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Awards Season 2018

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Awards Season 2018

#1

Post by flaiky » November 30th, 2018, 10:11 pm

Like last year, a thread to post/discuss winners and nominees.
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#2

Post by flaiky » November 30th, 2018, 10:13 pm

National Board of Review winners:
BEST FILM: Green Book
BEST DIRECTOR: Bradley Cooper - A Star Is Born
BEST ACTOR: Viggo Mortensen - Green Book
BEST ACTRESS: Lady Gaga - A Star Is Born
BEST SUPPORTING ACTOR: Sam Elliott - A Star Is Born
BEST SUPPORTING ACTRESS: Regina King - If Beale Street Could Talk
BEST ORIGINAL SCREENPLAY: First Reformed
BEST ADAPTED SCREENPLAY: If Beale Street Could Talk
BEST ANIMATED FEATURE: The Incredibles 2
BEST DOCUMENTARY: RBG
BEST FOREIGN FILM: Cold War
BEST ENSEMBLE: Crazy Rich Asians
BREAKTHROUGH PERFORMANCE: Thomasin McKenzie - Leave No Trace
BEST DIRECTORIAL DEBUT: Bo Burnham - Eighth Grade

TOP FILMS
The Ballad Of Buster Scruggs
Black Panther
Can You Ever Forgive Me?
Eighth Grade
First Reformed
If Beale Street Could Talk
Mary Poppins Returns
A Quiet Place
Roma
A Star Is Born

TOP 5 FOREIGN LANGUAGE FILMS
Burning
Custody
The Guilty
Happy As Lazzaro
Shoplifters

TOP 5 DOCUMENTARIES
Crime + Punishment
Free Solo
Minding The Gap
Three Identical Strangers
Won't You be My Neighbour

TOP 10 INDEPENDENT FILMS
The Death of Stalin
Lean On Pete
Leave No Trace
Mid90s
The Old Man And The Gun
The Rider
Searching
Sorry To Bother You
We The Animals
You Were Never Really Here
Nice nod for Thomasin Mackenzie.

We the Animals looks great, can't wait for that one.
Last edited by flaiky on November 30th, 2018, 10:16 pm, edited 1 time in total.
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#3

Post by flaiky » November 30th, 2018, 10:14 pm

New York Critics winners:
Best Film: Roma #NYFCC

Best Director: Alfonso Cuarón / Roma #NYFCC

Best Screenplay: First Reformed (Paul Schrader) #NYFCC

Best Actress: Regina Hall / Support the Girls #NYFCC

Best Actor: Ethan Hawke / First Reformed #NYFCC

Best Supporting Actress: Regina King / If Beale Street Could Talk #NYFCC

Best Supporting Actor: Richard E. Grant / Can You Ever Forgive Me? #NYFCC

Best Cinematography: Roma (Alfonso Cuarón) #NYFCC

Best Animated Film: Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman) #NYFCC

Best Non-Fiction Film: Minding the Gap (Bing Liu) #NYFCC

Best Foreign Language Film: Cold War (Pawel Pawlikowski) #NYFCC

Best First Film: Eighth Grade (Bo Burnham) #NYFCC

Special Award: Kino Classics Box Set “Pioneers: First Women Filmmakers” #NYFCC

Special Award: David Schwartz, stepping down as Chief Film Curator at Museum of the Moving Image after 33 years #NYFCC
Roma :banana:

Regina King coming out of nowhere for Best Actress. :huh:
Edit: Oops I mean Regina Hall. Not often that you have two Reginas to deal with.
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#4

Post by flaiky » November 30th, 2018, 10:33 pm

These are only nominees (so far), but a bit different from the norm so, Independent Spirit Awards:
Best Feature:
EIGHTH GRADE
FIRST REFORMED
IF BEALE STREET COULD TALK
LEAVE NO TRACE
YOU WERE NEVER REALLY HERE

Best Director:
Debra Granik, LEAVE NO TRACE
Barry Jenkins, IF BEALE STREET COULD TALK
Tamara Jenkins, PRIVATE LIFE
Lynne Ramsay, YOU WERE NEVER REALLY HERE
Paul Schrader, FIRST REFORMED

Best First Feature:
HEREDITARY
SORRY TO BOTHER YOU
THE TALE
WE THE ANIMALS
WILDLIFE

Best Female Lead:
Glenn Close, THE WIFE
Toni Collette, HEREDITARY
Elsie Fisher, EIGHTH GRADE
Regina Hall, SUPPORT THE GIRLS
Helena Howard, MADELINE’S MADELINE
Carey Mulligan, WILDLIFE

Best Male Lead:
John Cho, SEARCHING
Daveed Diggs, BLINDSPOTTING
Ethan Hawke, FIRST REFORMED
Christian Malheiros, SÓCRATES
Joaquin Phoenix, YOU WERE NEVER REALLY HERE

Best Supporting Female:
Kayli Carter, PRIVATE LIFE
Tyne Daly, A BREAD FACTORY
Regina King, IF BEALE STREET COULD TALK
Thomasin Harcourt McKenzie, LEAVE NO TRACE
J. Smith-Cameron, NANCY

Best Supporting Male:
Raúl Castillo, WE THE ANIMALS
Adam Driver, BLACKKKLANSMAN
Richard E. Grant, CAN YOU EVER FORGIVE ME?
Josh Hamilton, EIGHTH GRADE
John David Washington, MONSTERS AND MEN

Best Screenplay:
Richard Glatzer (Writer/Story By), Rebecca Lenkiewicz & Wash Westmoreland, COLETTE
Nicole Holofcener & Jeff Whitty, CAN YOU EVER FORGIVE ME?
Tamara Jenkins, PRIVATE LIFE
Boots Riley, SORRY TO BOTHER YOU
Paul Schrader FIRST REFORMED

Best First Screenplay:
Bo Burnham, EIGHTH GRADE
Christina Choe, NANCY
Cory Finley, THOROUGHBREDS
Jennifer Fox, THE TALE
Quinn Shephard (Writer/Story By) and Laurie Shephard (Story By), BLAME

Best Cinematography:
Ashley Connor, MADELINE’S MADELINE
Diego Garcia, WILDLIFE
Benjamin Loeb, MANDY
Sayombhu Mukdeeprom, SUSPIRIA
Zak Mulligan, WE THE ANIMALS

Best Editing:
Joe Bini, YOU WERE NEVER REALLY HERE
Keiko Deguchi, Brian A. Kates & Jeremiah Zagar, WE THE ANIMALS
Luke Dunkley, Nick Fenton, Chris Gill & Julian Hart, AMERICAN ANIMALS
Anne Fabini, Alex Hall and Gary Levy, THE TALE
Nick Houy, MID90S

John Cassavetes Award:
A BREAD FACTORY
EN EL SÉPTIMO DÍA
NEVER GOIN’ BACK
SÓCRATES
THUNDER ROAD

Robert Altman Award:
SUSPIRIA

Best Documentary:
HALE COUNTY THIS MORNING, THIS EVENING
MINDING THE GAP
OF FATHERS AND SONS
ON HER SHOULDERS
SHIRKERS
WON’T YOU BE MY NEIGHBOR?

Best International Film:
BURNING (South Korea)
THE FAVOURITE (United Kingdom)
HAPPY AS LAZZARO (Italy)
ROMA (Mexico)
SHOPLIFTERS (Japan)

Piaget Producers Award:
Jonathan Duffy and Kelly Williams
Gabrielle Nadig
Shrihari Sathe

Someone to Watch Award
Alex Moratto, SÓCRATES
Ioana Uricaru, LEMONADE
Jeremiah Zagar, WE THE ANIMALS

Truer Than Fiction Award:
Alexandria Bombach, ON HER SHOULDERS
Bing Liu, MINDING THE GAP
RaMell Ross, HALE COUNTY THIS MORNING, THIS EVENING

Annual Bonnie Award:
Debra Granik
Tamara Jenkins
Karyn Kusama
Sad not to see more for Lean on Pete or Thunder Road, but there's loads of good or intriguing stuff here.
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#5

Post by flaiky » December 4th, 2018, 10:03 am

British Independent Film Award Winners (The Favourite wins a record number):
Best Picture
“American Animals”
“Beast”
“Disobedience”
“The Favourite”

“You Were Never Really Here”

Best Director
Andrew Haigh, “Lean on Pete”
Yorgos Lanthimos, “The Favourite”

Bart Layton, “American Animals”
Michael Pearce,” “Beast”
Lynne Ramsay, “You Were Never Really Here”

Best Screenplay
Deborah Davis, Tony McNamara, “The Favourite”

Bart Layton, 
”American Animals”
Sebastian Lelio, Rebecca Lenkiewicz, “

Disobedience”
Michael Pearce, 
”Beast”
Lynne Ramsay, 

”You Were Never Really Here”

Best Actress
Gemma Arterton, “The Escape”
Jessie Buckley, “Beast”
Olivia Colman, “The Favourite”

Maxine Peake, “Funny Cow”
Rachel Weisz, “Disobedience”

Best Actor
Joe Cole, “A Prayer Before Dawn”

Steve Coogan, “Stan & Ollie”
Rupert Everett,
 “The Happy Prince”
Joaquin Phoenix, “You Were Never Really Here”
Charlie Plummer, 

”Lean on Pete”

Best Supporting Actress

Nina Arianda, “Stan & Ollie
”
Rachel McAdams, “Disobedience”
Emma Stone, 
”The Favourite
”
Rachel Weisz, “The Favourite”

Molly Wright, 
 “Apostasy”

Best Supporting Actor

Steve Buscemi, 

”Lean on Pete”
Barry Keoghan, 
”American Animals”
Alessandro Nivola,
 “Disobedience”

Evan Peters, 
”American Animals”
Dominic West, “Colette”

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Best Casting
“The Favourite”

“Beast”
“American Animals
”
“Stan & Ollie”
“Apostasy”

Best Costume Design

“Peterloo”
“Colette”
“The Favourite”

“Stan & Ollie”
“An Evening With Beverly Luff Lin”

Best Cinematography

“A Prayer Before Dawn”
“American Animals
”
“The Favourite”

“Lean on Pete

”
“You Were Never Really Here”

Best Editing
“A Prayer Before Dawn
”
“American Animals
”

“The Favourite”
“Happy New Year, Colin Burstead”
“You Were Never Really Here”

Best Effects
“Early Man”

“Dead in a Week (Or Your Money Back)
”
“Peterloo”

Best Make Up & Hair Design

“Peterloo”
“Stan & Ollie”
“A Prayer Before Dawn”
“Colette”
“The Favourite”


Best Music
“American Animals
”
“Beast”
“Funny Cow

”
“Island of the Hungry Ghosts”
“You Were Never Really Here

”


Best Production Design
“Colette”
“The Favourite”

“Peterloo”
“Stan & Ollie”
“Ray & Liz”

Best Sound
“A Prayer Before Dawn”
“American Animals
”
“The Favourite”
“Time Trial”
“You Were Never Really Here”

Best Documentary
“Being Frank: The Chris Sievey Story”
“Evelyn”
“Island”
“Nae Pasaran”
“Under the Wire”

Best British Short Film
“The Big Day”

“Bitter Sea”
“The Field”
“Pommel”
“To Know Him”

Most Promising Newcomer
Jessie Buckley, “Beast”

Michaela Coel, “Been So Long”
Liv Hill, 
”Jellyfish”
Marcus Rutherford, “Obey”
Molly Wright, “Apostasy



”

The Douglas Hickox Award (Best Debut Director)
Richard Billingham, 
”Ray & Liz”

Daniel Kokotajlo, “Apostasy”
Matt Palmer, “Calibre”
Michael Pearce, “Beast”
Leanne Welham, “Pill”

Debut Screenwriter
Karen Gillian, “The Party’s Just Beginning”
Daniel Kokotajlo, “Apostasy”
Bart Layton, “American Animals”

Matt Palmer, 

”Calibre”
Michael Pearce, “Beast”

Breakthrough Producer

Kristian Brodie, 

”Beast

”
Jacqui Davies, “Ray & Liz

”

Anna Griffin, “Calibre”
Marcie MacLellan, 

”Apostasy”
Faye Ward, “Stan & Ollie”

The Discovery Award
“The Dig”
“Irene’s Ghost”
“A Moment in the Reeds”
“Super November”
“Voyageuse”

Best International Independent Film

“Capernaum”
“Cold War”
“The Rider”
“Roma”

“Shoplifters”
Excellent choice for debut director, Ray & Liz is fantastic.
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#6

Post by flaiky » December 4th, 2018, 10:07 am

Washington DC critics winners:
Best Film
Roma

The Favourite
Green Book
If Beale Street Could Talk
A Star Is Born

Best Director
Alfonso Cuaron - Roma

Ryan Coogler - Black Panther
Bradley Cooper - A Star Is Born
Barry Jenkins - If Beale Street Could Talk
Yorgos Lanthimos - The Favourite

Best Actor
Bradley Cooper - A Star Is Born

Christian Bale - Vice
Ethan Hawke - First Reformed
Rami Malek - Bohemian Rhapsody
Viggo Mortensen - Green Book

Best Actress
Lady Gaga - A Star Is Born

Glenn Close - The Wife
Toni Collette - Hereditary
Olivia Colman - The Favourite
Melissa McCarthy - Can You Ever Forgive Me?

Best Supporting Actor
Mahershala Ali - Green Book

Timothée Chalamet - Beautiful Boy
Sam Elliot - A Star Is Born
Richard E. Grant - Can You Ever Forgive Me?
Michael B. Jordan - Black Panther

Best Supporting Actress
Regina King - If Beale Street Could Talk

Cynthia Erivo - Bad Times at the El Royale
Nicole Kidman - Boy Erased
Emma Stone - The Favourite
Rachel Weisz - The Favourite

Best Adapted Screenplay
Nicole Holofcener and Jeff Whitty - Can You Ever Forgive Me?

Spike Lee, David Rabinowitz, Charlie Wachtel and Kevin Willmott - BlacKkKlansman
Ryan Coogler and Joe Robert Cole - Black Panther
Barry Jenkins - If Beale Street Could Talk
Bradley Cooper, Will Fetters and Eric Roth - A Star Is Born

Best Original Screenplay
Deborah Davis and Tony McNamara - The Favourite

Bo Burnham - Eighth Grade
Paul Schrader - First Reformed
Brian Hayes Currie, Peter Farrelly and Nick Vallelonga - Green Book
Alfonso Cuaron - Roma

Best Ensemble
The Favourite

Black Panther
If Beale Street Could Talk
Vice
Widows

Best Animated Feature
Isle of Dogs

Incredibles 2
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

Best Documentary Film
Won't You Be My Neighbor?

Free Solo
RBG
Science Fair
Three Identical Strangers

Best Foreign Language Film
Roma • Mexico

Burning • South Korea
Capernaum • Lebanon
Cold War • Poland
Shoplifters • Japan

Best Production Design
Hannah Beachler (production design) and Jay Hart (set decoration) - Black Panther

Fiona Crombie (production design) and Alice Felton (set decoration) - The Favourite
Nathan Crowley (production design) and Kathy Lucas (set decoration) - First Man
John Myhre (production design) and Gordon Sim (set decoration) - Mary Poppins Returns
Eugenio Caballero (production design) and Bárbara Enríquez (set decoration) - Roma

Best Cinematography
Alfonso Cuaron - Roma

Robbie Ryan - The Favourite
Linus Sandgren - First Man
James Laxton - If Beale Street Could Talk
Matthew Libatique - A Star Is Born

Best Editing
Tom Cross - First Man

Yorgos Mavropsaridis - The Favourite
Alfonso Cuaron and Adam Gough - Roma
Jay Cassidy - A Star Is Born
Joe Walker - Widows

Best Original Score
Nicholas Britell - If Beale Street Could Talk

Ludwig Göransson - Black Panther
Justin Hurwitz - First Man
Thom Yorke - Suspiria
Hans Zimmer - Widows

Best Youth Performance
Elsie Fisher - Eighth Grade

Thomasin Harcourt McKenzie - Leave No Trace
Milly Shapiro - Hereditary
Millicent Simmonds - A Quiet Place
Amandla Stenberg - The Hate U Give

Best Animated Voice Performance
Bryan Cranston - Isle of Dogs

Holly Hunter - Incredibles 2
Shameik Moore - Spider-Man: Into the Spider-Verse
Sarah Silverman - Ralph Breaks the Internet
Ben Whishaw - Paddington 2

Best Motion Capture Performance
Josh Brolin - Avengers: Infinity War

Tye Sheridan - Ready Player One
Phoebe Waller-Bridge - Solo: A Star Wars Story

The Joe Barber Award for Best Portrayal of Washington, D.C.
Vice

The Front Runner
RBG
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#7

Post by albajos » December 4th, 2018, 10:16 am

Best Motion Capture Performance
If thery want more viewers on the Oscars they should have this one there too.

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#8

Post by OldAle1 » December 4th, 2018, 5:47 pm

Thanks for doing this flaiky! I remember the old days when Addison used to do this on the CFB, sigh. Always one of the things I looked forward to.

Looks so far like The Favourite, Green Book, Roma and A Star is Born are the heavy hitters.

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#9

Post by matthewscott8 » December 4th, 2018, 5:58 pm

ImageHello y'all the Grinch here. The awards season is hopeless, a barren wasteland of inappropriate choices. Have a nice evening y'all.

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#10

Post by OldAle1 » December 4th, 2018, 6:03 pm

I believe that's the wrong pic, matthew. We all know that your favorite film of the year is

https://www.imdb.com/title/tt2709692/reference

so stop with the sour grapes. I know you still can't get over the fact that Rob Schneider, Adam Sandler and Michael Bay have never won Oscars, but this is getting tiresome, plebs like you need to get with the program or just go post on the WatchMojo forums (if they exist).

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#11

Post by flaiky » December 4th, 2018, 6:46 pm

matthewscott8 wrote:
December 4th, 2018, 5:58 pm
Hello y'all the Grinch here. The awards season is hopeless, a barren wasteland of inappropriate choices. Have a nice evening y'all.
Yeah but it's fun innit! :woot:
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#12

Post by albajos » December 6th, 2018, 2:55 pm

2019 Golden Globe Awards Nominees

Best Motion Picture - Drama
A Star Is Born
BlacKkKlansman
Black Panther
Bohemian Rhapsody
If Beale Street Could Talk

Best Motion Picture - Animated
Incredibles 2
Isle of Dogs
Mirai no Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

Best Motion Picture - Foreign Language
Capharnaüm
Girl
Manbiki kazoku
Roma
Werk ohne Autor

Best Motion Picture - Musical or Comedy
Crazy Rich Asians
Green Book
Mary Poppins Returns
The Favourite
Vice

Best Performance by an Actor in a Motion Picture - Drama
Bradley Cooper
A Star Is Born

John David Washington
BlacKkKlansman

Lucas Hedges
Boy Erased

Rami Malek
Bohemian Rhapsody

Willem Dafoe
At Eternity's Gate

Best Performance by an Actor in a Motion Picture - Musical or Comedy
Christian Bale
Vice

John C. Reilly
Stan & Ollie

Lin-Manuel Miranda
Mary Poppins Returns

Robert Redford
The Old Man & the Gun

Viggo Mortensen
Green Book

Best Performance by an Actress in a Motion Picture - Drama
Glenn Close
The Wife

Lady Gaga
A Star Is Born

Melissa McCarthy
Can You Ever Forgive Me?

Nicole Kidman
Destroyer

Rosamund Pike
A Private War

Best Performance by an Actress in a Motion Picture - Musical or Comedy
Charlize Theron
Tully

Constance Wu
Crazy Rich Asians

Elsie Fisher
Eighth Grade

Emily Blunt
Mary Poppins Returns

Olivia Colman
The Favourite

Best Performance by an Actor in a Supporting Role in a Motion Picture
Adam Driver
BlacKkKlansman

Mahershala Ali
Green Book

Richard E. Grant
Can You Ever Forgive Me?

Sam Rockwell
Vice

Timothée Chalamet
Beautiful Boy

Best Performance by an Actress in a Supporting Role in a Motion Picture
Amy Adams
Vice

Claire Foy
First Man

Emma Stone
The Favourite

Rachel Weisz
The Favourite

Regina King
If Beale Street Could Talk

Best Director - Motion Picture
Adam McKay
Vice

Alfonso Cuarón
Roma

Bradley Cooper
A Star Is Born

Peter Farrelly
Green Book

Spike Lee
BlacKkKlansman

Best Screenplay - Motion Picture
Green Book
Nick Vallelonga, Brian Hayes Currie, Peter Farrelly

If Beale Street Could Talk
Barry Jenkins

Roma
Alfonso Cuarón

The Favourite
Tony McNamara, Deborah Davis

Vice
Adam McKay

Best Original Song - Motion Picture
A Private War
Requiem for A Private War

A Star Is Born
Shallow

Black Panther
All the Stars

Boy Erased
Revelation

Dumplin'
Girl in the Movies

Best Original Score - Motion Picture
A Quiet Place
Marco Beltrami

Black Panther
Ludwig Göransson

First Man
Justin Hurwitz

Isle of Dogs
Alexandre Desplat

Mary Poppins Returns
Marc Shaiman

TVShow
Best Performance by an Actor in a Television Series - Drama
Billy Porter
Pose

Jason Bateman
Ozark

Matthew Rhys
The Americans

Richard Madden
Bodyguard

Stephan James
Homecoming

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television
Antonio Banderas
Genius

Benedict Cumberbatch
Patrick Melrose

Daniel Brühl
The Alienist

Darren Criss
American Crime Story

Hugh Grant
A Very English Scandal

Best Performance by an Actor in a Television Series - Musical or Comedy
Bill Hader
Barry

Donald Glover
Atlanta

Jim Carrey
Kidding

Michael Douglas
The Kominsky Method

Sacha Baron Cohen
Who Is America?

Best Performance by an Actress in a Television Series - Drama
Caitriona Balfe
Outlander

Elisabeth Moss
The Handmaid's Tale

Julia Roberts
Homecoming

Keri Russell
The Americans

Sandra Oh
Killing Eve

Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television
Amy Adams
Sharp Objects

Connie Britton
Dirty John

Laura Dern
The Tale

Patricia Arquette
Escape at Dannemora

Regina King
Seven Seconds

Best Performance by an Actress in a Television Series - Musical or Comedy
Alison Brie
GLOW

Candice Bergen
Murphy Brown

Debra Messing
Will & Grace

Kristen Bell
The Good Place

Rachel Brosnahan
The Marvelous Mrs. Maisel

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Alan Arkin
The Kominsky Method

Ben Whishaw
A Very English Scandal

Edgar Ramírez
American Crime Story

Henry Winkler
Barry

Kieran Culkin
Succession

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Alex Borstein
The Marvelous Mrs. Maisel

Patricia Clarkson
Sharp Objects

Penélope Cruz
American Crime Story

Thandie Newton
Westworld

Yvonne Strahovski
The Handmaid's Tale

Best Television Series - Musical or Comedy
Barry
Kidding
The Good Place
The Kominsky Method
The Marvelous Mrs. Maisel

Best Television Limited Series or Motion Picture Made for Television
A Very English Scandal
American Crime Story
Escape at Dannemora
Sharp Objects
The Alienist

Best Television Series - Drama
Bodyguard
Homecoming
Killing Eve
Pose
The Americans

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#13

Post by albajos » December 6th, 2018, 3:03 pm

Still a lot I haven't seen, but seems Roma would easily win best drama if it had been nominated there. it could struggle more in foreign against Manbiki kazoku (Shoplifters)

A Star Is Born
BlacKkKlansman
Black Panther
Bohemian Rhapsody
If Beale Street Could Talk

Crazy Rich Asians
Green Book
Mary Poppins Returns
The Favourite
Vice

Capharnaüm
Girl
Manbiki kazoku
Roma
Werk ohne Autor

Incredibles 2
Isle of Dogs
Mirai no Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse

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#14

Post by sol » December 6th, 2018, 3:55 pm

Globe surprises:

- No nominations for First Reformed (this was growing to be a favourite for Best Actor and Best Screenplay)
- No nomination for Sam Elliott
- No nominations for Widows

Probably some other stuff. Happy to see BlacKkKlansman getting due recognition. Imagine how great a speech Spike Lee would give if he won.
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#15

Post by albajos » December 6th, 2018, 4:13 pm

Yes, nothing for First Man either, which was my guess. But the Golden Globes are weird.
Last edited by albajos on December 6th, 2018, 8:17 pm, edited 1 time in total.

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#16

Post by Ivan0716 » December 6th, 2018, 4:25 pm

John David Washington
BlacKkKlansman
Seriously? :facepalm:

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#17

Post by albajos » December 6th, 2018, 4:34 pm

BlacKkKlansman is a comedy, so I don't think it will win much of the drama awards anyway

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#18

Post by XxXApathy420XxX » December 6th, 2018, 4:42 pm

I haven't seen most of these films (I'll probably get through them eventually during screener season), but this list looks especially bad, even for the Golden Globes.

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#19

Post by flaiky » December 6th, 2018, 7:45 pm

First Man got 2 nomination but yeah, its Best Picture and Actor hopes look pretty dead at this point. It BETTER win Best Score.

Glad that Capernaum is gathering momentum, such a powerful film. I haven't heard of Never Look Away - I guess it's basically The Lives of Others vol 2?

Shame that Toni Collete got snubbed; loving that Sam Elliott got snubbed tehe
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#20

Post by brokenface » December 6th, 2018, 8:08 pm

For Oscar BP nominees, it looks like:

Definite
A Star is Born
Roma
Green Book

Probable
If Beale Street Could Talk
The Favourite
Vice

Possible
BlacKkKlansman
Black Panther
First Man

Long shots
Mary Poppins Returns
Bohemian Rhapsody
Widows
Can You Ever Forgive Me


Still finding it weird that Peter Farrelly directed one of the favourites.

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#21

Post by albajos » December 6th, 2018, 8:21 pm

I've seen it. (Green Book) It is really an actor's picture. The two leads bear it on their shoulders. The supporting cast are terrible though. Just playing (mainly italian) stereotypes.

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#22

Post by GruesomeTwosome » December 6th, 2018, 8:44 pm

brokenface wrote:
December 6th, 2018, 8:08 pm
Still finding it weird that Peter Farrelly directed one of the favourites.
Heh, me too. And why wasn't his brother Bobby involved in this one, as he always had been?

Anywho, as for these Golden Globe noms, I would be surprised if A Star Is Born didn't win that "Best Pic - Drama" category. Haven't seen it yet, it just looks like it would be the winner amongst that group, barring any Moonlight-like momentum that the Barry Jenkins film may gain once we get closer to the ceremony. Also didn't see Bohemian Rhapsody (and not really interested in it), but I'm a bit surprised that got into the final Best Pic nominees.
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#23

Post by flaiky » December 6th, 2018, 8:55 pm

AFI top 10 of 2018:
“BlackKklansman”

“Black Panther”

“Eighth Grade”

“If Beale Street Could Talk”

“The Favourite”

“First Reformed”

“Green Book”

“Mary Poppins Returns”

“A Quiet Place”

“A Star Is Born”

AFI SPECIAL AWARD

“Roma”
A Quiet Place? :down:

Mary Poppins is doing much better than expected, I actually thought it would be a total flop.

They left out Vice but I think the Academy will love that one like they did The Big Short.

First Man and Widows: very much dead.
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#24

Post by GruesomeTwosome » December 6th, 2018, 8:58 pm

Yeah, also finding the awards love for the new Mary Poppins thing to be a bit eyebrow-raising, wasn't expecting that.
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#25

Post by OldAle1 » December 6th, 2018, 9:01 pm

I just saw Widows yesterday and while I could understand to some extent the critical praise and potential for awards, it didn't hit any kind of peak for me. Way too many characters, way too many little plot-detours that are never developed, and the racial stuff in particular seemed to be dealt with poorly. Not that there isn't good stuff - some great camerawork, particularly in the scenes involving cars (and there are lots of them) and the acting is, as you would expect, solid all around; but it felt like a 3-hour epic squeezed into 130 minutes with a lot of the important character and background details omitted to make for a more exciting crime film. Being a generous viewer/rater I can still say I liked it and would cautiously recommend it to many people, but for me it's nowhere near a great film.

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#26

Post by brokenface » December 6th, 2018, 9:07 pm

GruesomeTwosome wrote:
December 6th, 2018, 8:58 pm
Yeah, also finding the awards love for the new Mary Poppins thing to be a bit eyebrow-raising, wasn't expecting that.
Disney money, nostalgia reboot + a cast full of awards favourites (Streep, Firth, Walters, etc)...always likely to have a chance. What'll probably count against is another semi-musical being amongst favourites + late release

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#27

Post by brokenface » December 6th, 2018, 9:12 pm

OldAle1 wrote:
December 6th, 2018, 9:01 pm
I just saw Widows yesterday and while I could understand to some extent the critical praise and potential for awards, it didn't hit any kind of peak for me. Way too many characters, way too many little plot-detours that are never developed, and the racial stuff in particular seemed to be dealt with poorly. Not that there isn't good stuff - some great camerawork, particularly in the scenes involving cars (and there are lots of them) and the acting is, as you would expect, solid all around; but it felt like a 3-hour epic squeezed into 130 minutes with a lot of the important character and background details omitted to make for a more exciting crime film. Being a generous viewer/rater I can still say I liked it and would cautiously recommend it to many people, but for me it's nowhere near a great film.
Yeah I'd agree with that, think it's unlikely to do much awards-wise. If you didn't know it's a remake/reworking of a 5 hr British miniseries from the 80s (which I've not seen) - which explains why it might seem like a condensed epic.


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#29

Post by OldAle1 » December 6th, 2018, 9:14 pm

Ah, I didn't know that, that makes sense. Also the fact that it didn't feel very "Chicago" despite being filmed there. I mean the racial dynamics are right - but they're not that different in numerous other cities, including I suppose London.

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#30

Post by brokenface » December 6th, 2018, 9:17 pm

albajos wrote:
December 6th, 2018, 3:03 pm
Still a lot I haven't seen, but seems Roma would easily win best drama if it had been nominated there. it could struggle more in foreign against Manbiki kazoku (Shoplifters)
Are foreign language films restricted to that category in Golden Globes?

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#31

Post by flaiky » December 6th, 2018, 9:17 pm

Re Widows: I also saw it last night and agree almost entirely with OldAle, though perhaps overall I have less reservations. You can definitely tell that it's meant to be a miniseries. I also thought some of the twists and more 'shocking' points felt a little silly, or at least they would without McQueen's classy direction and the great non-Liam Neason cast. I really loved the first hour, much more than I expected (despite being a big McQueen fan, I was never sold on the trailer) but as it became more of a standard thriller and, as you said, became increasingly fractured, my enthusiasm slipped. Still, easily a thumbs-up from me.
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#32

Post by flaiky » December 6th, 2018, 9:20 pm

OldAle1 wrote:
December 6th, 2018, 9:14 pm
Ah, I didn't know that, that makes sense. Also the fact that it didn't feel very "Chicago" despite being filmed there. I mean the racial dynamics are right - but they're not that different in numerous other cities, including I suppose London.
I loved the scene that followed the car driving, starting in a very deprived area and then in just a few minutes being surrounded by mansions and super privilege. Is that fairly typical of Chicago? It definitely would be in London.
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#33

Post by albajos » December 6th, 2018, 9:43 pm

brokenface wrote:
December 6th, 2018, 9:17 pm
albajos wrote:
December 6th, 2018, 3:03 pm
Still a lot I haven't seen, but seems Roma would easily win best drama if it had been nominated there. it could struggle more in foreign against Manbiki kazoku (Shoplifters)
Are foreign language films restricted to that category in Golden Globes?
Rule
"the film must have its principal dialogue in English"
It's almost only The Last Emperor and Babel in both categories that has been nominated that have some amount of foreign..
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#34

Post by OldAle1 » December 6th, 2018, 10:06 pm

flaiky wrote:
December 6th, 2018, 9:20 pm
OldAle1 wrote:
December 6th, 2018, 9:14 pm
Ah, I didn't know that, that makes sense. Also the fact that it didn't feel very "Chicago" despite being filmed there. I mean the racial dynamics are right - but they're not that different in numerous other cities, including I suppose London.
I loved the scene that followed the car driving, starting in a very deprived area and then in just a few minutes being surrounded by mansions and super privilege. Is that fairly typical of Chicago? It definitely would be in London.
Yeah, absolutely. Where I lived for many years - Evanston, the suburb that borders on the city to the north - I would occasionally hear gang-related gunshots a few blocks south of me, but 3-4 blocks north were houses worth probably $2-3 million today. There were plenty of areas in the city and oldest suburbs where in the space of a mile you'd go from extreme poverty to extreme wealth.

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#35

Post by outdoorcats » December 6th, 2018, 10:42 pm

:think: This is me trying to wrap my head around Barry Jenkins not getting a Best Director nomination, but Peter Farrelly getting one.

Also, where was the love for Nicholas Britell?

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#36

Post by Ivan0716 » December 6th, 2018, 11:06 pm

albajos wrote:
December 6th, 2018, 8:21 pm
I've seen it. (Green Book) It is really an actor's picture. The two leads bear it on their shoulders. The supporting cast are terrible though. Just playing (mainly italian) stereotypes.
Very much this, it's the kind of film I would have hated if I hadn't watched it in a packed theatre, I had a good laugh but found it otherwise very shallow, the direction and screenplay weren't anything to get excited about. I guess I can understand the award hype being a crowdpleaser and all but I don't agree with it.

Widows is my least favourite McQueen, but I'm surprise it got snubbed so hard, would have like to see a supporting nom for Elizabeth Debicki at least, hell, she can take Washington Jr.'s best actor spot for all I care. :yucky:

Shoplifters is great and might have won any other year but Roma is just on a level of its own, I think it's even more of a surefire winner than The Great Beauty/A Separation.

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#37

Post by maxwelldeux » December 6th, 2018, 11:21 pm

OldAle1 wrote:
December 6th, 2018, 10:06 pm
flaiky wrote:
December 6th, 2018, 9:20 pm
OldAle1 wrote:
December 6th, 2018, 9:14 pm
Ah, I didn't know that, that makes sense. Also the fact that it didn't feel very "Chicago" despite being filmed there. I mean the racial dynamics are right - but they're not that different in numerous other cities, including I suppose London.
I loved the scene that followed the car driving, starting in a very deprived area and then in just a few minutes being surrounded by mansions and super privilege. Is that fairly typical of Chicago? It definitely would be in London.
Yeah, absolutely. Where I lived for many years - Evanston, the suburb that borders on the city to the north - I would occasionally hear gang-related gunshots a few blocks south of me, but 3-4 blocks north were houses worth probably $2-3 million today. There were plenty of areas in the city and oldest suburbs where in the space of a mile you'd go from extreme poverty to extreme wealth.
I think that's pretty common in a lot of big American cities - when I lived in both Minneapolis and Louisville, I lived in cheap "poor" housing that catered to college students and low-income people. But I could also take a stroll around the neighborhood and walk past houses I couldn't dream of affording.

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#38

Post by Good_Will_Harding » December 7th, 2018, 12:19 am

God, the Golden Globes are a total snooze this year. Disappointing to see First Reformed and Hawke get completely shutout, especially after doing so well up to this point. But I doubt this'll be a major hiccup on the way to the Oscars. On the flipside, it's nice that Elsie Fisher got recognized for Eighth Grade and some of the original score nods are pretty inspired (even though the lovely soundtrack for Beale Street was overlooked).

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#39

Post by sebby » December 7th, 2018, 1:31 am

Black Panther gets a BP Globe nom. Boy is that going to look cringeworthy a few years from now. "If we nominate this shitty superhero movie will you please not be mean on twitter?" Oy.

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#40

Post by XxXApathy420XxX » December 7th, 2018, 1:35 am

sebby wrote:
December 7th, 2018, 1:31 am
Black Panther gets a BP Globe nom. Boy is that going to look cringeworthy a few years from now. "If we nominate this shitty superhero movie will you please not be mean on twitter?" Oy.
Not gonna lie, seeing tumblr posts about it is cringy. Calling haters for it racist and complaining that it took this long for a Marvel film to be nominated.

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