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Official Noirvember Challenge - Nov 2018

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jeroeno
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Re: Official Noirvember Challenge - Nov 2018

#321

Post by jeroeno » November 20th, 2018, 9:02 pm

30. The Cry Baby Killer (1958)
31. Hell Drivers (1957)
32. Time Without Pity (1957)

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#322

Post by Renegade » November 20th, 2018, 10:15 pm

39. The Docks of New York (1928) (Rewatch)

40. The Breaking Point (1950)

41. Sudden Fear (195)

42. Brighton Rock (1948)

Film NoirShow
1. Fallen Angel (1945)
2. Side Street (1949)
3. Border Incident (1949)
4. Desperate (1947)
5. Call Northside 777 (1948)
6. Hollow Triumph (1948)
7. The Blue Gardenia (1953)
8. I Wake Up Screaming (1941)
9. Clash by Night (1952)
10. Ministry of Fear (1944)
11. While the City Sleeps (1956)
12. Human Desire (1954)
13. Night Moves (1975) (Rewatch)
14. Cry Danger (1951) (Rewatch)
15. Phantom Lady (1944)
16. Cry of the City (1948)
17. The Dark Mirror (1946)
18. The Spiral Staircase (1946)
19. The Suspect (1944)
20. The Strange Affair of Uncle Harry (1945)
21. The Big Steal (1949)
22. The File on Thelma Jordon (1950)
23. Pitfall (1948)
24. Night Editor (1946)
25. Black Angel (1946)
26. Road House (1948)
27. The Street with No Name (1948)
28. My Name Is Julia Ross (1945) (Rewatch)
29. Behind Locked Doors (1948) (Rewatch)
30. Escape in the Fog (1945)
31. Lady in the Lake (1947)
32. He Walked by Night (1948) (Rewatch)
33. Railroaded (1947)
34. The Hoodlum (1951)
35. Odds Against Tomorrow (1959)
36. Born to Kill (1947)
37. Dead Reckoning (1947)
38. Where Danger Lives (1950)

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#323

Post by psychotronicbeatnik » November 21st, 2018, 1:23 am

31. The Narrow Margin (1952 / Richard Fleischer) 9/10
32. The Return of the Whistler (1948 / D. Ross Lederman) FTV 7+/10

Success to Crime!Show
1. Hodejegerne, aka: Headhunters (2011 / Morten Tyldum / Norway, Sweden, Denmark) FTV 8+/10
2. Drive a Crooked Road (1954 / Richard Quine) FTV 8/10
3. Out of the Past (1947 / Jacques Tourneur) 10/10
4. The Letter (1940 / William Wyler) FTV 8/10
5. The Whistler (1944 / William Castle) FTV 7+/10
6. They Live By Night (1948 / Nicholas Ray) 10/10
7. The Asphalt Jungle (1950 / John Huston) 10/10
8. The Big Operator (1959 / Charles Haas) FTV 8/10
9. Kiss Me Deadly (1955 / Robert Aldrich) 9+/10
10. The Maltese Falcon (1941 / John Huston) 10/10
11. In a Lonely Place (1950 / Nicholas Ray) 9/10
12. Double Indemnity (1944 / Billy Wilder) 10/10
13. Ministry of Fear (1944 / Fritz Lang) 9+/10
14. Mark of the Whistler (1944 / William Castle) FTV 7+/10
15. The Seventh Victim (1943 / Mark Robson) 7/10
16. The Power of the Whistler (1945 / Lew Landers) FTV 7+/10
17. Nora inu, aka: Stray Dog (1949 / Akira Kurosawa) 9/10
18. Voice of the Whistler (1945 / William Castle) FTV 7/10
19. The Killing (1956 / Stanley Kubrick) 10/10
20. Killer’s Kiss (1955 / Stanley Kubrick) 7+/10
21. Mysterious Intruder (1946 / William Castle) FTV 7+/10
22. The Big Heat (1953 / Fritz Lang) 9/10
23. Ascenseur pour l'échafaud (1958 / Louis Malle) 10/10
24. Baby Face Nelson (1957 / Don Siegel) FTV 8+/10
25. The Fallen Idol (1948 / Carol Reed) 10/10
26. Secret of the Whistler (1946 / George Sherman) FTV 6/10
27. A Place in the Sun (1951 / George Stevens) FTV 8+/10
28. The Third Man (1949 / Carol Reed) 9+/10
29. The Thirteenth Hour (1947 / William Clemens) FTV 7/10
30. On Dangerous Ground (1951 / Nicholas Ray, Ida Lupino) FTV 9/10

31. The Narrow Margin (1952 / Richard Fleischer) 9/10
32. The Return of the Whistler (1948 / D. Ross Lederman) FTV 7+/10





The Big Noir by yearShow
1940 – The Letter
1941 – The Maltese Falcon
1942
1943 – The Seventh Victim
1944 – The Whistler / Double Indemnity / Ministry of Fear / Mark of the Whisperer
1945 – The Power of the Whistler / Voice of the Whistler
1946 – Mysterious Intruder / Secret of the Whistler
1947 – Out of the Past / The Thirteenth Hour
1948 – They Live By Night / The Fallen Idol / The Return of the Whistler
1949 – Nora inu, aka: Stray Dog / The Third Man
1950 – The Asphalt Jungle / In a Lonely Place
1951 – A Place in the Sun / On Dangerous Ground
1952 – The Narrow Margin
1953 – The Big Heat
1954 – Drive a Crooked Road
1955 – Kiss Me Deadly / Killer’s Kiss
1956 – The Killing
1957 – Baby Face Nelson
1958 - Ascenseur pour l'échafaud
1959 – The Big Operator
2011 - Hodejegerne

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#324

Post by Hunziker » November 21st, 2018, 1:34 am

3. Scandal Sheet (1952) - 6/10
4. The Killers (1946) - 7/10
5. Odd Man Out (1947) - 7/10
SpoilerShow
1. The Hunted (1948)
2. Crime of Passion (1957)
3. Scandal Sheet (1952)
4. The Killers (1946)
5. Odd Man Out (1947)

Shorts (12 min):
Meridian (2016)
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#325

Post by India Istanbul » November 21st, 2018, 3:24 am

19. Out of the Fog (1962)
20. Grief Street (1931)
21. Lady in the Death House (1944)
22. By Whose Hand (1932)
23. He Walked By Night (1948)
24. Dark Passage (1947)

Total: 24 Points

SpoilerShow
1. Sudden Fear (1952) 9/10
2. On Dangerous Ground (1951) 9/10
3. The Whistler: Mysterious Intruder (1946) 7/10
Madonna of the Desert (1948) 7/10
Suspended Alibi (1957) 7/10
6. Footsteps in the Night (1957 5/10
7. Undertow (1949) 5/10
8. The Strange Love of Martha Ivers (6/10)
9. Detour (1945)
10. Decoy (1946)
11. Double Indemnity (1944)
12. The Big Operator (1959)
13. San Quentin (1946)
14. High School Big Shot (1959)
15. Narcotics Squad (1957)
16. Female Jungle (1955)
17. High Sierra (1941)
18. Jail Bait (1954)

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#326

Post by Simba63 » November 21st, 2018, 3:27 am

81. The File on Thelma Jordon (1950) - 8/10
82. The Limping Man (1953) - 5/10
83. No Escape (1953) - 6/10
84. Noose (1948) - 6/10

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#327

Post by frbrown » November 21st, 2018, 5:49 am

53. Teufel in Seide AKA Devil in Silk (1956)

Image

Image


54. Roadblock (1951)

Image


55. The Brothers Rico (1957)


56. World for Ransom (1954)

Image

Image

SpoilerShow
1. Calcutta (1947)
2. They Made Me a Criminal (1939)
3. Black Widow (1987)
4a. Dragnet: The Big Cast (1952)
4b. Dragnet: The Big September Man (1952)
4c. Dragnet: The Big Phone Call (1952)
5a. Peter Gunn: The Kill (1958)
5b. Peter Gunn: Streetcar Jones (1958)
5c. Peter Gunn: The Vicious Dog (1958)
6. The Glass Alibi (1946)
7. Insomnia (2002)
8. The Flanagan Boy AKA Bad Blonde (1953)
9. More Than Murder (1984)
10. Dark Waters (1944)
11a. Johnny Staccato: The Naked Truth (1959)
11b. Johnny Staccato: Murder for Credit (1959)
11c. Johnny Staccato: The Parents (1959)
12. Danger Signal (1945)
13. Pickup (1951)
14. Hell Drivers (1957)
15. The Border (1982)
16. Maneges (1950)
17. Naked Alibi (1954)
18. Whispering Footsteps (1943)
19. The Bribe (1949)
20. I Died a Thousand Times (1955)
21. Unpublished Story (1942)
22. A Woman's Face (1941)
23. A Window in London AKA Lady in Distress (1940)
24. No Orchids for Miss Blandish (1948)
25. Attack (1956)
26a. Fallen Angels: Dead-End for Delia (1993)
26b. Fallen Angels: I'll Be Waiting (1993)
27a. Fallen Angels: The Quiet Room (1993)
27b. Fallen Angels: The Frightening Frammis (1993)
28a. Fallen Angels: Murder, Obliquely (1993)
28b. Fallen Angels: Since I Don't Have You (1993)
29. The Departed (2006)
30. Two O'Clock Courage (1945)
31. Cottage to Let AKA Bombsight Stolen (1941)
32. Rio (1939)
33. The October Man (1947)
34. They Met in the Dark (1943)
35. Harikomi AKA The Chase AKA Stakeout (1958)
36. Entre onze heures et minuit (1949)
37. L'assassin a peur la nuit (1942)
38. House of Bamboo (1955)
39. Guest in the House (1944)
40. Marilyn AKA Roadhouse Girl (1953)
41. Secret People (1952)
42. The Dain Curse: Episode 1 (1978)
43. The Dain Curse: Episode 2 (1978)
44. The Dain Curse: Episode 3 (1978)
45a. Johnny Staccato: The Shop of the Four Winds (1959)
45b. Johnny Staccato: Nature of the Night (1959)
45c. Johnny Staccato: Viva, Paco! (1959)
46. The House Across the Bay (1940)
47. Such Dust as Dreams Are Made On (1973)
48. Apartado de correos 1001 (1950)
49. The Man Who Cried Wolf (1937)
50. Crime Story: Pilot (1986)
51. Shock (1946)
52. Bodyguard (1948)
53. Teufel in Seide AKA Devil in Silk (1956)
54. Roadblock (1951)
55. The Brothers Rico (1957)
56. World for Ransom (1954)

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#328

Post by sebby » November 21st, 2018, 7:28 am

05 with a friend like harry... 2000 - 5/10
06 this world, then the fireworks 1997 - 3/10
07 the suspect 1944 - 5/10


Films Fatale / Goal: 07/15Show
01 sweet virginia 2017 - 4/10
02 10 rillington place 1971 - 3.5/10
03 dead again 1991 - 2/10
04 breaking point 1950 - 7/10
05 with a friend like harry... 2000 - 5/10
06 this world, then the fireworks 1997 - 3/10
07 the suspect 1944 - 5/10

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#329

Post by jeroeno » November 21st, 2018, 8:03 am

33. Shack Out on 101 (1955)
34. Boston Blackie Booked on Suspicion (1945)

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#330

Post by maxwelldeux » November 21st, 2018, 8:13 am

jeroeno wrote:
November 21st, 2018, 8:03 am
33. Shack Out on 101 (1955)
34. Boston Blackie Booked on Suspicion (1945)
And there you've completed the bonus challenge! Woohoo! :banana: :cheers:

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#331

Post by maxwelldeux » November 21st, 2018, 6:51 pm

We also need a good screenshot for The Dark Corner (1946) - can anyone help?

@funky: I'm working to get the ones you provided for Black Angel into our forum's collection.

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#332

Post by 72allinncallme » November 21st, 2018, 9:27 pm

18. Police (1985)
19. Bundfald (1957)
SpoilerShow
1. Jakten (1959)
2. Tiger Bay (1959)
3. The Suspect (1944)
4. Aru kyôhaku (1960)
5. Daisy Kenyon (1947)
6. Kiga kaikyô (1965)
7. Una pura formalità (1994)
8. Koruto wa ore no pasupooto (1967)
9. En fremmed banker på (1959)
10. Le signe du lion (1962)
11. En kvinnas ansikte (1938)
12. This World, Then the Fireworks (1997)
13. De bruit et de fureur (1988)
14. Susana (1951)
15. Flicka och hyacinter (1950)
16. Hell Is a City (1960)
17. Forbrydelsens element (1984)
18. Police (1985)
19. Bundfald (1957)

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#333

Post by jeroeno » November 21st, 2018, 9:45 pm

35. The Mask of Dijon (1946)
36. Black Widow (1987)
37. Playgirl (1954)

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#334

Post by funkybusiness » November 21st, 2018, 10:03 pm

maxwelldeux wrote:
November 21st, 2018, 6:51 pm
We also need a good screenshot for The Dark Corner (1946) - can anyone help?

@funky: I'm working to get the ones you provided for Black Angel into our forum's collection.
funky boy hookin' you up again

Lucille Ball! https://imgur.com/a/igj0pie
Luuucccyyy!! What did I tell you about gettin' mixed up in murder schemes!!

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#335

Post by OldAle1 » November 21st, 2018, 10:48 pm

Going chronologically, at least for the first several - all films appear here

https://www.icheckmovies.com/lists/a+co ... ignatzkat/

unless otherwise noted, and all FTVs unless otherwise noted
Keep Your Gumshoe Off My FedoraShow
1. Marked Woman (Lloyd Bacon/Michael Curtiz (uncr), 1937) (re-watched)
2. Tip-Off Girls (Louis King, 1938)
3. Blackwell's Island (William C. McGann/Michael Curtiz, 1939)
4. Phantom Raiders (Jacques Tourneur, 1940)
5. Dressed to Kill (Eugene Forde, 1941)
6. Crossroads (Jack Conway, 1942)
7. Lady Gangster (Robert Florey, 1942)
8. Afsporet / Derailed (Bodil Ipsen / Lau Lauritzen, 1942)
9. Calling Dr. Death (Reginald Le Borg, 1943)
10. Experiment Perilous (Jacques Tourneur, 1944)
11. The Strange Affair of Uncle Harry (Robert Siodmak, 1945)
12. Danger Signal (Robert Florey, 1945)
13. Crack-Up (Irving Reis, 1946)
14. The Brasher Doubloon (John Brahm, 1947)
15. Blackmail (Lesley Selander, 1947)
16. Nora Prentiss (Vincent Sherman, 1947)
17. Johnny O'Clock (Robert Rossen, 1947)
18. Night Has a Thousand Eyes (John Farrow, 1948)
19. The Naked City (Jules Dassin, 1948) (re-watch)
20. Døden er et kjærtegn / Death is a Caress (Edith Carlmar, 1949)
21. The Accused (William Dieterle, 1949)
22. Destination Murder (Edward L. Cahn, 1950)
23. The Sleeping City (George Sherman, 1950)
24. The Damned Don't Cry (Vincent Sherman, 1950)
25. The Second Woman (James V. Kern, 1950)
26. Edge of Doom (Mark Robson, 1950)
27. Hunt the Man Down (George Archainbaud, 1950)
28. Flicka och hyacinter / Girl With Hyacinths (Hasse Ekman, 1950)
29. 711 Ocean Drive (Joseph M. Newman, 1950)
30. Guilty Bystander (Joseph Lerner, 1950)
31. The Unknown Man (Richard Thorpe, 1951)

Not a film to recommend to those allergic to "twist" endings, and also one that's difficult to describe much without extensive spoilers. Walter Pidgeon is a prominent attorney who gets his arm bent to come in and defend a young man accused of murder, defending him against D.A. Barry Sullivan (who also narrates the film). Pidgeon gets the kid off - and this part, the first two reels or so, would be the kind of story that many films noir would use for their whole running time, but here we're just at the beginning and it''s Pidgeon himself who finds himself going down the noir-hole and finding there's more to the new "crime commission" (isn't there always) than he bargained for. I personally liked the twists and turns here, and this might've been a great film had it had a more imaginative director than workhorse Thorpe, or a more interesting leading man than Pidgeon. Imagining Fritz Lang directing and Fred MacMurray playing Pidgeon's role, now there's a great movie. This is merely decent or perhaps a bit above average.

32. Ace in the Hole (Billy Wilder, 1951) (re-watch)

Probably saw this first 20 years ago or so, and didn't remember it too well - this is true for a great many Wilder films and I really ought to just go through his whole filmography some day. I liked it originally, sure, but I think I had some problems with it - probably wasn't crazy about Jan Sterling, whose hardness is difficult to warm to for sure, and probably found Kirk Douglas' Chuck Tatum too nasty even for my cynical self at the time. No such problems this time, this is one of the great misanthropic films of the 50s, maybe of all time, and Tatum one of the screen's greatest negative protagonists. The last shot is up there among the best and it still packs a jolt even when you know it''s coming. Really nothing to fault here, and I'm not sure I'd put any Wilder film above it except maybe Sunset Blvd.

33. The Mob (Robert Parrish, 1951)

The ol' fuck-up-a-case, then go undercover to solve it while your bosses pretend you've been suspended game. This is a pretty solid one, with Broderick Crawford as the semi-disgraced cop with a chance to redeem himself, entering a mob-controlled world on the docks and infiltrating his way up to the Big Man. Regular screen heavies Ernest Borgnine and Neville Brand are on hand and lend flavor to what is ultimately a fairly typical story, but it's Crawford's dogged yet weary working-class cop, and the cinematography by Joseph Walker that are the stars of this show, and make it something fairly memorable if not quite great.

34. The Turning Point (William Dieterle, 1952)

Special prosecutor (Edmond O'Brien) comes into town to clean it up, including trying to shake up a corrupt police department. He's got William Holden on hand as a reporter who may or may not be helping him out, Alexis Smith as the assistant and possible love interest, and Ed Begley as the principal antagonist. This is another beautifully shot Los Angeles set film with lots of great location work, including use of the Angels' Flight and lots of rather seedy buildings, and it''s got more action than is usual in this era, and an ending that is a bit tougher than many, but despite the great cast, photography (by Lionel Lindon, better known for his color work) and palpable urban feeling, it doesn't quite add up to what I'd hoped, perhaps because in focusing on Holden and a budding romance it just ends up feeling a little less serious and important than it could be.

35. Kiss Me a Killer (Marcus DeLeon, 1991)

Don't know why or where I found this, and I can't honestly recommend it, but it was an interesting surprise. You'd never know it from the credits on IMDb but this is actually an uncredited (and I presume unauthorized, though perhaps the original material was out of copyright by this time) adaptation of The Postman Always Rings Twice, set in this case in the Latino-heavy East Los Angeles area, with the drifter character (Robert Beltran) a musician who shows up at the bar owned and run by Jake (Guy Boyd) and Teresa (Julie Carman). Same basic storyline as other versions though the ending is rather different. I liked the seediness, the color and the music, but everything else is pretty mediocre including the acting. Worthwhile only for the completists.

36. Vicki (Harry Horner, 1953)

Glamor girl Vicki Lynn (Jean Peters) is about to leave New York for Hollywood but winds up dead, and a whole bunch of folks including sister Jill (Jeanne Crain), press agent Steve (Elliott Reed) who discovered her, and obsessive detective Lt. Ed Cornell (Richard Boone) want to find out what happened. Lots of flashbacks and a couple of twists and turns though it seems to me there are only two real possibilities for the killer, and I was correct in this easy guess. Another film that we've seen before in many ways - elements here reminiscent of Laura for example - but the standout is Boone's portrayal of the obsessed, borderline psychopath cop, which is really potent, frightening, and in the end rather sad. Boone was certainly one of the great actors of malice and violence but he could also put a lot of depth into many of those characterizations including plenty of dark humor - his bad guy in The Tall T is another great example - and this is surely one of his best roles and performances. Not really a great film overall but certainly memorable for Boone alone, and it's also nice to see a film where sisters really look like they could be, though I wonder why Vicki is seen as such a goddess and nobody pays attention to the equally and similarly beautiful Jill.

37. I, the Jury (Harry Essex, 1953)

Another film where appreciation is hampered by the very poor quality of the available copies, this is the first adaptation of a Mickey Spillane novel, his first Mike Hammer book. Filmed in 3D, one of only a handful of noirs to use the process, and an excellent print in 3D might be something to see - there's more violence of the fisticuffs variety with people throwing punches and each other at the screen several times in the under-90-minute run time. I saw the fairly wretched 1982 version not that long ago, but the complex plot isn't easy to recall and it was fun to revisit it, though this isn't all that great a film either and probably wouldn't be massively improved by restoration. Still it has many points of interest, among them an amusing use of the Bradbury Building (in Los Angeles) for Hammer's office (in New York). Peggie Castle makes a pretty great femme fatale but Biff Elliott, an up-and-coming TV actor given his first film role here, is just...weird... as Hammer, seeming way too boyish at times, delivering his dialogue in a particular rapid-fire way that denotes more uneasiness with the part than anything else, though his angry vigor isn't necessarily out of place.

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#336

Post by maxwelldeux » November 22nd, 2018, 12:51 am

OldAle1 wrote:
November 21st, 2018, 10:48 pm
Going chronologically, at least for the first several - all films appear here
34. The Turning Point (William Dieterle, 1952)
35. Kiss Me a Killer (Marcus DeLeon, 1991)
36. Vicki (Harry Horner, 1953)
Websters dictionary defines "chronologically" as... :cowbow: :whistling:

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#337

Post by OldAle1 » November 22nd, 2018, 1:15 am

Yeah, that was the first break. Another one coming up with the next group of flicks.

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#338

Post by maxwelldeux » November 22nd, 2018, 1:30 am

OldAle1 wrote:
November 22nd, 2018, 1:15 am
Yeah, that was the first break. Another one coming up with the next group of flicks.
I almost flipped you a little crap for your last update of 9 films from 1950, demanding to know if you watched them in order of their release date. :P

But seriously, I think it's super cool that you're going chronologically. I'd love to do something like that some day with noir. It's a genre I generally like, but burn out on pretty quickly.

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#339

Post by psychotronicbeatnik » November 22nd, 2018, 1:47 am

33. The Night Has Eyes (1942 / Leslie Arliss) FTV 6+/10

And although I still have some noir watches planned, that Brit Noir should complete the secondary Noir Challenge for me.

Success to Crime!Show
1. Hodejegerne, aka: Headhunters (2011 / Morten Tyldum / Norway, Sweden, Denmark) FTV 8+/10
2. Drive a Crooked Road (1954 / Richard Quine) FTV 8/10
3. Out of the Past (1947 / Jacques Tourneur) 10/10
4. The Letter (1940 / William Wyler) FTV 8/10
5. The Whistler (1944 / William Castle) FTV 7+/10
6. They Live By Night (1948 / Nicholas Ray) 10/10
7. The Asphalt Jungle (1950 / John Huston) 10/10
8. The Big Operator (1959 / Charles Haas) FTV 8/10
9. Kiss Me Deadly (1955 / Robert Aldrich) 9+/10
10. The Maltese Falcon (1941 / John Huston) 10/10
11. In a Lonely Place (1950 / Nicholas Ray) 9/10
12. Double Indemnity (1944 / Billy Wilder) 10/10
13. Ministry of Fear (1944 / Fritz Lang) 9+/10
14. Mark of the Whistler (1944 / William Castle) FTV 7+/10
15. The Seventh Victim (1943 / Mark Robson) 7/10
16. The Power of the Whistler (1945 / Lew Landers) FTV 7+/10
17. Nora inu, aka: Stray Dog (1949 / Akira Kurosawa) 9/10
18. Voice of the Whistler (1945 / William Castle) FTV 7/10
19. The Killing (1956 / Stanley Kubrick) 10/10
20. Killer’s Kiss (1955 / Stanley Kubrick) 7+/10
21. Mysterious Intruder (1946 / William Castle) FTV 7+/10
22. The Big Heat (1953 / Fritz Lang) 9/10
23. Ascenseur pour l'échafaud (1958 / Louis Malle) 10/10
24. Baby Face Nelson (1957 / Don Siegel) FTV 8+/10
25. The Fallen Idol (1948 / Carol Reed) 10/10
26. Secret of the Whistler (1946 / George Sherman) FTV 6/10
27. A Place in the Sun (1951 / George Stevens) FTV 8+/10
28. The Third Man (1949 / Carol Reed) 9+/10
29. The Thirteenth Hour (1947 / William Clemens) FTV 7/10
30. On Dangerous Ground (1951 / Nicholas Ray, Ida Lupino) FTV 9/10
31. The Narrow Margin (1952 / Richard Fleischer) 9/10
32. The Return of the Whistler (1948 / D. Ross Lederman) FTV 7+/10

33. The Night Has Eyes (1942 / Leslie Arliss) FTV 6+/10
The Big Noir by yearShow
1940 – The Letter
1941 – The Maltese Falcon
1942 – The Night Has Eyes
1943 – The Seventh Victim
1944 – The Whistler / Double Indemnity / Ministry of Fear / Mark of the Whisperer
1945 – The Power of the Whistler / Voice of the Whistler
1946 – Mysterious Intruder / Secret of the Whistler
1947 – Out of the Past / The Thirteenth Hour
1948 – They Live By Night / The Fallen Idol / The Return of the Whistler
1949 – Nora inu, aka: Stray Dog / The Third Man
1950 – The Asphalt Jungle / In a Lonely Place
1951 – A Place in the Sun / On Dangerous Ground
1952 – The Narrow Margin
1953 – The Big Heat
1954 – Drive a Crooked Road
1955 – Kiss Me Deadly / Killer’s Kiss
1956 – The Killing
1957 – Baby Face Nelson
1958 - Ascenseur pour l'échafaud
1959 – The Big Operator
2011 - Hodejegerne

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#340

Post by RogerTheMovieManiac88 » November 22nd, 2018, 2:20 am

61. 'Na Senda do Crime' / 'Road to Crime' / 1954, Flaminio Bollini / 6/10 / Brazil
Image

62. 'Madhumati' / 1958, Bimal Roy / 9.5/10 / India
Image

63. 'Laitakaupungin valot' / 'Lights in the Dusk' / 2006, Aki Kaurismäki / 8.5/10 / Finland / Germany / France / Italy / Sweden
Image

64. 'Nos héros sont morts ce soir' / 'Our Heroes Died Tonight' / 2013, David Perrault / 8/10 / France
Image

65. 'Jia nian hua' / 'Angels Wear White' / 2017, Vivian Qu / 8/10 / China
Image
That's all, folks!

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#341

Post by flavo5000 » November 22nd, 2018, 4:27 am

62. Operation Diplomat (1953)
63. The Other Woman (1954)
64. The Ipcress File (1965)
65. City of Fear (1959)
66. hey Drive by Night (1940)
67. Violent Saturday (1955)
68. Baby Face Nelson (1957)
69. Les tontons flingueurs (1963) a.k.a. Monsieur Gangster
70. Shot (1973)
71. The Brothers Rico (1957)
72. Mikey and Nicky (1976)
73. The Devil Thumbs a Ride (1947)
Celluloid DreamsShow
1. Pitfall (1948)
2. The Glass Key (1942)
3. Black Angel (1946)
4. Human Desire (1954)
5. Brother (2000)
6. City for Conquest (1940)
7. The Strange Woman (1946)
8. Good Time (2017)
9. Fallen Angel (1946)
10. Détective (1985)
11. Road House (1948)
12. Police (1985)
13. Night Editor (1946)
14. True Confessions (1981)
15. L'appartement (1996)
16. The Dark Corner (1946)
17. The Breaking Point (1950)
18. Hijôsen no onna (1933)
19. I Don't Feel at Home in This World Anymore. (2017)
20. Desperate (1947)
21. Riot in Cell Block 11 (1954)
22. Le beau Serge (1958)
23a. The Wrong Trousers (1993)
23b. A Close Shave (1995)
24. Too Late for Tears (1949)
25. No Way Out (1950)
26. The Pledge (2001)
27. The Harder They Fall (1956)
28. The File on Thelma Jordon (1950)
29. Brainstorm (1965)
30. Der Verlorene (1951)
31. Where the Truth Lies (2005)
32. Highway Dragnet (1954)
33. Inner Sanctum (1948)
34. Jigsaw (1949)
35. The Green Glove (1952)
36. The Second Woman (1950)
37. Johnny Eager (1941)
38. Impact (1949)
39. Quicksand (1950)
40. Two of a Kind (1951)
41. The Salton Sea (2002)
42. The Small Back Room (1949)
43. Wind River (2017)
44. It Always Rains on Sunday (1947)
45. The Paradine Case (1947)
46. Bad for Each Other (1953)
47. Nowhere to Go (1958)
48. The Mask of Diijon (1946)
49. Ripley's Game (2002)
50. Yajû no seishun (1963)
51. Pusher II (2004)
52. Moontide (1942)
53. Ivy (1947)
54. The Glass Wall (1953)
55. Pusher III (2005)
56. Repeat Performance (1947)
57. Pushover (1954)
58. Time Is My Enemy (1954)
59. Madeo (2009)
60. Beyond a Reasonable Doubt (1956)
61. A Kiss Before Dying (1956)
62. Operation Diplomat (1953)
63. The Other Woman (1954)
64. The Ipcress File (1965)
65. City of Fear (1959)
66. They Drive by Night (1940)
67. Violent Saturday (1955)
68. Baby Face Nelson (1957)
69. Les tontons flingueurs (1963) a.k.a. Monsieur Gangster
70. Shot (1973)
71. The Brothers Rico (1957)
72. Mikey and Nicky (1976)
73. The Devil Thumbs a Ride (1947)
Bonus ChallengeShow
1940: City For Conquest/They Drive by Nigh
1941: Johnny Eager
1942: The Glass Key/Moontide
1943:
1944:
1945:
1946: Black Angel/The Strange Woman/Fallen Angel/Night Editor/The Dark Corner/The Mask of Diijon
1947: Desperate/It Always Rains on Sunday/The Paradine Case/Ivy/Repeat Performance/The Devil Thumbs a Ride
1948: Pitfall/Road House/Inner Sanctum
1949: Too Late For Tears/Jigsaw/Impact/The Small Back Room
1950: The Breaking Point/No Way Out/The File on Thelma Jordon/The Second Woman/Quicksand
1951: Der Verlorene/Two of a Kind
1952: The Green Glove
1953: Bad for Each Other/The Glass Wall/Operation Diplomat
1954: Human Desire/Riot in Cell Block 11/Highway Dragnet/Pushover/Time Is My Enemy/The Other Woman
1955: Violent Saturday
1956: The Harder They Fall/Beyond a Reasonable Doubt/A Kiss Before Dying
1957: Baby Face Nelson/The Brothers Rico
1958: Le beau Serge/Nowhere To Go
1959: City of Fear

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#342

Post by Simba63 » November 22nd, 2018, 5:04 am

85. Johnny Stool Pigeon (1949) 7/10
86. The Shadow on the Window (1957) - 6/10
87. Step Down to Terror (1958) - 6/10

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#343

Post by shugs » November 22nd, 2018, 11:43 am

9. I Walk Alone (Byron Haskin, 1947) - 9/10
What's the deal with noirs having musical numbers? This is the second movie I've watched for this challenge where Lizabeth Scott performs a song, and I've noticed it before. :D
SpoilerShow
1. Gun Crazy (Joseph H. Lewis, 1950) - 6.5/10
2. Niagara (Henry Hathaway, 1953) - 8/10
3. The Dark Mirror (Robert Siodmak, 1946) - 6.5/10
4. Kansas City Confidential (Phil Karlson, 1952) - 7/10
5. Dead Reckoning (John Cromwell, 1947) - 9/10
6. Dark Passage (Delmer Daves, 1947) - 7/10
7. The Lady from Shanghai (Orson Welles, 1947) - 7/10
8. Nora Inu aka Stray Dog (Akira Kurosawa, 1949) - 7/10

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#344

Post by Lonewolf2003 » November 22nd, 2018, 1:25 pm

Saw some noirs for this Challenge this month. Do hope to see a bit more. But the iCMFF and others challenges also take up my viewing time.
1. High Sierra (1941): 7.5
2. Dark Passage (1947): 7.8 - The first part shot from the protagonist POV worked remarkably well. And while the directing and acting keeps being on par after that, the story starts to drag a bit.
3. Don't Bother to Knock (1952): 8.2 - More a drama than a classic mystery/thriller noir about a woman slowly slipping back into her mental health issues this movie is slow to start, but slowly builds momentum after that when the girl bit by bit unravels more and more. It also a showcase for how good Marilyn Monroe actually could act if she was given a change to be more than just a sex symbol. She does a fantastic job in showing her characters descent into madness, in how she steadily loses more and more grip on reality.

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#345

Post by sol » November 22nd, 2018, 2:32 pm

The stuff that dreams are made ofShow
1. U Turn (1997)
2. Obsession (1949)
3. Harper (1966)
4. Rififi (1955)
5. Backfire (1950)
6. Insomnia (1997)
7. Payback (1999)
8. Hard Eight (1996)
9. The Uninvited (1944)
10. Fear X (2003)
11. Brute Force (1947)
12. Homicide (1991)
13. Bluebeard (1944)
14. The Girl with the Dragon Tattoo (2009)
15. The Element of Crime (1984)
16. A Little Trip to Heaven (2005)

Two noirs, one title:

17. No Way Out (1950)

Image

As many others have commented, this is a film that feels well ahead of its time with head-on tackling of racial prejudice. Some strong performances aside though, this is not quite so fresh seven decades later. The only character who with dimension is Linda Darnell as the deceased's wife who slowly changes her own racist views. Richard Widmark is always great at oozing evil, but he has a very one note role - and the same can be said about the righteous Sidney Poitier. The film is atmospherically shot in black and white though and its intent is quite noble.

18. No Way Out (1987)

Image

This was very slow to warm up with way too much time dedicated to a romance before a pivotal death, but there is a lot to like here in the dynamic of Kevin Costner being assigned to track down a mystery man who is actually himself. There are several gripping chase scenes too and the project is very nicely shot by John Alcott with lots of mobile camerawork, especially in the more intense bits. What exactly the filmmakers were going for with the ending is anybody's guess, and the whole film is a little on the ludicrous side, but engaging while it lasts.
Former IMDb message boards user /// iCM | IMDb | My Top 500+ Favourite Films /// Long live the new flesh!
Image Image Image

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#346

Post by shugs » November 22nd, 2018, 4:13 pm

10. Angels with Dirty Faces (Michael Curtiz, 1938) - 8/10
Great cinematography with lots of interesting camera work and an excellent performance from James Cagney. Can get a little preachy at times with its "think about the children" message, but I can't deny it is a powerful film, especially the ending.
SpoilerShow
1. Gun Crazy (Joseph H. Lewis, 1950) - 6.5/10
2. Niagara (Henry Hathaway, 1953) - 8/10
3. The Dark Mirror (Robert Siodmak, 1946) - 6.5/10
4. Kansas City Confidential (Phil Karlson, 1952) - 7/10
5. Dead Reckoning (John Cromwell, 1947) - 9/10
6. Dark Passage (Delmer Daves, 1947) - 7/10
7. The Lady from Shanghai (Orson Welles, 1947) - 7/10
8. Nora Inu aka Stray Dog (Akira Kurosawa, 1949) - 7/10
9. I Walk Alone (Byron Haskin, 1947) - 9/10

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#347

Post by jeroeno » November 22nd, 2018, 4:37 pm

38. Storm Warning (1951)
39. Deception (1946)
40. Who'll Stop the Rain (1978)
41. Repeat Performance (1947)
42. The Inner Circle (1946)

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#348

Post by maxwelldeux » November 22nd, 2018, 4:51 pm

sol wrote:
November 22nd, 2018, 2:32 pm
Two noirs, one title:
Ah yes - the virtually unknown sequel to "Two girls, one cup" :ph43r:

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#349

Post by OldAle1 » November 22nd, 2018, 5:15 pm

maxwelldeux wrote:
November 22nd, 2018, 1:30 am
OldAle1 wrote:
November 22nd, 2018, 1:15 am
Yeah, that was the first break. Another one coming up with the next group of flicks.
I almost flipped you a little crap for your last update of 9 films from 1950, demanding to know if you watched them in order of their release date. :P

But seriously, I think it's super cool that you're going chronologically. I'd love to do something like that some day with noir. It's a genre I generally like, but burn out on pretty quickly.
I did chronologically last year also, only I stuck (mostly) to 3 films per year, and only went from 1940 to I think 1954. I think with any genre - but perhaps with noir more than most - charting development over time is a lot of the fun, and I feel like I'm learning more this way. Next year I may start with the late 50s-early 60s and exclusively focus on modern noir, I dunno. But given that I'm interested in virtually anything with the noir label, and that the list I'm using most has over 3000 titles, from which I've seen less than 1/3, it's good to narrow things down. I should really do the same with most challenges though the downside is it can get boring if it's too narrow, and I might end up watching too much crap. Lot of fairly ordinary films that I've seen for this challenge for example, whereas I had many more great films - and more terrible films to be fair - in last month's horror run, where I was just skipping around.

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#350

Post by frbrown » November 22nd, 2018, 5:15 pm

57. Chicago Deadline (1949)

Watched in pretty poor quality, so no screenshot


58. Between Midnight and Dawn (1950)

Image


59. The Unknown Man (1951)

Agree with OldAle: good twisty plot, unimaginative direction. Here is practically the only example of noirish cinematography in the film

Image

SpoilerShow
1. Calcutta (1947)
2. They Made Me a Criminal (1939)
3. Black Widow (1987)
4a. Dragnet: The Big Cast (1952)
4b. Dragnet: The Big September Man (1952)
4c. Dragnet: The Big Phone Call (1952)
5a. Peter Gunn: The Kill (1958)
5b. Peter Gunn: Streetcar Jones (1958)
5c. Peter Gunn: The Vicious Dog (1958)
6. The Glass Alibi (1946)
7. Insomnia (2002)
8. The Flanagan Boy AKA Bad Blonde (1953)
9. More Than Murder (1984)
10. Dark Waters (1944)
11a. Johnny Staccato: The Naked Truth (1959)
11b. Johnny Staccato: Murder for Credit (1959)
11c. Johnny Staccato: The Parents (1959)
12. Danger Signal (1945)
13. Pickup (1951)
14. Hell Drivers (1957)
15. The Border (1982)
16. Maneges (1950)
17. Naked Alibi (1954)
18. Whispering Footsteps (1943)
19. The Bribe (1949)
20. I Died a Thousand Times (1955)
21. Unpublished Story (1942)
22. A Woman's Face (1941)
23. A Window in London AKA Lady in Distress (1940)
24. No Orchids for Miss Blandish (1948)
25. Attack (1956)
26a. Fallen Angels: Dead-End for Delia (1993)
26b. Fallen Angels: I'll Be Waiting (1993)
27a. Fallen Angels: The Quiet Room (1993)
27b. Fallen Angels: The Frightening Frammis (1993)
28a. Fallen Angels: Murder, Obliquely (1993)
28b. Fallen Angels: Since I Don't Have You (1993)
29. The Departed (2006)
30. Two O'Clock Courage (1945)
31. Cottage to Let AKA Bombsight Stolen (1941)
32. Rio (1939)
33. The October Man (1947)
34. They Met in the Dark (1943)
35. Harikomi AKA The Chase AKA Stakeout (1958)
36. Entre onze heures et minuit (1949)
37. L'assassin a peur la nuit (1942)
38. House of Bamboo (1955)
39. Guest in the House (1944)
40. Marilyn AKA Roadhouse Girl (1953)
41. Secret People (1952)
42. The Dain Curse: Episode 1 (1978)
43. The Dain Curse: Episode 2 (1978)
44. The Dain Curse: Episode 3 (1978)
45a. Johnny Staccato: The Shop of the Four Winds (1959)
45b. Johnny Staccato: Nature of the Night (1959)
45c. Johnny Staccato: Viva, Paco! (1959)
46. The House Across the Bay (1940)
47. Such Dust as Dreams Are Made On (1973)
48. Apartado de correos 1001 (1950)
49. The Man Who Cried Wolf (1937)
50. Crime Story: Pilot (1986)
51. Shock (1946)
52. Bodyguard (1948)
53. Teufel in Seide AKA Devil in Silk (1956)
54. Roadblock (1951)
55. The Brothers Rico (1957)
56. World for Ransom (1954)
57. Chicago Deadline (1949)
58. Between Midnight and Dawn (1950)
59. The Unknown Man (1951)

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#351

Post by frbrown » November 22nd, 2018, 5:40 pm

OldAle1 wrote:
November 21st, 2018, 10:48 pm
36. Vicki (Harry Horner, 1953)

Another film that we've seen before in many ways - elements here reminiscent of Laura for example
Not to mention I Wake Up Screaming!

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#352

Post by OldAle1 » November 22nd, 2018, 6:01 pm

frbrown wrote:
November 22nd, 2018, 5:40 pm
OldAle1 wrote:
November 21st, 2018, 10:48 pm
36. Vicki (Harry Horner, 1953)

Another film that we've seen before in many ways - elements here reminiscent of Laura for example
Not to mention I Wake Up Screaming!
Oh yeah, good call. Haven't seen that one in ages and didn't remember that it's the same story. If I''d thought it through more I'd have done a double feature.

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#353

Post by OldAle1 » November 22nd, 2018, 7:58 pm

Going chronologically, at least for the first several - all films appear here

https://www.icheckmovies.com/lists/a+co ... ignatzkat/

unless otherwise noted, and all FTVs unless otherwise noted
Keep Your Gumshoe Off My FedoraShow
1. Marked Woman (Lloyd Bacon/Michael Curtiz (uncr), 1937) (re-watched)
2. Tip-Off Girls (Louis King, 1938)
3. Blackwell's Island (William C. McGann/Michael Curtiz, 1939)
4. Phantom Raiders (Jacques Tourneur, 1940)
5. Dressed to Kill (Eugene Forde, 1941)
6. Crossroads (Jack Conway, 1942)
7. Lady Gangster (Robert Florey, 1942)
8. Afsporet / Derailed (Bodil Ipsen / Lau Lauritzen, 1942)
9. Calling Dr. Death (Reginald Le Borg, 1943)
10. Experiment Perilous (Jacques Tourneur, 1944)
11. The Strange Affair of Uncle Harry (Robert Siodmak, 1945)
12. Danger Signal (Robert Florey, 1945)
13. Crack-Up (Irving Reis, 1946)
14. The Brasher Doubloon (John Brahm, 1947)
15. Blackmail (Lesley Selander, 1947)
16. Nora Prentiss (Vincent Sherman, 1947)
17. Johnny O'Clock (Robert Rossen, 1947)
18. Night Has a Thousand Eyes (John Farrow, 1948)
19. The Naked City (Jules Dassin, 1948) (re-watch)
20. Døden er et kjærtegn / Death is a Caress (Edith Carlmar, 1949)
21. The Accused (William Dieterle, 1949)
22. Destination Murder (Edward L. Cahn, 1950)
23. The Sleeping City (George Sherman, 1950)
24. The Damned Don't Cry (Vincent Sherman, 1950)
25. The Second Woman (James V. Kern, 1950)
26. Edge of Doom (Mark Robson, 1950)
27. Hunt the Man Down (George Archainbaud, 1950)
28. Flicka och hyacinter / Girl With Hyacinths (Hasse Ekman, 1950)
29. 711 Ocean Drive (Joseph M. Newman, 1950)
30. Guilty Bystander (Joseph Lerner, 1950)
31. The Unknown Man (Richard Thorpe, 1951)
32. Ace in the Hole (Billy Wilder, 1951) (re-watch)
33. The Mob (Robert Parrish, 1951)
34. The Turning Point (William Dieterle, 1952)
35. Kiss Me a Killer (Marcus DeLeon, 1991)
36. Vicki (Harry Horner, 1953)
37. I, the Jury (Harry Essex, 1953)
38. Highway Dragnet (Nathan Juran, 1954)

Richard Conte is a Korean War vet who happened to meet a woman at the wrong time and the wrong place in a bar in Vegas; now he's accused of her murder, and it looks airtight so he does what any good noir protagonist would do and beats up the three cops holding him and makes a getaway in a stolen patrol car. Meeting a couple of women in the desert (Joan Bennett and Wanda Hendrix), he helps fix their car and then hitches a ride - when they find out he's wanted, complications ensue of course. Tautly put together and featuring solid enough work from this trio, as well as Reed Hadley as the main cop, this fails ultimately in being too simple to figure out, and having a bit more naked sexism (women exist to get men) than is usual even in the 50s - when one character assumes that another will be marrying after knowing the guy for just a day, I get a little queasy. But nice desert settings and brief running time do go some ways towards making this tolerable.

39. Dragnet (Jack Webb, 1954)

My mother tells me we used to watch the TV series in re-runs pretty regularly in the early 70s - I have no real recollection of that. I assume this film - in color - directed by star/creator Jack Webb was probably put out to capitalize on that, an early example of film having a television progenitor, though it was also a radio series even earlier. At any rate this was fun, more so for the pretty unique style than for the fairly ordinary police procedural narrative. The totally materialist viewpoint - the focus on objects, hands, faces, and the lack of camera movement actually reminded me I kid you not of Ozu, and to a lesser extent Bresson; the framing and very controlled use of color, all pale and pastel all make for a visual experience that I can honestly say is different from anything else I can think of, at least in this kind of film. It's almost the opposite of "dynamic", and all the propulsion in the film comes from the insanely rapid-fire dialogue which typically doesn't allow for a breath between two or more characters speaking to each other. Not overlapping, but almost continuous speech, to the point where it gets wearying in some of the longer scenes. Richard Boone in a rare non-villain role plays a police captain supervising the murder case that Joe Friday and his partner Ben Alexander are investigating, but nobody else was familiar. Very strangely staged and violent fight scene towards the end, and an also quite violent (for 1954) opening help to add to this being quite a different - if not really great - experience. I would add that although it's a crime film, set in and filmed in L.A., this feels both stylistically and narratively less "noir" than almost anything else I've seen this month, and the color is only a small part of that; but the very last shot, that's noir!

40. Black Tuesday (Hugo Fregonese, 1954)

Another terrible print, one of the last few films in the 250 Quintessential list I had left to see, but this one I feel sure wouldn't be improved all that much with an upgrade. It starts out pretty well, in prison, as crime overlord Edward G. Robinson and cop-killer Peter Graves are about to get the chair, but instead escape in a violent shootout. A decent little chase scene follows, and then the rest of the film is Robinson, Graves (wounded by this time), a few other criminals and half a dozen hostages holed up in a warehouse, trying to make it out alive, get out the country, until the cops show up. There really isn't anything special here beyond the novelty (for me anyway) of seeing Graves as a bad guy. Meh.

41. Insomnia (Erik Skjoldbjærg, 1997)

Swedish cop Stellan Skarsgård is brought in to help on a murder case in a remote northern Norwegian city during the summer, when the sun never sets. He can't sleep (duh! where'd you think the title came from?) and this contributes to an apparent bungling of running down the apparent murderer, which results in his partner getting killed. The setting is certainly interesting, it's nicely shot and compelling enough overall, but I didn't connect that strongly to it either, and this is one of those cases where the moodiness and isolation of the main character probably needed to be dealt with or explained at least a little bit. I saw the Nolan remake of this when it came out and barely remember that, and I suspect in 15-16 years I'll have little or no memory of this either.

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#354

Post by ororama » November 22nd, 2018, 8:10 pm

19. Widows (2018) * 129 min.

SpoilerShow
1. Mr. Arkadin (1955) * 100 min.
2. Terribly Happy (2008) * 104 min.
3. The Glass Wall (1953) * 80 min.
4. Shock (1946) * 70 min.
5. The Girl with the Dragon Tattoo (2009) * 153 min.
6. The Girl Who Played with Fire (2009) * 130 min.
7. The Girl Who Kicked the Hornet's Nest (2009) * 147 min.
8. The Girl with the Dragon Tattoo (2011) * 158 min.
9. The Killing: Episode #1.1 (2007) * 54 min.
10. The Killing: Episode #1.2 (2007) * 55 min.
11. Act of Violence (1949) * 82 min.
12. The Girl in the Spider's Web (2018) * 117 min.
13. The Killing: Episode #1.3 (2007) * 58 min.
14. The Killing: Episode #1.4 (2007) * 57 min.
15. The Killing: Episode #1.5 (2007) * 55 min.
16. The Killing: Episode #1.6 (2007) * 58 min.
17. The Killing: Episode #1.7 (2007) * 57 min.
18. The Killing: Episode #1.8 (2007) * 56 min.

*First time viewing.

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#355

Post by RogerTheMovieManiac88 » November 22nd, 2018, 9:11 pm

66. 'Puerta cerrada' / 'Closed Door' / 1939, John Alton, Luis Saslavsky / 8.5/10 / Argentina
Image

67. 'Wanted for Murder' / 1946, Lawrence Huntington / 7.5/10 / UK
Image

68. 'Kiss Me Deadly' / 1955, Robert Aldrich / 9/10 / USA
Image

69. 'Body Heat' / 1981, Lawrence Kasdan / 8/10 / USA
Image

70. 'The Killer Inside Me' / 2010, Michael Winterbottom / 7 or 7.5/10 / UK / Sweden / Canada / USA
Image
That's all, folks!

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#356

Post by Renegade » November 22nd, 2018, 9:35 pm

43. The Dark Corner (1946)

44. Niagara (1953)

Gained platinum on TSPDT 100 Essential Noirs list

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#357

Post by albajos » November 22nd, 2018, 10:26 pm

yesterday
13. Metropia (2009) Sweden | Denmark | Norway 498 checks
How is this not in any of the animation lists. There isn't anything like this.

today
14. Pusher (1996) Denmark 1 official list 2 996 checks
Obvious plot based on title. Refn's debut film

Why so dark? Are you part of the DC Universe?Show
ABC
12. Dirk Ohm - Illusjonisten som forsvant (2015)
02. Flaskepost fra P (2015)
11. Hypnotisören (2012)
03-10. Mammon (2016)
13. Metropia (2009)
14. Pusher (1996)
01. Schpaaa (1998)

Year
14. Pusher (1996)
01. Schpaaa (1998)
13. Metropia (2009)
11. Hypnotisören (2012)
12. Dirk Ohm - Illusjonisten som forsvant (2015)
02. Flaskepost fra P (2015)
03-10. Mammon (2016)

Checks
14. Pusher (1996) 2 996
13. Metropia (2009) 498
02. Flaskepost fra P (2015) 297
11. Hypnotisören (2012) 284
01. Schpaaa (1998) 194
03-10. Mammon (2014-16) 38
12. Dirk Ohm - Illusjonisten som forsvant (2015) 29

!seen 14

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#358

Post by frbrown » November 23rd, 2018, 3:08 am

60. Serpico (1973)


61. Nightmare (1956)

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SpoilerShow
1. Calcutta (1947)
2. They Made Me a Criminal (1939)
3. Black Widow (1987)
4a. Dragnet: The Big Cast (1952)
4b. Dragnet: The Big September Man (1952)
4c. Dragnet: The Big Phone Call (1952)
5a. Peter Gunn: The Kill (1958)
5b. Peter Gunn: Streetcar Jones (1958)
5c. Peter Gunn: The Vicious Dog (1958)
6. The Glass Alibi (1946)
7. Insomnia (2002)
8. The Flanagan Boy AKA Bad Blonde (1953)
9. More Than Murder (1984)
10. Dark Waters (1944)
11a. Johnny Staccato: The Naked Truth (1959)
11b. Johnny Staccato: Murder for Credit (1959)
11c. Johnny Staccato: The Parents (1959)
12. Danger Signal (1945)
13. Pickup (1951)
14. Hell Drivers (1957)
15. The Border (1982)
16. Maneges (1950)
17. Naked Alibi (1954)
18. Whispering Footsteps (1943)
19. The Bribe (1949)
20. I Died a Thousand Times (1955)
21. Unpublished Story (1942)
22. A Woman's Face (1941)
23. A Window in London AKA Lady in Distress (1940)
24. No Orchids for Miss Blandish (1948)
25. Attack (1956)
26a. Fallen Angels: Dead-End for Delia (1993)
26b. Fallen Angels: I'll Be Waiting (1993)
27a. Fallen Angels: The Quiet Room (1993)
27b. Fallen Angels: The Frightening Frammis (1993)
28a. Fallen Angels: Murder, Obliquely (1993)
28b. Fallen Angels: Since I Don't Have You (1993)
29. The Departed (2006)
30. Two O'Clock Courage (1945)
31. Cottage to Let AKA Bombsight Stolen (1941)
32. Rio (1939)
33. The October Man (1947)
34. They Met in the Dark (1943)
35. Harikomi AKA The Chase AKA Stakeout (1958)
36. Entre onze heures et minuit (1949)
37. L'assassin a peur la nuit (1942)
38. House of Bamboo (1955)
39. Guest in the House (1944)
40. Marilyn AKA Roadhouse Girl (1953)
41. Secret People (1952)
42. The Dain Curse: Episode 1 (1978)
43. The Dain Curse: Episode 2 (1978)
44. The Dain Curse: Episode 3 (1978)
45a. Johnny Staccato: The Shop of the Four Winds (1959)
45b. Johnny Staccato: Nature of the Night (1959)
45c. Johnny Staccato: Viva, Paco! (1959)
46. The House Across the Bay (1940)
47. Such Dust as Dreams Are Made On (1973)
48. Apartado de correos 1001 (1950)
49. The Man Who Cried Wolf (1937)
50. Crime Story: Pilot (1986)
51. Shock (1946)
52. Bodyguard (1948)
53. Teufel in Seide AKA Devil in Silk (1956)
54. Roadblock (1951)
55. The Brothers Rico (1957)
56. World for Ransom (1954)
57. Chicago Deadline (1949)
58. Between Midnight and Dawn (1950)
59. The Unknown Man (1951)
60. Serpico (1973)
61. Nightmare (1956)

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flavo5000
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#359

Post by flavo5000 » November 23rd, 2018, 3:37 am

74. Hardcore (1979)
75. Whispering Footsteps (1943)
Celluloid DreamsShow
1. Pitfall (1948)
2. The Glass Key (1942)
3. Black Angel (1946)
4. Human Desire (1954)
5. Brother (2000)
6. City for Conquest (1940)
7. The Strange Woman (1946)
8. Good Time (2017)
9. Fallen Angel (1946)
10. Détective (1985)
11. Road House (1948)
12. Police (1985)
13. Night Editor (1946)
14. True Confessions (1981)
15. L'appartement (1996)
16. The Dark Corner (1946)
17. The Breaking Point (1950)
18. Hijôsen no onna (1933)
19. I Don't Feel at Home in This World Anymore. (2017)
20. Desperate (1947)
21. Riot in Cell Block 11 (1954)
22. Le beau Serge (1958)
23a. The Wrong Trousers (1993)
23b. A Close Shave (1995)
24. Too Late for Tears (1949)
25. No Way Out (1950)
26. The Pledge (2001)
27. The Harder They Fall (1956)
28. The File on Thelma Jordon (1950)
29. Brainstorm (1965)
30. Der Verlorene (1951)
31. Where the Truth Lies (2005)
32. Highway Dragnet (1954)
33. Inner Sanctum (1948)
34. Jigsaw (1949)
35. The Green Glove (1952)
36. The Second Woman (1950)
37. Johnny Eager (1941)
38. Impact (1949)
39. Quicksand (1950)
40. Two of a Kind (1951)
41. The Salton Sea (2002)
42. The Small Back Room (1949)
43. Wind River (2017)
44. It Always Rains on Sunday (1947)
45. The Paradine Case (1947)
46. Bad for Each Other (1953)
47. Nowhere to Go (1958)
48. The Mask of Diijon (1946)
49. Ripley's Game (2002)
50. Yajû no seishun (1963)
51. Pusher II (2004)
52. Moontide (1942)
53. Ivy (1947)
54. The Glass Wall (1953)
55. Pusher III (2005)
56. Repeat Performance (1947)
57. Pushover (1954)
58. Time Is My Enemy (1954)
59. Madeo (2009)
60. Beyond a Reasonable Doubt (1956)
61. A Kiss Before Dying (1956)
62. Operation Diplomat (1953)
63. The Other Woman (1954)
64. The Ipcress File (1965)
65. City of Fear (1959)
66. They Drive by Night (1940)
67. Violent Saturday (1955)
68. Baby Face Nelson (1957)
69. Les tontons flingueurs (1963) a.k.a. Monsieur Gangster
70. Shot (1973)
71. The Brothers Rico (1957)
72. Mikey and Nicky (1976)
73. The Devil Thumbs a Ride (1947)
74. Hardcore (1979)
75. Whispering Footsteps (1943)
Bonus ChallengeShow
1940: City For Conquest/They Drive by Nigh
1941: Johnny Eager
1942: The Glass Key/Moontide
1943: Whispering Footsteps
1944:
1945:
1946: Black Angel/The Strange Woman/Fallen Angel/Night Editor/The Dark Corner/The Mask of Diijon
1947: Desperate/It Always Rains on Sunday/The Paradine Case/Ivy/Repeat Performance/The Devil Thumbs a Ride
1948: Pitfall/Road House/Inner Sanctum
1949: Too Late For Tears/Jigsaw/Impact/The Small Back Room
1950: The Breaking Point/No Way Out/The File on Thelma Jordon/The Second Woman/Quicksand
1951: Der Verlorene/Two of a Kind
1952: The Green Glove
1953: Bad for Each Other/The Glass Wall/Operation Diplomat
1954: Human Desire/Riot in Cell Block 11/Highway Dragnet/Pushover/Time Is My Enemy/The Other Woman
1955: Violent Saturday
1956: The Harder They Fall/Beyond a Reasonable Doubt/A Kiss Before Dying
1957: Baby Face Nelson/The Brothers Rico
1958: Le beau Serge/Nowhere To Go
1959: City of Fear

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Simba63
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Joined: Sep 07, 2017
Location: USA
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#360

Post by Simba63 » November 23rd, 2018, 4:13 am

88. Affair in Havana (1957) - 6/10
89. Blast of Silence (1961) - 6/10
90. A Blueprint for Murder (1953) - 6/10

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