And there we are, it is over. I could theoretically have squeezed in the hour long Boris Barnet film I had stored up, but it is nicer to be tied (+, I was tired). Nice to be standing side by side with Sol
1. Dva-Buldi-dva / Two-Buldi-Two (1929, Nina Agadzhanova, Lev Kuleshov) 5/10
2. Iz-pod svodov mecheti (1928, Kazimir Gertel) 4/10
3. Godovshchina revolyutsii / Anniversary of the Revolution (1918, Dziga Vertov) 4/10
4-6. Miss Mend (1926, Boris Barnet, Fyodor Otsep) 7/10
Aleksandr Sokurov:
7. Skorbnoye beschuvstviye / Mournful Unconcern (1987) 5/10
8. Molokh (1999) 6.5/10
9. Faust (2011) 5/10
Andrey Konchalovskiy:
10. Dyadya Vanya / Uncle Vanya (1971) 6/10
11. Romans o vlyublyonnykh / A Lover's Romance (1974) 4/10
12. Belye nochi pochtalyona Alekseya Tryapitsyna / The Postman's White Nights (2014) 6/10
Aleksandr Mitta focus:
13. Gori, gori, moya zvezda / Shine, Shine, My Star (1970) 7/10
14. Moskva, lyubov moya / Moscow, My Love (1974) 4/10
15. Skaz pro to, kak tsar Pyotr arapa zhenil / How Czar Peter the Great Married Off His Moor (1976) 7/10
16. Ekipazh / The Crew (1980) 4/10
Others:
17. Zydrasis Horizontas (1958, Vitautas Mikalauskas) 6/10
18. Do svidaniya, malchiki! / Goodbye, Boys (1964, Mikhail Kalik) 6/10
19. Dolgaya schastlivaya zhizn (1967, Gennady Shpalikov) 4/10
20. Pervyy eshelon / The First Echelon (1957, Mikhail Kalatozov) 5/10
21. Legenda o knyagine Olge / The Legend of Princess Olga (1983, Yyri Ilyenko) 7/10
22. Nezabyvaemoe / Unforgettable (1967, Yuliya Solntseva) 6.5/10
23. Gospodin oformitel / Mister Designer (1987, Oleg Teptsov) 8/10
24. Moskva slezam ne verit / Moscow Does Not Believe in Tears (1980, Vladimir Menshov) 7.5/10
25. Dzhamilya (1969, Sergei Yutkevich, Irina Poplavskaya) 7/10
26. Shla sobaka po royalyu / A Dog Was Walking on the Piano (1978, Vladimir Grammatikov) 4/10
27. Poslesloviye / Epilogue (1983, Marlen Khutsiev) 5/10
28. Ilinskiy o Mayakovskom / Mayakovsky Laughs (1973, Sergei Yutkevich, Anatoliy Karanovich) 8/10
29. Groza / Thunderstorm (1934, Vladimir Vetrov) 5/10
30. Assa (1988, Sergey Solovev) 8/10
31. Mamluqi (1958, Davit Rondeli) 6/10
32. Obyknovennyy fashizm / Ordinary Fascism (1965, Mikhail Romm) 8.5/10
33. Spasatel / The Lifeguard (1980, Sergey Solovev) 7/10
34. Prevrashchenie / The Metamorphosis (2004, Valeri Folkin) 7/10
35. Skazka o poteryannom vremeni / A Tale of Lost Times (1964, Aleksandr Ptushko) 6/10
36. Malenkaya Vera / Little Vera (1988, Vasili Pichul) 7/10
37. Samkauli satrposatvis / A Necklace for My Beloved (1971, Tengiz Abuladze) 7.5-8/10
38. Koshka, kotoraya gulyala sama po sebe / The Cat Who Walked by Herself (1988, Ideya Garanina) 6/10
39. V shest chasov vechera posle voyny / Six P.M (1944, Ivan Pyryev) 5/10
40. Proshchanie / Farewell (1983, Elem Klimov) 7/10
41. Prostaya smert / A Simple Death (1985, Aleksandr Kaydanovskiy) 6/10
42. Ayka (2018, Sergei Dvortsevoy) 7/10.
43. Derevnya Utka. Skazka. / Duck Village. A Tale. (1978, Boris Buneev) 7.5/10
This was also a very nice finale as I discovered one other great film, and got a really good final film as well. Nivce to see the shifts from so many 4s and 5s early in the challenge, to loads of 7s. Anyhow:
44. Komunaris chibukhi / The Communard's Pipe (1929, Kote Mardjanishvili) 8/10
A picture of the Paris Commune that manage to capture the hunger, chaos and hope of the time, while centering the story around the young son of one of the Communards. The play on the republic, and the reactions of the upper classes are great, with a nice amount of snark and dismissal - while the ending also packs a hard punch.
45. Poema o more / Poem of the Sea (1958, Yuliya Solntseva) 5/10
Some beautiful cinematography here, and I enjoyed the dreamlike sequences, but the rest of the film is simply flat and tiring, bogging us down in needless/tiresome beaurocratic/expert conversations.
46. Moy laskovyy i nezhnyy zver / The Shooting Party (1978, Emil Loteanu) 7.5/10
There is something really wonderful about how so many of these 70s mini-epic dramas are shot. The early evocative, almost dreamlike scenes of excess are absolutely wonderful. The story itself is solid, as is many of the performances, and it really had a good shot at greatness.