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Doa al karawan AKA The Curlew's Cry (1959) FotW #321

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Doa al karawan AKA The Curlew's Cry (1959) FotW #321


Post by Cocoa » February 23rd, 2020, 6:02 pm

Film of the Week #321: Doa al karawan AKA The Curlew's Cry (1959)


This compelling tale of love and betrayal, set in the upper Egyptian countryside, follows the story of Amna as she plots her revenge on the engineer who destroyed her family's honor.

#74 on 500<400, with 164 checks.
Nominated by filmbantha and Minkin.
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From the 500<400 resultsShow
#74(⇩45, #29) Doa al karawan (1959)
[The Curlew's Cry]

Directed by: Henry Barakat
(609.73 Pts, 17 Votes) , Top 1–10–50: 0–1–4
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This movie fits the current Africa Challenge.

Here is a schedule of all the FotWs.

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Post by Armoreska » February 23rd, 2020, 6:10 pm

This was the first movie in Egypt's run to the final four of WC2.
currently working towards a vegan/low waste world + thru such film lists (besides TV): ANARCHISTS, 2010s bests, RW Fassbinder, Yasujiro Ozu, Eric Rohmer, Visual Effects nominees, kid-related stuff, great animes (mini-serie or feature), very 80s movies, 17+ sci-fi lists on watchlist, ENVIRO, remarkable Silent Films and Pre-Code (exploring 1925 atm) and every shorts and docu list I'm aware of and
and "Gordon" Liu Chia-Hui/Liu Chia-Liang and Yuen Woo-ping and "Sammo" Hung Kam-bo

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Post by Cinepolis » February 24th, 2020, 8:45 am

Watched it in January and loved it. The tragic story, the acting, the music - Everything's great about this one.

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Post by Fergenaprido » February 24th, 2020, 10:52 am

Thanks for the link Armoreska.

Here's what I wrote during the world cup:
"It was slow and deliberate, and again, didn't care for the framing device. The acting at first was wooden, but got better as time went on. I think it's also a good film in explaining/exposing to westerners the concept of honour killings/family honour; it's definitely one I want to show to a number of my colleagues. The story plodded along, but I did like it, but more for the message, the mood, and the way it was shot than for the actual content."
I rated it a 7.2.

Since then, this film as stuck in my mind more than its rating would suggest, and I would like to revisit it one day, though maybe not right now. Maybe I'll pick it for one of my movie nights at work since we started those up again. Would also love to see this get a restoration and maybe revised subtitles.

Regardless, I would recommend this film, even if it sits at the very bottom of my <400 list.

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Post by mathiasa » February 27th, 2020, 3:11 pm

Just seen this. Starts lightly but gets very heavy, deep under your skin. It‘s a psychological masterpiece that‘s never foreshadowing what is going to happen next. The pace was perfect. Highly recommended, will hopefully rise in the 400>500 list. Knowing nothing about Egyptian cinema, it makes me wonder how many more melodramatic masterpieces they have.

I have to disagree with Fergenaprido on a minor issue: it really doesn‘t tell you much about honor culture. It‘s just there as a given, no explanation given, but also none needed.

Having seen many english movies from the 40s and 30s lately, it was interesting to see how different the concept of servant is in both cultures. The master in Egyptian culture seems to rule absolutely over his servants, like a dictator. It‘s a shame.

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Post by OldAle1 » February 27th, 2020, 9:58 pm

Nice to see mathiasa's comments - I agree fully. My favorite Egyptian film (out of a couple dozen seen, nearly all of which I liked) and near the top of my 500<400 list. Instantly became a fan of Faten Hamamah after this and have seen a couple of other films with her - the one that stands out is El haram, another tough stab at the patriarchy though it's not on the level of this.

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Post by mathiasa » February 28th, 2020, 5:03 pm

OldAle1 wrote:
February 27th, 2020, 9:58 pm
the one that stands out is El haram, another tough stab at the patriarchy though it's not on the level of this.
Thx 🙏 ! Will check it out.👍

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Post by xianjiro » April 2nd, 2020, 8:38 pm

Only watched last night - I'm a bit behind. Overall my response is positive and I don't have much to add to what has been said other than at times it's a bit slow. I also only gave it a 7 mostly because, all things mentioned, it's solid but doesn't really have the visceral impact that would lead to change. If it got people talking in countries where honor killings are accepted and expected, then that's a good thing. However, from the western and more modern viewpoint, it's completely unacceptable to treat women this way so while it does help one to understand the issues from the non-western perspective, it doesn't really have enough depth. Still, a worthwhile watch for anyone interested in expanding their horizons.

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