Page (1931)

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#55

Post by jeroeno » February 4th, 2019, 7:04 am

06. Arrowsmith (1931)
07. Broadway Melody of 1936 (1935)
08. Crime Without Passion (1934)
09. El azima (1939)
10. Shi zi jie tou (Crossroads) (1937)

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#56

Post by cinephage » February 4th, 2019, 9:56 am

01. Lawyer Man, by William Dieterle (1932) 7/10

A nice film about political corruption. William Powell is wonderful, as always...

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#57

Post by zzzorf » February 4th, 2019, 11:29 am

1. Tower of London (1939) 4/10

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#58

Post by sol » February 4th, 2019, 12:01 pm

Zero Dark ThirtiesShow
1. Dead End (1937)
2. Chun Can (1933)
3. Svengali (1931)
4. Bad Girl (1931)

5. Holiday (1938)

Image

While it is hard to dislike the film's 'seize the day' anti-capitalist philosophies, this is not an easy film to warm to. It is obvious from the first time they meet that Grant and Hepburn are better suited for one another, yet it takes them 90 minutes to realise this. The film also adds some unexpected character flaws for Grant's bride in order to make her less desirable. It is rarely funny either with lots of dragged out gags (that lost shoe!). Lew Ayres has some good moments though as a depressed brother and Hepburn is not half-bad herself. Nice elaborate interiors too.
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#59

Post by sol » February 4th, 2019, 2:32 pm

Zero Dark ThirtiesShow
1. Dead End (1937)
2. Chun Can (1933)
3. Svengali (1931)
4. Bad Girl (1931)
5. Holiday (1938)

6. Laughter (1930)

Image

Billed as a comedy, but other than the bizarre image of Frederic March wrapped in a polar bear skin, there is little to laugh about here for a film about a woman tossing up whether she is "born for laughter" or to be a trophy wife. Lame gags involve a drunk conversing with a statue bust and the protagonist constantly noting that she and her stepdaughter are the same age (uh, that's creepy, not funny). The film does have one very amusing stretch in which Nancy Carroll and March break into a house because they don't want to walk in the rain, but it's most just a bizarre stretch.
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#60

Post by Mate_cosido » February 4th, 2019, 3:21 pm

1. Ye mei gui - Wild Rose (1932, Yu Sun)

2. Yu guang qu - Song of the Fishermen (1934, Chusheng Cai)

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#61

Post by insomnius » February 4th, 2019, 3:41 pm

St. Gloede wrote:
February 3rd, 2019, 11:24 pm
Cape Forlorn looks amazing, jdidaco! Seen many of Dupont's silents, a bit of a mixed back, but capable of greatness. Honestly I'll join the challenge just for this and your previous promotion of Remous!

Will aim for a solid 10 films overall.
Yeah, I had to get those two as well. Thanks for the recs, jd! Looking forward to them.

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#62

Post by 72allinncallme » February 4th, 2019, 7:36 pm

3. Hyppolit a lakáj (1931)
SpoilerShow
1. Gjest Baardsen (1939)
2. Chanson d'Armor (1934)
3. Hyppolit a lakáj (1931)

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#63

Post by albajos » February 4th, 2019, 10:49 pm

06. The Life of Emile Zola (1937) USA 7 official lists 1 500 checks

Off. list progress
+1 1930s (80,0%)

SpoilerShow
01. You Can't Take It with You (1938) USA 5 official lists 3 304 checks [double]
02. Grand Hotel (1932) USA 4 official lists 2 766 checks [double]
03. Dead End (1937) USA 4 official lists 756 checks [double]
04. Holiday (1938) USA 5 official lists 2 032 checks [double]
05. The Black Cat (1934) USA 6 official lists 2 256 checks

!seen 6

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#64

Post by peeptoad » February 4th, 2019, 11:21 pm

3. Black Moon (1934) 7
the dirty thirtiesShow
1. The Ghoul (1933) 6
2. The Human Monster (1939) 6

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#65

Post by jdidaco » February 4th, 2019, 11:32 pm

insomnius wrote:
February 4th, 2019, 3:41 pm
St. Gloede wrote:
February 3rd, 2019, 11:24 pm
Cape Forlorn looks amazing, jdidaco! Seen many of Dupont's silents, a bit of a mixed back, but capable of greatness. Honestly I'll join the challenge just for this and your previous promotion of Remous!

Will aim for a solid 10 films overall.
Yeah, I had to get those two as well. Thanks for the recs, jd! Looking forward to them.
Hope I'm not overselling them and you guys like those two as much as I did. Would love to know what you both thought. 'Remous' has been praised to the heights by Tavernier in his recent French film surveys, and he gives a brief but perceptive intro on the film (and Gréville) on this TV broadcast -

If anyone's interested in Dupont, German émigré filmmakers and tchnicians working in London, and an overview on German/British transitional cinema, I highly recommend this book I'm currently perusing - https://searchworks.stanford.edu/view/8709489

:cheers:

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#66

Post by jdidaco » February 4th, 2019, 11:50 pm

10. Yu guang qu (Song of the Fishermen, Cai Chusheng, 1934) 7.5/10
11. Dushi fengguang (Scenes of City Life, Yuan Muzhi, 1935) 8/10
12. Ye ban ge sheng (Song at Midnight, Ma-Xu Weibang, 1937) 8/10

Image

SpoilerShow
1. Un chien qui rapporte (A Dog That Fetches, Jean Choux, 1932) 8/10
2. Histoire du soldat inconnu (Story of the Unknown Soldier, Henri Storck, 1932) 9/10 (11 min), Affaire classée (Case Closed, Charles Vanel, 1932) 7/10 (23 min), Amour et publicité (Love & Advertising, Leo Mittler, 1933) 8/10 (26 min) (Total: 60 min)
3. Remous (Whirlpool, Edmond T. Gréville, 1935) 10/10
4. With Byrd at the South Pole (Joseph T. Rucker & Willard Van der Veer, 1930) 8/10
5. Trader Horn (W.S. Van Dyke,1931) 7/10
6. Eskimo (W.S. Van Dyke, 1933) 9/10
7. Cape Forlorn (Ewald André Dupont, 1931) 9.5/10
8. Broken Blossoms (John Brahm, 1936) 8.5/10
9. Pygmalion (Ludwig Berger, 1937) 8.5/10
Last edited by jdidaco on February 5th, 2019, 4:35 am, edited 1 time in total.

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#67

Post by Simba63 » February 5th, 2019, 12:15 am

03. Daïnah la métisse (1932) - 6/10
04. Okraina (1933) - 6/10

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#68

Post by jeroeno » February 5th, 2019, 6:44 am

11. Four Daughters (1938)

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#69

Post by St. Gloede » February 5th, 2019, 7:10 am

1. Remous / Whirlpool (1935, Edmond T. Gréville)
While a little rough around the edges, especially in sound design, I ended up absolutely loving Remous. The expressionistic visuals, tieing in with just a general air of visual playfulness, clever editing and a scandalous tale (to the point that it just could not get shown in the US) made this an absolutely wonderful experience. I simply loved how it moved and felt, and while it may even have been better as a silent, it did know how to use sound and the sparse dialog when needed (I would mostly have tweaked the first 10 minutes, and minor tweaks throughout). Remous feels like a film which deserves a proper rediscovery and gets entered into the film canon, as it would sit very well next to Epstein, Vigo and Renoir. 8.5/10.

Edit: While not too similar in content another artistic and visually clever and breezy film I was reminded of was the severely underrated Treno popolare. I would highly recommend it. Edit two: Had missed how it had actually been included on two toplists including DtC by now, that is amazing.

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#70

Post by zzzorf » February 5th, 2019, 12:15 pm

SpoilerShow
1. Tower of London (1939) 4/10
2. The 39 Steps (1935) 5/10

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#71

Post by sol » February 5th, 2019, 3:16 pm

Zero Dark ThirtiesShow
1. Dead End (1937)
2. Chun Can (1933)
3. Svengali (1931)
4. Bad Girl (1931)
5. Holiday (1938)
6. Laughter (1930)

7. The Ghoul (1993)

Image

This is a bit of a poorly paced affair with Boris Karloff's 'return from the grave' scenes saved for the final 20 minutes and much time dedicated to characters other than Karloff, most of whom are dull. Karloff is quite effective in those scenes towards the end though with a terrific decaying flesh makeup job. His mansion and tomb is also a magnificent feat of art direction, and if the bulk of the film spent in between Karloff dying and returning from the dead were trimmed, this mediocrity actually may have been a half-decent film.
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#72

Post by Nathan Treadway » February 5th, 2019, 3:46 pm

5. The Women (1939)
6. Shorts 1
-Declaration of Independence (1938) 17mins
-The Public Pays (1936) 18 mins
-Wings Over Everest (1934) 35 mins

Thus completing phase 1. Platinum on the 1930s list. Now, I just need to focus on the 1930s segment of my watchlist from a few years ago that I haven't completed yet.

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#73

Post by India Istanbul » February 5th, 2019, 5:07 pm

3. China Seas (1935)
4a. Thru the Mirror (1936) 10 min.
4b. Gulliver Mickey (1934) 9 min.
4c. Romance of Radium (1937) 10 min.
4d. So This is Harris (1933) 28 min.
4e. That Mothers Might Live (1938) 10 min.
5. Chained (1934)

Total Points: 5
SpoilerShow
1. Inspiration (1931)
2. The Painted Veil (1934)

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#74

Post by maxwelldeux » February 5th, 2019, 5:50 pm

A depressing decadeShow
1. Sweet Dream (1936)
2. The Lady Vanishes (1938)
3. You and Me (1938)
4. The Front Page (1931)
5. Malu Tianshi AKA Street Angel (1937)
Chinese musical that didn't translate well, methinks.

6-7. Shorts (120m):

Television (1939, 9m)
Boy Meets Dog (1938, 9m)
The River (1938, 31m) <-- Bronze on the Harvard documentary list :banana:
Parabola (1937, 9m)
Misere au Borinage (1933, 36m)
The Mascot (1933, 26m)

Television was a weird highlight of this batch - it's an early infomercial on how TV works. Kinda cool to see. And Parabola is part of the Early Women Filmmakers series (available on Kanopy) which I think I'm going to save for next month.

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#75

Post by OldAle1 » February 5th, 2019, 6:29 pm

1. Cartoons 9+9+7+7+7+8+8+9 = 64 minutes

a) Three Orphan Kittens (David Hand, 1935)
b) The Country Cousin (Wilfred Jackson, 1936)
c) Mickey's Orphans (Burt Gillett, 1931)
d) It's Got Me Again (Rudoph Ising, 1932)
e) Building a Building (David Hand, 1933)
f) The Merry Old Soul (Walter Lantz/William Nolan, 1933)
g) Holiday Land (uncredited, 1934)
h) Jolly Little Elves (Manuel Moreno, 1934)

For those who decry PIXAR"S stranglehold on the Oscars in the feature animation category in recent years, I'd suggest taking a look at the early years in this category - which were just as dominated by Disney in the winners column. It's not like there weren't other very healthy animation producers - obviously the staple at Warner Brothers under Leon Schlesinger, and the Fleischer brothers at Paramount, but also plenty of stuff at Universal, MGM and other, smaller studios. Not to mention plenty of independent work that naturally wasn't going to get noticed come awards time. But Disney won EVERY award in this category in the 1930s and in the first two years had another nominee as well. Not that I'd complain as much myself as I would over many later Oscar "issues", because most of these cartoons are pretty good and let's face it, the Academy just wasn't hip enough to nominate Bimbo's Initiation or the Fleischers' Snow-White. The first two and Building a Building are my favorites, the latter because I just love cartoons (and comedy shorts in general) set in construction sites, a very fertile area for mishaps and zaniness; the two winners from 1935 and 1936 are just exquisitely animated and show the beauty of Disney's work at a near-peak in this era. None of these were bad but The Merry Old Soul reminds me why I've never really cared for Oswald the Rabbit.

2. Storm Over Bengal (Sidney Salkow, 1938)

Pretty obscure example of the Imperialist adventure genre, of which the following year's Gunga Din and The Four Feathers are probably the best-known concurrent examples. This one is very low-budget, very much a b picture, with start Patric Knowles and Richard Cromwell as brothers fighting for "the Indian people" but really for continued English rule against a dastardly revolutionary who wants to incite revolt when the Maharajah of an important territory dies, and Rochelle Hudson as the woman they both love. Mostly predictable adventure that whips by in a brief 65 minutes. I didn't get anything interesting out of the music here, seems typical of this genre and certainly second-class to stuff that people like Korngold were doing, maybe it was a bad year or maybe the Oscars for music in those days were just as dull as Oscars for many categories in many eras have been.

3. Charlie Chan in Paris (Lewis Seiler/Hamilton MacFadden, 1935)
4. Charlie Chan in Shanghai (James Triling, 1935)

I've now seen a dozen Chan films - half from this early period, with Warner Oland, and half from the later, cheaper years at Monogram with Sidney Toler or Roland Winters. All of them have had their low-budget and low-comedy virtues but overall the Oland films, with much better production values and generally better actors in the supporting roles have been a bit more fun. They also tend to have more complex plots and don't always have that scene where the detective gathers all the suspects in a room and points out all the facts that nobody but he put together - neither of these do that, exactly. And while one can't get away from the race issue, with Swedish Oland playing the Chinese sleuth, it should also be noted that the Chinese-American Keye Luke plays his son as just an ordinary young American man obsessed with girls and, especially in the second film, wanting to be on the phone all the time.

Paris is probably the better of the two, with a cool and somewhat unusual disguise element, and an underground counterfeiting operation, shades of Dr. Mabuse. It's also got a rather surprising murder early on, and something of a foot chase sequence that Chan himself participates in - not that it's a very high speed chase! On the other hand it feels even less realistic than the second film in that Shanghai actually has occasional dialogue bits in Chinese, delivered by fluent speakers, while I'm not sure there's a single line of French in Paris. And Shanghai has one of the better fight sequences I've seen in a Chan film, albeit a very brief one. Pretty close in quality overall then.

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#76

Post by 72allinncallme » February 5th, 2019, 9:12 pm

4. Borderline (1930)
SpoilerShow
1. Gjest Baardsen (1939)
2. Chanson d'Armor (1934)
3. Hyppolit a lakáj (1931)
4. Borderline (1930)

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Coryn
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#77

Post by Coryn » February 5th, 2019, 9:15 pm

1. I Am a Fugitive from a Chain Gang (1932) ****
I saved Latin, what did you ever do ?

psychotronicbeatnik
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#78

Post by psychotronicbeatnik » February 6th, 2019, 12:10 am

6. Pygmalion (1938 / Anthony Asquith, Leslie Howard) FTV 9/10 {4 noms, 1 win / Double}
7. The Prisoner of Zenda (1937 / John Cromwell) 9+/10 {2 noms, 0 wins / Double}
8. Captain Blood (1935 / Michael Curtiz) 10/10 {5 noms, 0 wins / Double}
9. Topper (1937 / Norman Z. McLeod) 9/10 {2 noms, 0 wins / Double}
10. The Awful Truth (1937 / Leo McCarey) 9/10 {6 noms, 1 win / Double}
11. The Thin Man (1934 / W.S. Van Dyke) 9/10 {4 noms, 0 wins / Double}
12. After the Thin Man (1934 / W.S. Van Dyke) 8/10 {1 nom, 0 wins / Double}
13. Dead End (1937 / William Wyler) FTV 9/10 {4 noms, 0 wins / Double}

30somethingsShow
1. The Divorcee (1930 / Robert Z. Leonard) FTV 6+/10 {4 noms, 1 win / Double}
2. Suzy (1936 / George Fitzmaurice) FTV 7+/10 {1 nom, 0 wins / Double}
3. King of Jazz (1930 / John Murray Anderson) 7+/10 {1 nom, 1 win / Double}
4. A Free Soul (1931 / Clarence Brown) FTV 7+/10 {3 noms, 1 win / Double}
5. Grand Hotel (1932 / Edmund Goulding) 8+/10 {1 nom, 1 win / Double}

6. Pygmalion (1938 / Anthony Asquith, Leslie Howard) FTV 9/10 {4 noms, 1 win / Double}
7. The Prisoner of Zenda (1937 / John Cromwell) 9+/10 {2 noms, 0 wins / Double}
8. Captain Blood (1935 / Michael Curtiz) 10/10 {5 noms, 0 wins / Double}
9. Topper (1937 / Norman Z. McLeod) 9/10 {2 noms, 0 wins / Double}
10. The Awful Truth (1937 / Leo McCarey) 9/10 {6 noms, 1 win / Double}
11. The Thin Man (1934 / W.S. Van Dyke) 9/10 {4 noms, 0 wins / Double}
12. After the Thin Man (1934 / W.S. Van Dyke) 8/10 {1 nom, 0 wins / Double}
13. Dead End (1937 / William Wyler) FTV 9/10 {4 noms, 0 wins / Double}

psychotronicbeatnik
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#79

Post by psychotronicbeatnik » February 6th, 2019, 12:16 am

maxwelldeux wrote:
February 5th, 2019, 5:50 pm
A depressing decadeShow
1. Sweet Dream (1936)
2. The Lady Vanishes (1938)
3. You and Me (1938)
4. The Front Page (1931)
I hope you mean your spoiler title ironically - the Great Depression and all - because I always have a lot of fun with 30s cinema - most of it brings me a great madcap joy. Which is probably what almost everyone needed at the time. Anyway, great spoiler tag - unless you mean it! :cheers:

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Simba63
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#80

Post by Simba63 » February 6th, 2019, 2:56 am

05. Holiday (1938) - 7/10

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